sun 27/07/2025

Reviews

Crimes of the Future review - Cronenberg looks back

Crimes of the Future is a nostalgic return to classic Cronenberg, a comforting catalogue of body horror and fleshy biosynthesis, paranoid plots and shadowy cabals. Sharing a title with his 1970 debut, the director is still fascinated by our physical...

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The Clinic, Almeida Theatre review - race and the status quo

As Dipa Baruwa-Etti’s latest play, The Clinic, reminds us, the Tory party has a strong showing of Black MPs – Badenoch, Cleverly, Kwarteng. It was finished long before the latest Cabinet appointments, but presciently picked those three names, all...

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The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusion

[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip...

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Denk, RSNO, Macdonald, Lammermuir Festival review - dark Sibelius and mighty Brahms

Once the shock of Queen Elizabeth’s death has faded, attention will surely turn to the many organisations and institutions of which she was patron. This concert not only marked the Royal Scottish National Orchestra’s debut at the Lammermuir Festival...

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Walking with Ghosts, Apollo Theatre review - a beguiling Gabriel Byrne opens up

Gabriel Byrne is not a typical film star. From his breakthrough as the lustful and doomed Uther Pendragon in Excalibur, via his iconic Prohibition-era gangster in the Coen brothers’ Miller’s Crossing and the wickedly twisty ...

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Music Reissues Weekly: The Sons of Adam - Saturday's Sons: The Complete Recordings 1964-1966

 “We played the Rolling Stones concert at Long Beach Arena. The Stones came on, and it was the first time that any band had ever done better than us. I was very angry about that.” Randy Holden was The Sons of Adam’s guitarist. He was pretty...

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Munich Games, Sky Atlantic review - superbly crafted thriller races to prevent a terrorist attack

A black box with a red blinking light is being stashed in a cabinet under the seating of the Olympic stadium in Munich. Then a hoodie-ed man is seen in silhouette, the stadium in the background. We are about to be plunged into the darker corners of...

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See How They Run review - a whodunit pastiche set in Fifties London

A starry cast headed by Saoirse Ronan and Sam Rockwell doesn’t quite manage to bring this lavish, light-hearted period pastiche to life, though it looks good – nice cars, lovely costumes, a quasi-Wes Anderson vibe – and there are mild chuckles...

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Prom 69, Beethoven's Missa Solemnis, Monteverdi Choir, ORR, Gardiner review - shock, fervour and total focus

Back in 1990, John Eliot Gardiner with his Monteverdi Choir, English Baroque Soloists and world-class singers set the South Bank alight with revelatory concert performances of Mozart’s Idomeneo and La clemenza di Tito. Now he's done it again for an...

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Silence, Donmar Warehouse review - documenting disaster

Partition equals trauma. It cannot have escaped anyone’s attention that the British Empire’s solution to intractable problems in three of its most important colonies and mandates – namely Ireland, India and Palestine – was the divisive device of...

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The Goldberg Variations, De Keersmaeker, Kolesnikov, Sadler's Wells review - keyboard harmony and atonal dance

Jean-Guihen Queyras and five dancers of Anne Teresa De Keersmaeker’s Rosas company in the Bach Cello Suites was a thing of constantly evolving wonder. So too is Pavel Kolesnikov’s ongoing dialogue with Bach’s Goldberg Variations, different every...

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Ken Auletta: Hollywood Ending - Harvey Weinstein and the Culture of Silence review - if the tide had turned in 2002...

It was not until October 2017 that The New York Times ran a front page story by Jodi Kantor and Megan Twohey with the title “Harvey Weinstein Paid Off Sexual Harrassment Accusers for Decades.”A few days later, the board of the Weinstein Company,...

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