thu 08/05/2025

Reviews

Physical, Apple TV+ review - too much pain, not enough gain

It’s not easy to sum up Physical in a pithy soundbite, though “quasi-political misanthropic comedy” might be vaguely in the right ballpark. It’s set in San Diego, California in the early Eighties, in the aftermath of Ronald Reagan’s election to the...

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Blu-ray: Flowers of Shanghai

Rounding out a decade of personal success – beginning with his Cannes Jury Prize-winning The Puppetmaster (1993), followed by a best director award for Good Men, Good Women (1995) – the Taiwanese director Hou Hsiao-hsien...

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BBC Cardiff Singer of the World 2021 Final, BBC Four review – an embarrassment of vocal riches

A massive musical hope for the future is what we all need right now, after 14 stop/semi-start months and a threatened decimation of the concert and opera scene, the danger of which isn't over yet. This year’s BBC Cardiff Singer of the World...

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Young Pilgrims, Hare & Hounds, Birmingham review – raucous jazz rockers whip up a storm

With a third wave of Covid-19 being widely predicted in the media and the UK live music scene still not back on its feet after the last one, audiences must take their gigs however they are served up. Given the news coverage, I admit to having...

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Ivan the Terrible, Grange Park Opera review - from tsar to Stalin in five lopsided scenes

All 15 of Rimsky-Korsakov’s operas deserve to be seen and heard live at least once, though not all of them need staging. Veteran director David Pountney’s bold choice for Grange Park Opera actually gives us two, a prologue reworked as music-drama...

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Reissue CDs Weekly: Dungen - Stadsvandringar

Dungen’s October 2005 appearance on Late Night With Conan O'Brien was incongruous. Here was a Swedish band on an independent label, singing in their native language, playing live on coast-to-coast mainstream US TV. The show’s host making a great...

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Solstice, English National Ballet, RFH review - a midsummer treat

“A tonic to the nation”. That was the hoped-for effect of the Festival of Britain in 1951, and its concrete legacy was the Royal Festival Hall. Seventy years on, it’s fitting that English National Ballet should be the first through its doors, post...

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Jimmy Carr, Palace Theatre review - rape gags and risible claims

What to make of Jimmy Carr? He’s a fantastic gag writer and experienced stand-up who has made a hugely successful career on television. And yet... as Terribly Funny makes clear, you have to share what he calls his dark and edgy humour - or, as he...

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Hallé, Berglund, Bridgewater Hall, Manchester review - taking Beethoven seriously

Tabita Berglund is that rare species, an up-and-coming orchestral conductor attracting enough attention to secure repeated international bookings in even these straitened times. She also happens to be female and young, which until relatively...

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In the Heights review - to life, Lin-Manuel Miranda-style

The general uptick of late in film versions of stage musical hits continues apace with In the Heights, which, to my mind anyway, is far more emotionally satisfying and visually robust onscreen than it was on Broadway, where it won the 2008 Tony for...

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Happy Days, Riverside Studios review - memory, madness and melancholy

Just when you thought you couldn’t take any more one- or two-handers, online or in the theatre, along comes the supreme masterpiece to jolt you out of any fatigue. Every line counts as Winnie, buried up to her waist and then up to her neck,...

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Der Rosenkavalier, Garsington Opera review - musical marvels, drama less often fulfilled

Whatever else happens on the country opera scene this summer, the golden rose award for sheer chutzpah goes to the ever-ambitious Garsington team in pulling this off in no small style. Planning any production of Richard Strauss and Hugo von...

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