Reviews
Sequin in a Blue Room review - soullessness and sex in SydneySaturday, 10 April 2021
Sequin is the screen name for the questing 16-year-old at the slowly awakening heart of Sequin in a Blue Room, a 2019 Australian film only now reaching the UK. The graduation project of its New Zealand-born director and co-writer Samuel Van Grinsven... Read more... |
The Seven Deadly Sins / Mahagonny Songspiel, Royal Opera online - modern morality tales mesh uneasilySaturday, 10 April 2021
There are so many good ideas, so much talented hard work from the singers of the Jette Parker Young Artists Programme and two dancers, such a cinematic use of the Royal Opera House, that Isabelle Kettle’s interweaving of two Brecht/Weill mini... Read more... |
Castalian Quartet, Stoller Hall, Manchester online review - mercurial playing fits a varied programmeFriday, 09 April 2021
The Polyphonic Concert Club is a collective of musicians – including Isata Kanneh-Mason and I Fagiolini – offering recorded chamber recitals released weekly through March and April. Like the festivals of Voces8 (I reviewed their Christmas series)... Read more... |
Sound of Metal review - hidden depths behind the decibelsThursday, 08 April 2021
I once went to see Motorhead, back in the days when real men didn’t wear earplugs, and afterwards it was if somebody had completely sawn off the top half of my hearing register. Weird and scary, and the band were putting themselves through that... Read more... |
This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now)Thursday, 08 April 2021
It’s no surprise that 30 years on, the individuals most closely connected to the world’s biggest art heist are showing their age. Anne Hawley was a young woman just months into her directorship of the Isabella Stewart Gardner Museum in Boston when... Read more... |
Undine review - respecting the nymphWednesday, 07 April 2021
Illogical in its twists and turns, elusive as a fading dream but not stylistically dreamy – Christian Petzold’s optimistic romantic tragedy Undine is a ciné-conundrum par excellence. It seems, at first glance, a dismayingly insubstantial work for... Read more... |
Intruder, Channel 5 review - implausible but watchableWednesday, 07 April 2021
Channel 5 is rather partial to its four-night dramas, though recent effort The Drowning seemed to have sneaked unseen past the quality control department on its way to the screen. It pulled in the viewers though, and Intruder will probably do the... Read more... |
Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meetWednesday, 07 April 2021
“I think it happened to you, too, the first time you arrived.” So begins Andrea Bajani’s second novel (Se consideri le colpe, 2007), recently translated from Italian by Elizabeth Harris, with the narrator’s characteristic reserve. “You”, that... Read more... |
Loyiso Gola, Netflix review - South African muses on race, religion and friendshipWednesday, 07 April 2021
Loyiso Gola, twice nominated for Emmy awards for his satire show Late Nite News, has been a big star in South Africa for some years now but this show should help cement his reputation abroad. UK fans will remember his 2018 appearance on Live at the... Read more... |
Romeo and Juliet, National Theatre online review - a triumphant hybridMonday, 05 April 2021
Shakespeare's enduring tale of star-crossed lovers is especially pertinent in a pandemic. The fatal plot twist depends on failed communication during an outbreak of pestilence, and one of the most famous lines is Mercutio's heartfelt, "A plague on... Read more... |
Queen Elizabeth and the Spy in the Palace, Channel 4 review - how the Fourth Man burrowed deep into the British EstablishmentMonday, 05 April 2021
Director of the Courtauld Institute, Surveyor of the Queen’s Pictures and a particular expert on the art of Poussin, Sir Anthony Blunt spent decades at the epicentre of the royal family and the British Establishment. He was, as the so-called “Fourth... Read more... |
Wilderness review – 'what comes after besotted?'Monday, 05 April 2021
Wilderness has close-ups. And intimacy. And glorious empty beaches. A couple – John (James Barnes) and Alice (Katharine Davenport) – first meet outside the back door of a jazz club. They become completely infatuated with each other. We see them... Read more... |
