Reviews
New York City Ballet 2021 Spring Gala online review - Balanchine and Robbins shine in a dark theatreSaturday, 15 May 2021
It’s official. Masks are coming off across America while theatres remain dark. Over here, theatres are about to re-open and masks must be worn. An identical situation gives rise to different responses prompted by local preoccupations. Local... Read more... |
Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favouritesSaturday, 15 May 2021
The Royal Northern Sinfonia handed its players artistic control of the programme for this livestream from the Sage, Gateshead and if the result lacked coherence it certainly had the variety and diversity missing from the Wigmore Hall Nash Ensemble... Read more... |
The Woman in the Window review - hitching a ride with HitchSaturday, 15 May 2021
Darkest Hour may have been director Joe Wright’s finest hour, but we can say for certain that, despite its impressive cast, The Woman in the Window isn’t. Concocted from A J Finn’s titular novel with a screenplay by Tracy Letts, it’s a perplexingly... Read more... |
Domina, Sky Atlantic review - a little less conversation, a little more action requiredSaturday, 15 May 2021
Ancient Rome has always been a popular playground for film and TV, whether it’s Ben Hur, Gladiator or the 2005 TV series Rome. This Italian-made series for Sky Atlantic was shot at the renowned Cinecittà Studios in Rome, where Visconti, Leone,... Read more... |
End of Sentence review - an American father and his estranged son reconcile in IrelandSaturday, 15 May 2021
It’s not until the final moments of End of Sentence that Frank (John Hawkes) lets himself laugh – he’s swimming in the icy waters of an Irish lake - and what a relief it is to hear. Icelandic director Elfar Adalsteins’s debut feature (Sailcloth, a... Read more... |
Sam Riviere: Dead Souls review – whip-smart literary satire with a techno tingeThursday, 13 May 2021
In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses... Read more... |
Some Kind of Heaven review - a Florida retirement community yields its secretsThursday, 13 May 2021
In the UK, we usually get a peek inside The Villages in Florida every four years, when intrepid reporters take to their golf carts in the retirement community to test the water in presidential elections among its 132,000 residents. Their views... Read more... |
Danny Boy, BBC Two review - when law and war collideThursday, 13 May 2021
The issue of public inquiries into the conduct of the military is in the headlines again, with a current focus on Northern Ireland, but at the centre of screenwriter Robert Jones’s Danny Boy was the attempt to find British soldiers guilty of war... Read more... |
Turner's Modern World, Tate Britain review - the universal artistThursday, 13 May 2021
When Turner’s Modern World opened at Tate Britain last autumn only to close again days later, we might have felt then an echo of sensations and sentiments powerfully expressed in the exhibition itself. Its subject is the dirty cacophony of newly... Read more... |
Lucy Caldwell: Intimacies review - exploring the empty spacesWednesday, 12 May 2021
In the first short story of Lucy Caldwell’s collection Intimacies, “Like This”, one of the worst possible things that could ever happen to a parent occurs. On the spur of a stressful moment in a café, an overloaded mother takes her screaming toddler... Read more... |
Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Deluxe EditionTuesday, 11 May 2021
With over eight million copies sold in its 50-year lifespan, Déjà Vu was, as Cameron Crowe writes in the booklet accompanying this compendious four-CD edition, “one of the most famous second albums in rock history”. It was originally released in... Read more... |
Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrowTuesday, 11 May 2021
The drunkard in spring; the lonely man in autumn; the long goodbye. Mahler’s last song-cycle often seems to embody solitude; a resigned, earthly counterpart to the transcendent rapture of his previous work, the Eighth Symphony, as a superstitious... Read more... |
