Reviews
Extinction: The Facts, BBC One review - David Attenborough tells a devastating storyMonday, 14 September 2020
Fires are raging: by human agency – unthinking greed – in the Amazonian rainforest, by climate change, arson and accident in California and the American Northwest, and barely under control in Australia, another country whose leading politicians and... Read more... |
Christian Gerhaher, Gerold Huber, Wigmore Hall review – revelatory Schubert welcomes audiences backMonday, 14 September 2020
“It’s SO good to be back,” said Catherine Bott, and it would be impossible to disagree with her. She was presenting the livestream of the first concert to be performed in front of an audience at Wigmore Hall since March. The rules as originally in... Read more... |
The Singapore Grip, ITV review - colonial clichésMonday, 14 September 2020
ITV’s Sunday evening costume drama slot is filled for the next six weeks with this lacklustre adaptation of JG Farrell’s satirical novel, The Singapore Grip. Set in 1942, it was written in 1978 as the final part of his trilogy about British... Read more... |
William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailedSunday, 13 September 2020
This is a biography like no other, more or less dictated by Lucian Freud. William Feaver spoke with the artist perhaps almost daily for nearly 40 years, visiting frequently, taking notes, recording, and being shown work in progress. The second... Read more... |
Nick Hornby: Just Like You review - funny but inauthentic Brexit novelSunday, 13 September 2020
Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of becoming a DJ. Lucy, a regular customer at the butcher’s... Read more... |
Susanna Clarke: Piranesi review - the mysteries of the HouseSunday, 13 September 2020
The man called Piranesi lives in a House (he likes Capital Letters, and he tells the story). This House consists of an endless labyrinth, like “an infinite series of classical buildings knitted together”. Each of its Halls measures “approximately... Read more... |
Reissue CDs Weekly: The London Pub Rock Scene, The Year The UK Turned Day-GloSunday, 13 September 2020
The standard recitation goes like this. In the early Seventies a London scene evolved, centring on bands playing in pubs. Music was taken back to the grassroots. Finesse was unnecessary. What happened was dubbed pub rock and it laid the ground for... Read more... |
Matthew Sperling: Viral review - whip-smart satire about the void at the heart of techSunday, 13 September 2020
Strange, that novels like this, which seem to have their finger on the pulse of the zeitgeist, already have a tinge of sepia about them. Set in a bustling east Berlin, this sharply plotted tale of start-up bliss and blunder, then bliss again, sees... Read more... |
Naomi Booth: Exit Management review - unwrapping life's unpleasantnessSunday, 13 September 2020
When you try to get rid of something, it comes back to bite you – so says Naomi Booth in her new novel Exit Management. It’s one of those books that you want to read very quickly, its writing slickly modern and its characters compellingly flawed.... Read more... |
The Shrine & Bed Among the Lentils, Bridge Theatre review - loneliness shared, with wit and melancholySaturday, 12 September 2020
Monologues and duets rule the stage right now. We can only dream of the day when theatre steps up to the classical music scene’s boldness and manages to have more performers gathered together, albeit suitably distanced (not so easy when the drama... Read more... |
Max Richter's Sleep review - refreshing as a good night's restSaturday, 12 September 2020
If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles. Richter is a remarkable... Read more... |
Broken Hearts Gallery review - effortfully entertainingFriday, 11 September 2020
Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go... Read more... |
