wed 07/05/2025

Reviews

The Fear of 13, Donmar Warehouse review - powerful analysis of a gross injustice

There is star casting, and there is casting the right star – not the same thing. The Donmar’s new production, The Fear of 13, succeeds in the latter category, in spades. The star in question is Adrien Brody, a child actor who left stage work...

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The Duchess [of Malfi], Trafalgar Theatre review - actors imprisoned by confused time travelling

John Webster’s sour, bloody tale of brotherly greed and vice has been updated by the playwright Zinnie Harris, who also directs her own text at the Trafalgar. The title has a handy [of Malfi] added. But do we really know where we are? Or which...

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London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy, Christopher Reeve and some snails

QueerWilliam Burroughs’ eponymous novel was nearly filmed by Steve Buscemi in 2011, but it has finally reached the screen under the helmsmanship of Luca Guadagnino. It bombards the viewer from a variety of angles and leaves plenty of treacherous...

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What We Talk About When We Talk About Anne Frank, Marylebone Theatre review - explosive play for today

An incendiary play has opened at the Marylebone, the adventurous venue just off Baker Street. Bigger houses were apparently unwilling to stage it, fearing anti-Israeli protests. Their loss.Nathan Englander has expanded his short story of the same...

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The Apprentice review - from chump to Trump

It’s common to say that Shakespeare would have liked such-and-such a modern story, but I think he actually might have gone for this one. The Bard’s eye was drawn to cruelty at every turn, and bad-to-the-bone cruelty seeps from each scene of The...

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Christian Gerhaher, Gerold Huber, Sheldonian Theatre, Oxford review - an unforgettable recital

Christian Gerhaher, the most compelling and complete interpreter of German Lieder of our time, makes no secret of the fact that – unlike his devotion to, say, Schumann – his relationship with the songs of Brahms has never been comfortable.In a...

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Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 years

Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids...

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Oedipus, Wyndham's Theatre review - careful what you wish for

How many times does a politician survive wave after wave of attack from rivals, surf the waves of fickle voters and tiptoe around every policy mishap, only to be undone by an appalling error of judgement in their private life, a skeleton in the...

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The Crime Is Mine review - entertaining froth from a crack cast

For his latest pick’n’mix sortie into the world of the women’s picture, François Ozon has gone back to the 1930s and a popular play of the time, Mon Crime (1934). In his hands it emerges as an île flottante of a film that slips down easily but isn’t...

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Knife on the Table, Cockpit Theatre review - gangsters grim, not glamorous

There’s a moment in writer/co-director, Jonathan Brown’s, gritty new play, Knife on the Table, that justifies its run almost on its own. Flint, a decent kid going astray, is "invited" to prove he’s ready for the next step in his drug-dealing career...

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Woman of the Hour, Netflix review - gripping drama follows a true-life Seventies serial killer

“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming in 1977, telling Rodney, a charming, award-winning photographer (Daniel Zovatto), about the boyfriend...

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Album: Elephant9 with Terje Rypdal - Catching Fire

Just before the five-minute point, a Mellotron’s distinctive string sound is heard. Three minutes earlier, a guitar evokes Robert Fripp’s characteristic shimmer. Uniting these might result in King Crimson but, instead, these are just two elements of...

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