Reviews
Alma's Not Normal, BBC Two review - bare-knuckle comedy pilot hits the spotThursday, 09 April 2020
Creating the opening episode of a new comedy series is like flipping pancakes with one hand while playing the Moonlight Sonata with the other. You have to introduce your characters and invent the world they live in, while squeezing in enough plot to... Read more... |
The Beast review - bad cop bluesThursday, 09 April 2020
“They say we all have a beast locked up inside of us,” a character observes early in this Korean crime movie. Monsters are certainly chewing at the moral fibre of police captains Jung (Lee Sung-min) and Han (Yoo Jae-myung) as they corruptly pursue... Read more... |
Gators, Tramp Productions online review - the glittering darkThursday, 09 April 2020
She’s an ordinary young woman, and she really doesn’t know what to think. After all, things are way out of control. She knows that the natural world is pretty fucked, and that nothing grows in the earth any more — well, at least not on her patch.... Read more... |
ZZ Top: That Little Ol' Band From Texas, Netflix review - riffs, drugs and rodeosThursday, 09 April 2020
ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that is kind of what they are. Directed by Canadian Sam Dunn, best known for his 2005 documentary, Metal: A... Read more... |
Wonderland, Hampstead Theatre online review - a major play about the minersWednesday, 08 April 2020
The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s that marks the... Read more... |
The Rake's Progress, Complicité online review - well-projected journey from pastoral to madhouseWednesday, 08 April 2020
One way to look at Stravinsky's celebrated collaboration with W H Auden and Chester Kallman is as a numbers opera in nine pictures, four of them indebted to Hogarth's series of paintings/prints. So it's not surprising that visual flair has marked... Read more... |
Mark Townsend: No Return review - a masterclass in journalismWednesday, 08 April 2020
When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer, an intelligent and creative 18-year-old who had once... Read more... |
Return to Belsen, ITV review - Jonathan Dimbleby retraces his father's journey to a nightmare worldWednesday, 08 April 2020
When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April 1945, the BBC’s reporter Richard Dimbleby was there to record the occasion. It was Dimbleby’s report for BBC... Read more... |
The Iron Mask review - preposterous multi-national fantasyWednesday, 08 April 2020
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets... Read more... |
Cyprus Avenue, Royal Court Theatre online review - a mind in mesmerising meltdownTuesday, 07 April 2020
One of the most blistering stage performances in recent memory gets a renewed lease on life with the streaming of the 2019 screen version, aired last autumn on BBC Four, of Cyprus Avenue, the David Ireland play in which Stephen Rea unravels to... Read more... |
Colors performance stream on YouTube review - vocalists on lockdownTuesday, 07 April 2020
The Colors studio in Berlin has quietly created one of the biggest new brands in music from filming back-to-basics performances with laser-focused branding. From international megastars (Billie Eilish, Mac DeMarco) to up-and-comers, singers and... Read more... |
It’s True, It’s True, It’s True, Breach Theatre online review – a riveting watchTuesday, 07 April 2020
Artemisia Gentileschi has definitely had a hard time. Although she was an outstanding Renaissance painter in the style of Caravaggio, and the first woman to become a member of Florence’s Accademia di Arte del Disegno, her work was attributed to her... Read more... |
