Reviews
ReMastered: Devil at the Crossroads, Netflix review - a story well told but marred by clichéd styleSaturday, 28 March 2020
Mississippi bluesman Robert Johnson’s reputation was much enhanced by the story – never substantiated – that he’d met with the devil one night at a crossroads, and was miraculously taught exquisite guitar licks that astounded his juke-joint... Read more... |
Miles Davis: Birth of the Cool, BBC iPlayer - an intimate, insider's account of his life and musicFriday, 27 March 2020
Miles – where to begin? Some 21st century revisionists find his art fatally tainted by his personal life, and his violent behaviour in relationships. His rasping, epithet-scarred voice, the sound of a snake sloughing off its own skin, able to... Read more... |
Vivarium review – housing ladder to hellFriday, 27 March 2020
Imagine being trapped in your perfect home forever. It’s easy if you try now, as Vivarium’s allegory about property and parenthood is deepened by events. Following young couple Gemma (Imogen Poots) and Tom (Jesse Eisenberg) through a Black Mirror-... Read more... |
System Crasher review – a compelling portrait of childhood violence and painThursday, 26 March 2020
Benni, the central character in German writer-director Nora Fingscheidt's haunting new film, has a life of tragedy and violence. She’s the product of a dysfunctional family and an abusive childhood that has left her rage-ridden and incapable of... Read more... |
Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstarThursday, 26 March 2020
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century.... Read more... |
Mister Winner, BBC2 review - gentle comedy about one of life's losersThursday, 26 March 2020
Spencer Jones, a clownish stand-up, has been responsible for some the cheeriest, daftest and most heart-warming shows at the Edinburgh Fringe, where he has twice been nominated in Dave's Edinburgh Comedy Awards (ECA). Others may know him from his... Read more... |
Our Girl, Series 5, BBC One review - where soap and warfare collideWednesday, 25 March 2020
Some things never change in Our Girl. At the beginning of 2018’s Series 4, military heroine Georgie Lane (Michelle Keegan) had been traumatised by the death of her fiance Elvis Harte, killed in Afghanistan at the end of Series 3. At the start of... Read more... |
Comedy Against Living Miserably, Dave review - standups tread the boards for CALM charityWednesday, 25 March 2020
This was the third collaboration between Dave and the mental health charity CALM (Comedy Against Living Miserably), hosted at EartH in Dalston by Joel Dommett. Its non-standard format comprised chunks of performances by the featured standup comics,... Read more... |
Putin: A Russian Spy Story, Channel 4 review - inside the mind of a man without a faceTuesday, 24 March 2020
Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects. Though the finer degrees of political power-play – and the sheer quantity of... Read more... |
I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinentTuesday, 24 March 2020
The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational. Yesterday, the Hampstead Theatre re-released on... Read more... |
Bubble, Theatre Uncut online review - educational, but unexceptionalTuesday, 24 March 2020
It’s only been a week since London’s West End went dark, and theatres closed all over the UK, but it feels like months. Really. Like many, I’m in self-isolation, stressed by working online and worried about getting enough food and essentials, so it... Read more... |
Fire Will Come review - slow-burning Spanish beautyMonday, 23 March 2020
This lovely, contemplative Cannes prize-winner has something to teach us in testing times. Filmed in director Oliver Laxe’s grandparents’ Galician village, it observes convicted arsonist Amador’s return from jail to the fire-prone landscape he’s... Read more... |
