sat 23/08/2025

Reviews

Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilller

Adapted by Kate O’Riordan from her own novel, Penance is a taut little thriller spread over three consecutive nights. It’s not going to rock the planet off its axis, but there’s enough twisty and salacious intrigue to keep you coming back.There’s a...

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Beethoven: 1808 Reconstructed, Aimard, Philharmonia, Salonen, RFH review - a feast in fading light

Like it or not, we live – as Beethoven did – in interesting times. In place of the revolutions, wars and occupations that convulsed the cities he knew, we now confront a silent, invisible foe that breeds an equal terror. Hence the empty seats in the...

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Sunnyside, Sky Comedy review - the immigrant experience and the American dream

The multi-talented Kal Penn (Harold and Kumar, Designated Survivor, House) took a two-year acting sabbatical in 2009 to work for the Obama administration. So he is, in theory, ideally placed to co-create, with Matt Murray, a semi-political TV sitcom...

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Morrissey, Wembley Arena review - reminders of greatness

“I’d like you to know that you can breathe as heavy as you like,” Morrissey declares, somewhat against government advice. “It really doesn’t matter. I can take it!” Like a cross between Elvis Presley and Donald Trump, this great, divisive pop star...

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The Marriage of Figaro, English National Opera review - energised attitudes, lower-level humanism

So Susanna and Figaro got married on Saturday, just before the entire Almaviva household and its home, the London Coliseum, went into quarantine. Let's at least celebrate the fact that these splendid singer-actors, with youth especially on the five...

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The Seven Streams of the River Ota, National Theatre review - theatre at its transcendent best

If you want to pinpoint the genius of Robert Lepage’s multi-faceted seven-hour epic, that has returned to the National Theatre 26 years after it first dazzled British audiences in 1994, you might as well begin with a stethoscope. The stethoscope is...

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Belgravia, ITV review - when the toffs and the nouveaux riches collided

The prolific Lord Fellowes returns with this six-part adaptation of his own novel (for ITV), a niftily-wrought yarn (originally issued in online instalments) about the old aristocracy and the rise of new money in the early 19th Century. Some are...

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Frang, LSO, Pappano, Barbican review - hearing the silence

Three deep-veined masterpieces by two of the 20th century's greatest composers who just happened to be British, all fading at the end to nothing: beyond interpretations of such stunning focus as those offered by violinist Vilde Frang, conductor...

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Reg Meuross and David Massengill, Green Note, Camden review - master craftsmen at work

When all around you is chaos and depression, an afternoon spent listening to acoustic music in a small club is as cleansing and restorative as a warm bath. At Camden’s Green Note on Saturday afternoon, two superlative folk music talents shared the...

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Christopher Booker: Groupthink review – an uncritical history of political correctness

“Groupthink”, according to Christopher Booker, is “one of the most valuable guides to collective human behaviour we have ever been given.” But what is it exactly? It begins Booker’s final, incomplete and posthumously published work as a descriptor...

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Emma Glass: Rest and Be Thankful review – fiction from the paediatric front-line

How do you prevent a sick baby in a high-care cubicle, his frail chest swamped in secretions, from drowning in his own “loose mucus”? Remove a suction catheter from its wrapping and insert it gently into the tiny mouth. “The whooshing sound of the...

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Mieko Kawakami: Breasts and Eggs review - a book of two halves

Mieko Kawakami’s Breasts and Eggs is a true novel of two halves and is (excuse the pun) a bit of a curate’s egg. Kawakami’s bio at the beginning of the text explains that the novel was expanded from an earlier novella, made clear by a separation...

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