wed 13/08/2025

Reviews

Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensible

It’s all in the timing. Here was David Baddiel beginning a stand-up turn at a gig in Finchley. A Holocaust survivor gets to heaven, and God asks for a Holocaust joke. God says that his joke isn't funny, and the survivor replies “Well, I guess you...

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Michael Collins, Michael McHale, London Winds, Wigmore Hall review - flying the flag for wind chamber music

In a week when my colleague Jessica Duchen was delighted by the Kaleidoscope Chamber Collective, last night’s concert, also at Wigmore Hall, by Michael Collins and London Winds showed that chamber music with winds need not be the poor relation of...

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Sam Lee, EartH Hackney - capturing the spirit of the moment

Sam Lee has a strong, richly resonant and recognisable voice – and equally strong beliefs. His album Old Wow has really caught the spirit of moment: it is already being hailed as folk album of the year, even the decade, and last night’s gig at EartH...

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Kaleidoscope Chamber Collective, Wigmore Hall review - a joyous celebration

Nobody could deny that this was a weekend when we needed cheering up. The place for that was the Wigmore Hall, which played host to a recently formed “shape-shifting” ensemble of superb young soloists. The Kaleidoscope Chamber Collective was...

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The Murder Capital, QMU, Glasgow review - Dublin outfit find catharsis through pummelling songs

It might have been 24 hours after Valentine’s Day, but James McGovern still seemed to have a touch of romance in his head. At one stage during the Murder Capital’s bruising set he referenced his floral-patterned shirt as evidence that he was feeling...

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Elysian Singers, SPCMH, Sam Laughton, St Luke’s, Chelsea review - John Cage and friends given a rare airing

In my reviewing for theartsdesk I like as much as possible to ski off-piste, reaching areas of repertoire, performer and venue that mainstream coverage doesn't. There is much great music-making that flies, to mix my metaphors, under the radar, but...

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Simon Evans, Blackheath Halls review - a big reveal worth waiting for

Simon Evans is a comic known for pithy observational humour, and an often acerbic take on politics, with occasional bits of biography thrown in. But The Work of the Devil (which started life at the Edinburgh Fringe last year as Dressing for Dinner...

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Album: Lanterns On The Lake - Spook The Herd

Spook The Herd concludes with “A Fitting End”. In a cracked, reflective voice, Hazel Wilde sings: “I want a door to the Nineties…what a fitting ending, what a perfect scene.” By hoping for a portal into the recent past, it seems an attempt is being...

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Reissue CDs Weekly: The Honeycombs - Have I The Right? The Complete 60s Albums & Singles

August and September 1964 were golden months for Pye Records. The Kinks hit number one on the British charts in September with “You Really Got Me”, their third single for the label and the group’s first success following two flop 45s.Before The...

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theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Perry, Disney, Twin Atlantic, Elton John, Buddy Rich and more

Welcome to the biggest plastic reviews party on earth. Now that vinyl is steadily successful as niche musical medium, some have rightly been considering its environmental impact. Perhaps the best overview is given by Kyle Devine’s feature in the...

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The Stranger, Netflix review - strong cast grapples with labyrinthine plotting

This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many...

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The High Table, Bush Theatre review - party on in Lagos and London

Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupidity one of the best antidotes is a culture of celebration. And in this theatre can play its part. At the Bush, last September,...

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