Reviews
Mr Jones review - a timely testament to journalismFriday, 07 February 2020
While the horrors of Hitler’s rule are well documented, Joseph Stalin’s crimes are less renowned, so much so that in a recent poll in Russia he was voted their greatest ever leader. This chilling fact made acclaimed director Agnieszka Holland feel... Read more... |
Death of England, National Theatre review - furious but fabulousFriday, 07 February 2020
Is this an angry island? Although the British national character (if there is such a thing) has traditionally been one of reserve, repression and restraint, more recently it has become increasing passionate and full of anger. More a clenched fist... Read more... |
Garvey, Quatuor Zaïde, Classical Vauxhall review - vibrant chamber music for allFriday, 07 February 2020
Three concerts, three fascinating venues, seven world-class young(ish) players, an audience of all ages and a musical storytelling event for 200 schoolchildren: this is how to launch a festival with outwardly modest means. Artistic Director of... Read more... |
The Haystack, Hampstead Theatre review - a chilling surveillance state thrillerFriday, 07 February 2020
With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state.... Read more... |
Secrets of the Museum, BBC Two review - the incredible hidden worlds of the V&AFriday, 07 February 2020
The nation’s public attics – museums – hold a huge jumble of objects collected and used in all sorts of ways to tell us stories of past and present. In this BBC Two film, we went behind the visible face of the Victoria and Albert, with its holdings... Read more... |
Albion, Almeida Theatre review - more rewarding and resonant than everThursday, 06 February 2020
It's not been three years since Albion premiered at the Almeida Theatre, since which time Brexit has happened and, not without coincidence, Mike Bartlett's time-specific play is beginning to look like one for the ages. Set amongst a... Read more... |
Parasite review - a class war with grand designsThursday, 06 February 2020
With the Oscars approaching, one film building momentum in the fight for best picture – and whose victory would delight all but the most blinkered – is the Korean Bong Joon Ho’s deliriously dark and entertaining black comedy, Parasite. It... Read more... |
Asking For It, Birmingham Repertory Theatre review - victim-blaming and abuse in small town IrelandThursday, 06 February 2020
In a world where the contentious report of a young English woman gang raped by teenage boys in Cyprus last year continues to make headlines, Asking For It is more than relevant. Such scenarios are by no means new but are once again making news... Read more... |
Birds of Prey review - the DCU is back on trackThursday, 06 February 2020
Back in 2016, David Ayer’s infantile Suicide Squad burst upon us in a wash of lurid greens and purples. Ayer’s film had a myriad of problems, not least the hyper-sexualisation of Harley Quinn, played by Margot Robbie. While controversy abounded,... Read more... |
Francesca Wade: Square Haunting - Bloomsbury retoldThursday, 06 February 2020
These days, Bloomsbury rests in a state of elegant somnolence. The ghosts of Virginia Woolf and Vanessa Bell linger on in the shabby gentility of Russell Square and its environs, the bookish institutions that are the bones of the place conferring... Read more... |
Alice's Adventures Under Ground, Royal Opera review - a blast for children of all agesWednesday, 05 February 2020
"About as much fun as you can have with your clothes on," promised a member of the two Royal Opera casts teamworking their way through multiple roles and costume changes for what in effect is Alice's Adventures Under Ground and Through the Looking... Read more... |
Endgame/Rough for Theatre II, Old Vic review - Beckett played for laughsWednesday, 05 February 2020
“Nothing is funnier than unhappiness.” Director Richard Jones has certainly taken Beckett’s words to heart in this vividly comic, star-cast Old Vic double bill, pairing Endgame with a lesser-known short play – which acts as a sort of stylistic and... Read more... |
