Reviews
The Bay, ITV, review - Broadchurch goes northThursday, 21 March 2019
In the 1970s, the Mancunian stand-up Colin Crompton had a famous routine about Morecambe. He characterised Morecambe as “a sort of cemetery with lights” where “they don't bury their dead, they stand them up in bus shelters with a bingo ticket in... Read more... |
The Bay at Nice, Menier Chocolate Factory review - David Hare talkfest takes intermittent wingWednesday, 20 March 2019
David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consist tantalisingly of little else and so, for the most part, does his 1986 curiosity The Bay at Nice, which I caught back in the day during a... Read more... |
Bach St John Passion, Les Arts Florissants, Christie, Barbican review – sombre but engagingWednesday, 20 March 2019
William Christie kicked off Passion season in London this year with a particularly sombre reading of the St John. The veteran conductor brought his French choir and orchestra, Les Arts Florissants, and a line-up of relatively young soloists to the... Read more... |
Shetland, Series 5 Finale, BBC One review - Sicario-on-Sea?Wednesday, 20 March 2019
Thing is, a lot of this unpleasantness could have been avoided if DI Jimmy Perez had just watched the second series of The Missing. From this he could have deduced that there was every chance that Derek Riddell (who plays Chris Brooks in Shetland (... Read more... |
The Rubenstein Kiss, Southwark Playhouse review - slick spy drama doesn't quite come togetherWednesday, 20 March 2019
It's an ideal time to revive James Phillips's debut The Rubenstein Kiss. Since it won the John Whiting Award for new writing in 2005 its story, of ideological differences tearing a family apart, has only become more relevant. Joe Harmston directs a... Read more... |
Schiff, Orchestra of the Age of Enlightenment, RFH review – antique kit, modern soundsTuesday, 19 March 2019
Standing next to the warm brown beast of a piano built by Blüthner in Leipzig in 1867, Sir András Schiff advised his audience last night to clear their minds and ears of preconceptions. He told us that his rendering of Brahms’s first piano concerto... Read more... |
Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgoodTuesday, 19 March 2019
The Magnum photographer Martin Parr has spent decades observing contemporary human activity world-wide as – perhaps – a mesmerised observer, an anthropologist, a tourist, addicted to the vagaries of the human condition. This anthology at the... Read more... |
Richard II, Sam Wanamaker Theatre review - electrifying mixed-race all-female productionMonday, 18 March 2019
Richard II has become the drama of our times, as it walks us through the impotent convulsions of a weak and vain leader brought down by in-fighting among his men. While the Almeida’s recent production starred Simon Russell Beale as a solipsistic... Read more... |
The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and newMonday, 18 March 2019
In The Thread Russell Maliphant attempts what, at first sight, appears a foolhardy project – the juxtaposition of contemporary and traditional Greek dance. The two genres seem poles apart, the one being collective and in unison, the other more... Read more... |
David Hepworth: A Fabulous Creation review - how vinyl soothed our souls and defined our beingSunday, 17 March 2019
Record Store Day is now a fixture on the calendar, a key element in “the vinyl revival”, and this year – 13 April – it’s possible to buy a special Rega Planar Plus 1 Turntable, one of a limited edition of 500 costing £299. A novelty to many – but... Read more... |
Reissue CDs Weekly: Where The Girls Are Volume TenSunday, 17 March 2019
The US music trade weekly Cashbox chose a picture of the then-hot Diana Ross & the Supremes and Temptations joint enterprise for the cover of its 14 December 1968 issue. On page 28, under the header “Best Bets”, a review of the “It’s the Loving... Read more... |
Connolly, Drake, Berrington, Wigmore Hall review – between the actsSaturday, 16 March 2019
Vary the stale format of the vocal recital and all sorts of new doors open for performers and listeners alike. The only downside, as became clear at the Wigmore Hall last night, is that the audience may hear less of a stellar soloist than they... Read more... |
