Reviews
A Very English Scandal, BBC One review - making a drama out of a crisisMonday, 21 May 2018
There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in... Read more... |
Bridget Christie, Brighton Festival review - politics through a domestic lensMonday, 21 May 2018
Bridget Christie tells us at the top of the show that she is a heterosexual, able-bodied, privileged white female – so why is she feeling so discontented? As she explains with great verbal dexterity in What Now?, it is living in a post-EU referendum... Read more... |
The Handmaid's Tale, Series 2, Channel 4 review - it's not getting any better for OffredMonday, 21 May 2018
Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “There is a balm in Gilead”. Evidently the Bishop was not referring to the endlessly looping nightmare that... Read more... |
The World Of Moominvalley, Brighton Festival review - a fascinating insight into the world of Tove JanssonMonday, 21 May 2018
It was no matter that journalist Daniel Hahn dropped out ill at the 11th hour of this "audience with" event. Author Philip Ardagh's deep knowledge and unflappable demeanour comfortably carried the hour-long talk about the inhabitants of Moominvalley... Read more... |
William Trevor: Last Stories review - final intimationsSunday, 20 May 2018
An Irishman who spent more than half a century in London and then Devon, and a prolific writer – nearly 20 novels and novellas, some 20 collections of short stories in varying combinations – William Trevor (1928-2016) is often eulogised as a modern... Read more... |
Madama Butterfly, Glyndebourne review - perverse staging, outstanding castSunday, 20 May 2018
Puccini’s heroines and the rough treatment he hands out to them have come in for plenty of opprobrium over the years. But just occasionally they fight back on his behalf in the person of an outstanding singing actress; and this is exactly the case... Read more... |
On Chesil Beach review - perfect playing in a poignant Ian McEwan adaptationSunday, 20 May 2018
Ian McEwan has said that he decided to adapt his 2007 novel On Chesil Beach for the screen himself at least partly because he did not want anyone else to do so (with earlier works, including Atonement, he was glad not to have taken on the adaptation... Read more... |
Reissue CDs Weekly: African Scream Contest 2Sunday, 20 May 2018
African Scream Contest 2 opens with a burst of distorted guitar suggesting a parallel-world response to The Chambers Brothers’ “Time Has Come Today”. Then, the song beds in and a James Brown groove plays off against spindly lead-guitar lines also... Read more... |
Clancy Sigal: The London Lover review - a merry prankster's very long weekendSunday, 20 May 2018
To readers of newspapers and magazines, the name Clancy Sigal will be very familiar, probably as a film reviewer. Addicted to writing, and to his old Smith Corona #3 portable typewriter, “Hemingway’s preferred machine”, he was a version of the man... Read more... |
Robbie Thomson XFRMR, Brighton Festival review - lightning strikes outSunday, 20 May 2018
The welcome to Glasgow audio-visual artist Robbie Thomson’s performance engenders a hefty sense of anticipation. It’s almost nervousness-inducing as we’re handed ear-plugs and warned about how very loud it’s going to be. Then, walking into the main... Read more... |
Swan Lake, Royal Ballet review - beautiful, heartfeltSaturday, 19 May 2018
A new Swan Lake at the Royal Ballet is a once-in-a-generation event. Liam Scarlett, choreographer of the production that opened this week, was a babe in arms when its predecessor was created by Anthony Dowell and Yolanda Sonnabend in 1987, and –... Read more... |
An Audience with Dame Cleo Laine, RFH review - a phenomenon at 90Saturday, 19 May 2018
Yes, she sang, with her trademark artistry from the very first notes – four numbers, including a duet with daughter Jacqui Dankworth, and all in close partnership with her consummate players, including son Alec on double bass. Any worries that this... Read more... |
