Reviews
Professor Marston and the Wonderwomen review - Rebecca Hall to the rescueFriday, 10 November 2017
Wonder Woman was the film that defied all the predictions: a big-budget superhero movie directed by a woman which managed to please not only the feminists and their daughters but also the boys who love DC and Marvel. In its slipstream comes... Read more... |
Saz'iso, Colston Hall, Bristol review - bewitching music from Southern AlbaniaFriday, 10 November 2017
A strange and wonderful moment: the standing area at the rear of The Lantern, the smaller venue at Bristol’s Colston Hall, is suddenly transformed into a corner of Southern Albania.A band plays haunting music, rooted in the firm yet delicate beat of... Read more... |
Schubert Ensemble, Kings Place review - spot-on introductions, dazzling performancesFriday, 10 November 2017
To demonstrate what makes chamber masterpieces tick and then to play them, brilliantly, is a sequence which ought to happen more often. Perhaps too many musicians think their eloquence is confined to their instruments. Not violinist Simon Blendis... Read more... |
theartsdesk on Vinyl 33: Pet Shop Boys, AK/DK, Ian Dury, Grateful Dead and moreFriday, 10 November 2017
The autumnal release deluge is upon us. Vinyl’s thriving and writhing. Raise a glass to it. Do it. However, records that, in another month, would have been reviewed here, music that would have been in the ALSO WORTHY OF MENTION section, has been... Read more... |
Tabula Rasa, Traverse Theatre review - honest, compassionate, but not always convincingFriday, 10 November 2017
Collaboration and collegiality are becoming ever more important across the Scottish arts scene, it seems. Glasgow theatre company Vanishing Point teamed up with Scottish Opera earlier this year for a double-bill based around Bartók’s Bluebeard’s... Read more... |
Peter Perrett, Concorde 2, Brighton review - magnificent songs scorchingly renderedThursday, 09 November 2017
These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll... Read more... |
Paddington 2 review - Hugh Grant’s superior baddie boosts sequelThursday, 09 November 2017
Paddington 2 is that rare thing, a sequel that is more engaging than the original by dint of having a far better baddie. In the first film Nicole Kidman’s villainess was a bleached rehash of Cruella De Ville or Morticia – and it was far from her... Read more... |
Mother Courage, Southwark Playhouse review - this production is not one for our timesThursday, 09 November 2017
One of the questions that can be asked of Brecht is whether for a modern audience his Verfremdungseffekt — or alienation effect — still works as intended, provoking genuine reflections on justice by distancing audiences from emotional... Read more... |
Red Star Over Russia, Tate Modern review – fascinating history in a nutshellWednesday, 08 November 2017
Ilya and Emilia Kabakov’s Tate Modern exhibition features an installation made in 1985 of a Moscow bedsit, its walls lined with political posters. There’s a gaping hole in the ceiling made when the occupant apparently catapulted himself through the... Read more... |
The Retreat, Park Theatre, review - funny but a bit flatWednesday, 08 November 2017
Is Buddhism a path to finding spiritual enlightenment – or just an excuse for not facing your personal problems? Given that this question is implicit in the debut play by Sam Bain, script co-writer of nine series of Channel 4’s Peep Show, as well as... Read more... |
The A Word, Series 2, BBC One review - is it turning into 'Emmerdale' with a twist of autism?Wednesday, 08 November 2017
At its weakest The A Word is just Emmerdale with a twist of autism, especially when the drama swivels away from the little boy to focus on adult infidelities, a grumpy patriarch, sibling rivalries and comedy Poles wisecracking in subtitles. But at... Read more... |
Triple Bill, Royal Ballet review - Arthur Pita's 'Wind' is a howling successTuesday, 07 November 2017
Of all the stories Arthur Pita could have chosen to wrangle for his new narrative ballet, he chose one about wind, perhaps the trickiest element of all to represent on a live stage. Tricky because of course you can’t see wind, you can only see its... Read more... |
