Reviews
Darkest Hour review - Winston airbrushed for the 21st centuryThursday, 11 January 2018
The Great Man theory of history is applied by Darkest Hour director Joe Wright to his star Gary Oldman as much as their subject Winston Churchill. Oldman’s performance is the sole, sufficient reason to see a film in which little else finally lingers... Read more... |
My Mum's a Twat, Royal Court review - Patsy Ferran shines in a solo play that looks back in angerThursday, 11 January 2018
That ages-old dictum "write what you know" has given rise to the intriguingly titled My Mum's a Twat, in which the Royal Court's delightful head of press, Anoushka Warden, here turns first-time playwright, much as the Hampstead Theatre's then-press... Read more... |
Joseph Houston, St John's Smith Square review - masterful MC in the theatre of pianoThursday, 11 January 2018
Joseph Houston’s recital gave us the piano exposed, sent up, psychoanalysed; in short, piano as theatre. And whether silently depressing keys or creating chords with an elbow, the young Berlin-based pianist brought formidable focus and unshowy... Read more... |
Three Billboards Outside Ebbing, Missouri review - Frances McDormand is on fireWednesday, 10 January 2018
It probably won’t take long for the title to be sawn in half. Three Billboards Outside Ebbing, Missouri will become casually known as Three Billboards and its specific location will drift into a vaguely remembered background. The place name is of a... Read more... |
Salome, Royal Opera review – lurid staging still packs a punchTuesday, 09 January 2018
David McVicar may seem too gentle a soul for the lurid drama of Strauss's Salome, but his production, here returning to Covent Garden for a third revival, packs a punch. He gives us plenty of sex and violence – or at least nudity and blood – but... Read more... |
Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in gloryMonday, 08 January 2018
Twelfth Night, Epiphany, call it what you will, is one reminder that there's continuity after the turn of the year. Another was Sakari Oramo's final Sibelius-plus concert with the BBC Symphony Orchestra - a predictable triumph given that the... Read more... |
Breaking the Rules, LSO St Luke's review – music and murder with GesualdoMonday, 08 January 2018
The “concert drama” is on the up, offering audiences a mingled-genre means to experience music and its context simultaneously. The author and singer Clare Norburn has an absolute peach of a story to tell in the "imagined testimony of Carlo Gesualdo... Read more... |
Hard Sun, BBC One review - cops versus the end of the worldSunday, 07 January 2018
Fans of Luther will be familiar with writer Neil Cross’s fondness for hideous violence, shocking plot-twists and macabre humour, as well as characterful London locations, and happily they’re all present and correct in this new sci-fi thriller. Cross... Read more... |
Reissue CDs Weekly: To the Outside of EverythingSunday, 07 January 2018
Now that the 40th anniversaries of 1976 and 1977 as the years which birthed punk rock have themselves become history, surveyors of rock’s rich tapestry will inevitably turn to what came next. The year 1978 and what followed punk are easy targets and... Read more... |
National Youth Orchestra of Great Britain, Elder, Bridgewater Hall, Manchester review – maturity from teenage playersSaturday, 06 January 2018
Seventy years old and still imbued with youthful flair and enthusiasm – that’s the National Youth Orchestra of Great Britain, which pioneered new territory in its first concert of 2018 last night. The flair and enthusiasm also apply to Sir Mark... Read more... |
Hostiles review – powerful but preachy Frontier fableFriday, 05 January 2018
The last time we saw Christian Bale in a western, he was playing the downtrodden rancher Dan Evans in James Mangold’s punchy remake of 3.10 to Yuma. No doubt it was valuable experience for his role in Hostiles, Scott Cooper’s smouldering flashback... Read more... |
Girlfriends, ITV review - Kay Mellor helps the middle-agedThursday, 04 January 2018
You know where you are with Kay Mellor. Somewhere in the north, among a group of people brought together by pregnancy or prison, weight or, as in the case of the recent Love, Lies and Records, work. With Girlfriends (ITV), the common denominator is... Read more... |
