wed 25/06/2025

Reviews

American Made review - Tom Cruise flies again

How funny are gun-running, drug-smuggling and money-laundering? It depends who’s doing them. In American Made none other than Tom Cruise gets behind the controls of a twin-engine plane and flies back to the 1980s, a sepia-tinted yesteryear when all...

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Loot, Park Theatre review – dizzyingly enjoyable

Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His debut play, Entertaining Mr Sloane, had both outraged and delighted West End audiences in 1964, and his follow-up a year later was Loot, which was a...

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theartsdesk in Estonia and Latvia - Pärnu Music Festival's great orchestra goes south

For the first time ever Paavo Järvi has been showing other nations why the Estonian Festival Orchestra is among the world's best – travelling to other Nordic countries after their annual gathering in Estonia’s summer capital of Pärnu, with the big...

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Prom 51 review: Perianes, BBCSO, Oramo - brightly coloured musical postcards

Six weeks in and we’ve got to that sweet spot in the Proms season where thematic threads start to knit together, sequences begin to fill out, cycles to finish – when you hear not just the concert in front of you but the echoes of those already past...

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Knives in Hens, Donmar Warehouse review – Yaël Farber not symbolic enough

Hark, is that the call of the earth I hear? In a frenetic urban world, the myth of rural simplicity exerts a strong pull. Surely a simpler life is possible; a more natural rhythm and a slower pace? Oh yes, I can smell burnt peat, and almost scent...

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Agents of Mayhem review - digital déjà vu

Once upon a time there was a game called Grand Theft Auto that opened the door to free-roaming open-world games. It spawned a whole load of "me too" offspring, mostly bad, some good. Among the more promising relatives were the Saints Row titles...

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Prom 50 review: Josefowicz, Clayton, CBSO, Gražinytė-Tyla - personality in every bar

Everything you may have read about Mirga Gražinytė-Tyla's wonder-working with her City of Birmingham Symphony Orchestra is true. Confined to a Turkish hospital bed when their first Prom together took place last August, I wondered from the radio...

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Proms 47, 48 & 49 review: Reformation Day - superlative Bach as the bedrock

Reformation Day, Luther 500 - in Proms terms it can only mean Bach, the alpha and omega of music, flourishing roughly two centuries after the Wittenberg Nightingale nailed his 95 theses to the church door. Those of us who headed home on Saturday...

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Edinburgh Festival and Fringe 2017 reviews round-up

Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.STANDUPAthenu Kugblenu, Underbelly Med Quad ★★★ Strong debut hour of political and identity comedyCally Beaton, The Caves ★★★★ Single...

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Edinburgh Festival 2017 review: Verdi's Macbeth - exhilarating and overwhelming

Skeletal horses; piles of newborn babies smothered in a bloody sheet; a whole garden centre of prickly pears. There’s no denying that Italian director Emma Dante’s new production of Verdi’s Macbeth, which Turin’s Teatro Regio brings to the Edinburgh...

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The State, Channel 4 review - dishonest portrait of British jihadis

It’s a burning question of western civilisation: what persuades young people brought up among us to walk out on their lives and join the cult of murderous fanatics who call themselves Islamic State? If any dramatist could attempt a coherent answer...

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Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde Adams

Ingrid Oliver ★★★★ Ingrid Oliver is an old Edinburgh hand as one half of the sketch duo Watson and Oliver, but this is her debut solo show, and a very fine one it is. The set-up in Speech! is that she plays various characters giving speeches –...

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