Reviews
The Wind in the Willows, London Palladium review - an effortful slogFriday, 30 June 2017
An enormous amount rides on a musical's opening number. Without explicitly expressing it, a good opener sets tone, mood and style. Take The Lion King, where "Circle of Life" so thrillingly unites music, design and direction that nothing that follows... Read more... |
Russell Brand, Touring review - grandiloquent performer in reflective moodFriday, 30 June 2017
Were ordinary folk to plunder their lives for comedy, most of us would be sadly lacking in any topics worthy of analysis, let alone laughs. But Russell Brand, who every few years appears to reinvent himself – from drug addict to stand-up comic, from... Read more... |
Die Walküre, Grange Park Opera review - imaginative and intelligentFriday, 30 June 2017
Grange Park Opera is aiming big. The company is in a new venue, the grounds of West Horsley Place in Surrey, where they have built themselves a spectacular new opera house in less than a year. The building is not yet complete, but is close enough to... Read more... |
theartsdesk at Glastonbury Festival 2017Thursday, 29 June 2017
It’s a Tweet-age Glastonbury aftermath. It’s monsooning grey outside. The real world’s back, consensus reality fast encroaching. Everything’s moved on, spun to the next thing as we A.D.D. onto Wimbledon, Hard Brexit or whatever. Even my 14-year-old... Read more... |
Baby Driver review - thrill-ride runs out of roadThursday, 29 June 2017
Baby drives like a deranged bullet. Edgar Wright’s “diegetic action-musical” choreographs the bank-heist getaways of angel-faced Baby (Ansel Elgort) as physically exhilarating pure cinema, a rush that’s rare. It’s also pure, adrenalin-pumping rock’n... Read more... |
Sargent, Dulwich Picture Gallery review - wonders in watercolourThursday, 29 June 2017
This sparkling display of some four score watercolours from the first decade of the last century throw an unfamiliar light on the artistry of John Singer Sargent (1856-1925), the last great swagger portrait painter in the western tradition. None... Read more... |
Sudan: The Last of the Rhinos, BBC Two review - requiem for disappearing wildlifeThursday, 29 June 2017
“The northern white rhinos are just a symbol of what we do to the natural world,” as one of the contributors to this haunting documentary put it. “We witness them disappearing in front of our eyes.” The programme ended with names of endangered... Read more... |
Mr Gillie, Finborough Theatre review - theatrical buried treasureThursday, 29 June 2017
Labels have their uses but they can also be a blight. The works of the Scottish playwright James Bridie – with their regional accents and domestic settings – bear many of the hallmarks of so-called Kitchen Sink drama but didn’t make the canon. Not... Read more... |
Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuffWednesday, 28 June 2017
Broadway so frequently fetes its visiting Brits that it's nice when the honour is repaid. That said, it's difficult to imagine audiences anywhere remaining unmoved by Audra McDonald's occupancy – "performance" seems too mundane a word – of the... Read more... |
Risk review - Assange unravelsWednesday, 28 June 2017
Julian Assange’s white hair marks his public persona. To some he’s an unmistakably branded outsider, or a lone white wolf hunting global injustice. Hollywood would cast him as the coolly enigmatic superhero who’s revealed as the supervillain in the... Read more... |
Ink, Almeida Theatre review - The Sun rises while show sinksWednesday, 28 June 2017
The recent general election result proves that the power of the rightwing press has diminished considerably in the digital age, but there was a time when media magnate Rupert Murdoch could make grown-up politicians quake in their socks. James Graham... Read more... |
Okja, Netflix review - joyous assault on the meat industryTuesday, 27 June 2017
Is meat murder? Will people eat anything if it’s cheap? Is the taste of bacon really what stops us half the western world turning vegetarian? Okja is a commercial stretch, a partly subtitled children’s fable from South Korea which unstintingly... Read more... |
