Reviews
Tom Birchenough
What's in a name? Terence Rattigan’s Love in Idleness is a reworking of his 1944 play Less Than Kind (never staged at the time, it was first produced just six years ago). It reached the London stage at the very end of the same year with the Lunts, the premier theatre couple of their time, in the leads. Inter-generational – and inter-family – dispute about the shape of post-war Britain is at its heart, and Rattigan revised the role of his arch-capitalist, War Cabinet minister protagonist to make it more sympathetic for Alfred Lunt.With its story of a son returning to his mother to find another Read more ...
Jasper Rees
Percy Fawcett: does the name ring a bell? He ought by rights to sit in the pantheon of boys’ own explorers alongside Cook and Ross, Parry and Franklin, Livingstone and Mungo Park, Scott and Shackleton. Either side of the Great War, he returned again and again to the impenetrable South American interior, in pursuit of an ancient Amazonian civilisation which he called Z.That he’s not quite a household name is partly down to reasons it would be unfair to reveal here. His story, told in a 2009 book by David Grann called The Lost City of Z, has now been streamlined into a film which inherits the Read more ...
Marina Vaizey
The soothing voice of David Attenborough narrated this cautionary tale, which is improbably heading not for a happy ending but a happy new beginning. Puerto Rico, the so-called island of enchantment, overwhelmed early western visitors with its charms: its beaches, its rainforest, its animals, its beauty. But nature was unprepared for the greatest threat, human predation, and the general mayhem wreaked by homo sapiens on other species.Heavy industrialisation and urbanisation were to follow, wrecking the previously pristine environment. Scientists reckon 95 percent of the original rainforests Read more ...
Adam Sweeting
In the end, SS-GB promised more than it could deliver, but it still left us with some memorable images (not least in the cleverly-crafted opening titles) and several excellent performances. The ending even dangled the faintest hint of a sequel, though presumably not one written by the author of the original book, Len Deighton.What this dramatisation did best was to plant chilling glimpses of what it might have been like to be occupied by the Third Reich, and it did so without resorting too much to the familiar cliches of the way Nazism is usually portrayed. Beatings and torture were used more Read more ...
Kieron Tyler
When a skiffle group called The Quarry Men played live in 1959, their repertoire included covers of Chuck Berry’s “Johnny B. Goode” and “Sweet Little Sixteen”. The folk-based skiffle was becoming rock. In 1960, when the same band became The Beatles, they added Berry’s “Carol” and “Little Queenie” to their set.For their first radio broadcast, on 8 March 1962, the Fabs played his “Memphis Tennessee”. On 30 July 1963, they taped Berry’s “Roll Over Beethoven” for what would be their second album, With The Beatles. Their final live show, in San Francisco on 29 August 1966 opened with a scrappy run Read more ...
David Nice
It felt good to be encountering Shakespeare at his most political with a world event to smile about, for once (hailing, of course, from this brilliant Dutch company's homeland). It felt even better to emerge six hours later spellbound and deeply moved by the triumph of the personal, albeit in a kind of love-death, after so many power-games. Thrust voluntarily onstage to witness some of those conferences, even at close quarters you couldn't see the joins in the performances of Ivo van Hove's ensemble. This is not so much acting as being, or so it seems.Those who'd seen the first Barbican Read more ...
Matt Wolf
"Attention must be paid," we are famously told near the close of Death of a Salesman. And so it was this year on Oscar night when Iranian writer-director Asghar Farhadi won his second Academy Award for Best Foreign Film (A Separation was the first), this time for a movie that leans heavily on Arthur Miller's classic – though whether as crutch or inspiration will remain for individual viewers to decide.Intriguing moment to moment without being quite as searing as it surely intends, the movie may with time be remembered more for reasons to do with politics than with art: Farhadi refused to Read more ...
Hanna Weibye
Can thirty minutes of contemporary ballet say something meaningful about the modern refugee crisis? It has been the surprise of the season to find myself asking this question not once, but twice, at the Royal Ballet. In Wayne McGregor's Multiverse, premiered in November, images of refugees on boats suggested a critical agenda but the dancing stayed abstract and impersonal. Could Crystal Pite's new Flight Pattern, which opened last night at the Royal Opera House, do a better job of responding to the human tragedy of displacement, or are there some things dance just can't say?Even without its Read more ...
Bernard Hughes
In 1970, documentary maker Alan Power interviewed homeless people in the Elephant and Castle area of London. Rejected footage found its way to composer Gavin Bryars, including a short clip of an old man singing a snatch of a religious song. This became the basis of the minimalist classic Jesus’ Blood Never Failed Me Yet, performed by members of the London Philharmonic Orchestra at the Royal Festival Hall on Wednesday.The old man’s 25-second song is looped and faded in on speakers. Gradually the orchestra adds a simple chordal accompaniment that grows in volume, before ultimately fading away Read more ...
Adam Sweeting
It was the end of 2015 when we last rode out through the mud and blood of Saxon England with King Alfred and his doughty battlefield dynamo Uhtred, so it will be interesting to see what has changed in series two. Was it my imagination, or has Alfred (David Dawson, below), the victor of the battle of Ethandun, become several degrees colder and more calculating as he proceeds with his grand project to unify war-torn England?Uhtred, however, seems refreshingly unreformed. He’s still blazing with an implacable urge to avenge the various grisly murders that have indelibly stained his past and Read more ...
Florence Hallett
The story of two characters whose friendship ended in bitter enmity is juicy enough for a typical spring blockbuster and yet this is an exhibition with a serious and scholarly bent. While the National Gallery is no stranger to academic exhibitions they are usually relatively low-key, occupying the small space of the Sunley Room, for which this exhibition feels as if it might originally have been conceived. Scaled up, it has lost some of the vigour and focus that often characterises the gallery’s smaller efforts, and the result is a High Renaissance exhibition as austere as its chilly grey Read more ...
Saskia Baron
What is Personal Shopper? Is it a haunted-house horror movie, a woman-in-peril thriller? Is it a satire on celebrity and the fetishistic world of fashion or an exercise in existential angst for the generation more familiar with texting than talking? It’s all those things, and more. Director Olivier Assayas reunites with Kristen Stewart from Clouds of Sils Maria and again, she’s playing an assistant to a celebrity/actress. This time she plays Maureen, a personal shopper, picking out couture outfits and Cartier jewellery for her boss’s various glamorous appearances, skittering between the Read more ...