Reviews
Matt Wolf
It's second time only quasi-lucky for The Devil Wears Prada, the stage musical adaptation of the much-loved Meryl Streep film from 2006 that nosedived in Chicago a few summers ago and has resurfaced on the West End to see another day.Refitted with a largely fresh creative team, the show ticks all the boxes that devotees of the movie will want and expect, while never really establishing a reason for being of its own, as Kinky Boots, from the same director (Jerry Mitchell), managed so triumphantly some while back.Mitchell's latest has a vaguely Primark feel where it ought to feel haute couture Read more ...
Robert Beale
Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful absurdity was certainly expected, especially at Offenbach’s old theatre, the Bouffes Parisiens.In some ways it resembles Gilbert and Sullivan’s later creations – a topsy-turvy land of eccentric royal customs, where public executions must be routine and the titled and privileged are out to keep their wealth and status through convenient marriages (shades of The Mikado and The Gondoliers in the plot-line).In this case King Ouf’s birthday is to be celebrated Read more ...
Adam Sweeting
It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns caper, penned by Joe Barton (of Giri/Haji and The Lazarus Project fame).Set in a seasonally Christmassy London, it’s a twisty and fairly daft yarn about a dead Chinese ambassador, his missing daughter who has a heroin habit, a ruthless professional trigger man with a sentimental streak, and some murky Westminster chicanery. Then throw in the CIA and watch it all go off.Keira’s character, Helen Webb, is married to the Defence Secretary, Wallace Webb ( Read more ...
Jonathan Geddes
When Vampire Weekend arrived onstage they numbered only three and were bunched together at the front with a large curtain draped behind them, obscuring their backdrop. By the time this marathon set ended two and a half hours later, they’d more than doubled in number and had made full use of their surroundings, a shift which summed up a constantly changing, often contradictory show.One of those paradoxes was the setting itself. Vampire Weekend are an expansive band, but they still seem a strange fit in large arenas, and going by the amount of sections tarped off they’re not the easiest sell to Read more ...
Nick Hasted
Patriotic Italian films set during the Fascist war effort are understandably rare UK releases. Submarine commander Salvatore Todaro (Pierfrancesco Favino) was, though, an honourable warrior-poet who director Edoardo De Angelis seeks to separate from wider currents.Roaming the Atlantic in October 1940, his lone wolf sub Comandante Cappellini sank a Belgian merchant ship during an exchange of fire. Contravening orders, maritime law and morality made him take 26 survivors onto his cramped vessel and sail them to neutral waters, staying on the surface and exposed to attack.De Angelis introduces Read more ...
Helen Hawkins
Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have thrilled to the idea of a version coming to the National Theatre. But be warned: jolly though it is, it’s not the story of stagestruck pre-war Londoners you know.The bare bones of the book are still visible. Three little babies, brought to London from various points of the globe by a fossil-collecting explorer, Great Uncle Matthew (aka Gum), are left with his late niece’s orphaned daughter, Sylvia, and her nurse, Nana. The youngest, Posy, whose mother had been a Read more ...
Bernard Hughes
Connaught Brass is a quintet of twenty-something players rapidly establishing an enviable reputation, and on the evidence of what I heard yesterday that reputation is fully deserved: they really are superbly good. A well-stuffed Milton Court spoke to their pulling power even in the face of terrible weather, and their easy stage manner and mostly successful repertoire choices made for an enjoyable evening hiding from the elements.Although billed as a Christmas show, there was a minority of seasonal items, even if you stretch a point and include Prokofiev’s Lieutenant Kijé. But there was a Read more ...
Helen Hawkins
Romeo and Juliet or Cinderella? Prokofiev’s two great scores have provided the Royal Ballet with a pair of popular hits, though Macmillan’s R&J has probably been the bigger draw, its Capulets ball music sampled everywhere from TV commercials to Sunderland FC’s pre-match stadium anthem.Cinderella, for me, is the better listen, but is it the better basis for a dance narrative? After a somewhat lacklustre opening night for its latest run at the Royal Opera House, it didn’t seem so. One problem is that, unlike R&J's, the score has a tendency to meander and doodle, stop and start, so Read more ...
Sarah Kent
If you suffer from lepidopterophobia, this film will either cure your fear of moths or push you over the edge. Warning: the screen is often filled with moths of every shape, size, colour and pattern while the sound of flapping, fluttering and girating wings fills the air to the point where you feel bombarded by the flying, furry creatures.Mansi Mungee is researching the prevalence of hawk moths in the Eastern Himalayas. With her assistant, Bicki (Gendan Marphew) from the local Bugun community, she sets up moth screens in various locations in the rainforest, then they sit and wait for the Read more ...
India Lewis
On a wet, dreary, winter evening in north London, at Islington Assembly Hall, a crowd gathered for an ethereal although not always engaging set by Julia Holter.The opener was Nyokabi Kariüki, an experimental musician who played with loops, found sound, and a haunting, keening voice. She introduced her newer album by discussing her interest in language and the complexities of it, of her knowledge of English and Swahili, something that was explored well in the pieces that she played, solo onstage.Julia Holter came in without preamble and without introduction, standing behind her keyboard in a Read more ...
Kieron Tyler
For John Leyton, it was third time lucky as far as his singles were concerned. The actor’s manager Robert Stigwood teamed him with producer Joe Meek, but Leyton's first two 45s – August 1960’s “Tell Laura I Love Her” and October 1960's “The Girl on the Floor Above” – didn’t made waves. The next one – July 1961’s “Johnny Remember Me” – was it, the hit, the chart topper.While its predecessors were underpowered and, in the case of “Tell Laura I Love Her,” a cursory cover of a US hit, “Johnny Remember Me” was something else. Recorded at Meek’s home studio in north London’s Holloway rather than Read more ...
Markie Robson-Scott
“Shoot, Jim, shooot!” Simon Callow does a fine impression of producer Ismail Merchant desperately trying to get director James Ivory to bring urgency to the proceedings.The received wisdom was that Ismael thought Jim was going to bankrupt Merchant Ivory Productions commercially by insisting on perfection, while Jim was sure that Ismael would bankrupt it artistically by insisting on every possible economy.Theirs was a volatile, complex relationship, as director Stephen Soucy’s honest, fascinating documentary, full of talking heads from the Merchant Ivory family, as they liked to call it - Read more ...