fri 04/07/2025

Reviews

Reissue CDs Weekly: Eurovision 2015

 Various Artists: Building Bridges - Eurovision Song Contest Vienna 2015Mind-bogglingly, Australia is a first-time entrant in Eurovision 2015. The nature of Europe may be a concern for some backwards-looking British voters in next week’s...

Read more...

Król Roger, Royal Opera

Let’s get one thing straight at the outset: Szymanowski’s 1926 opera Król Roger isn’t a lovely occasional oddity, a rarity whose appeal is largely novelty, or a dust-it-off-once-a-decade sort of piece. It’s that rarest of things, a real and original...

Read more...

Cornelius Johnson, National Portrait Gallery

It’s far too easy to think about the history of art as a series of class acts, with one superlative achievement following another. Exhibitions tend to encourage this view, and the notion of a superstar artist is key to persuading us that the latest...

Read more...

Anzac Girls, More4

For Australians and New Zealanders, the grim meat-grinder of the Gallipoli campaign in 1915 was their equivalent of the Somme, albeit under brilliant Aegean skies. The Australian-made Anzac Girls is based on real-life diaries and letters from the...

Read more...

Classical CDs Weekly: Lutosławski, Szymanowski, Jórunn Viðar, The Revolutionary Drawing Room

Lutosławski: Concerto for Orchestra, Szymanowski: Three Fragments from Poems by Jan Kasprowicz Polish National Radio Symphony Orchestra/Alexander Liebreich, with Ewa Podleś (contralto) (Accentus Music)I've never come across a lousy recorded...

Read more...

Far From the Madding Crowd

The arrival of Thomas Vinterberg's new treatment of Thomas Hardy's novel has triggered a retro-wallow in John Schlesinger's 1967 version, but happily, that was long enough ago to allow Vinterberg's vision to resonate in its own space. My...

Read more...

The Merchant of Venice, Shakespeare's Globe

There’s a certainty, a reassurance that comes with attending a Globe show. You know that however bad things get, however bloodied the stage at final curtain, however bruised the relationships on stage, everyone – corpses and all – will rise and come...

Read more...

SCO, Swensen, Queen's Hall, Edinburgh

It was as a violin soloist with the Scottish Chamber Orchestra that Joseph Swensen first appeared, in the mid-1980s, on the Scottish musical scene. He went on to become the orchestra’s principal conductor – a long and fruitful collaboration that...

Read more...

The Game, BBC Two

Rum old business, espionage – at least in the way we Brits are still pursuing it. For all the reality that the existential threat has long moved locations, in its television incarnations we remain addicted to the Cold War, the attraction to those...

Read more...

Game of Thrones: Episodes 2 & 3

The typical episode of the Game of Thrones TV show has been memorably compared to Twitter: there are 140 characters and something terrible always happens. The first episode of Telltale Games' story-driven take on the franchise came close,...

Read more...

Everyman, National Theatre

As we stagger towards electoral chaos, isn’t it comforting to think there might be a master plan at work? That Russell Brand’s meddling is preordained, or Cameron’s "brain fade" an act of divine intervention? The second play in Rufus Norris’s...

Read more...

Grivnov, LPO, Jurowski, RFH

Deep pain and sadness expressed through intense creative discipline aren’t qualities noted often enough in the music of Sergey Rachmaninov. Yet they’ve been consistently underlined, with rigour to match, in Vladimir Jurowski’s season-long “Inside...

Read more...
Subscribe to Reviews