Opera
Prom 15: Die Walküre, Staatskapelle Berlin, BarenboimWednesday, 24 July 2013
Things may be falling apart, a storm now rages but new broods of humans and demigoddesses have been fathered by chief god Wotan, who has undergone a Doctor Who like transformation from Iain Paterson into Bryn Terfel. Four new top singers appear on... Read more... |
Prom 14: Das Rheingold, Staatskapelle Berlin, BarenboimTuesday, 23 July 2013
Swimming around in the Rhine is what most of us wanted to be doing on the hottest day of the year. A cooling, riverbed low E flat from Daniel Barenboim’s Berlin double basses, and then the staggered horn entries announced we were going to be in the... Read more... |
La Bohème, Longborough FestivalSunday, 21 July 2013
Having spent most of the summer on Wagner’s Ring, Longborough are now giving, as a kind of bergamasque, an opera whose entire length would fit into the first act of Götterdämmerung. La Bohème is everything The Ring is not. It is concise, melodious,... Read more... |
Capriccio, Royal OperaSaturday, 20 July 2013
Richard Strauss’s lavish postscript to 50 years of music theatre is about so much more than the theme of its source, Salieri’s Prima la musica e poi le parole ("first the music and then the words", with a big invisible question mark). Its overall... Read more... |
10 Questions for Semyon BychkovSaturday, 20 July 2013
By the time silence descends on the Royal Albert Hall at five o’clock in the afternoon for a performance that will end six hours later, Semyon Bychkov will have been rehearsing for 60 hours. It breaks down into four days of orchestra readings, with... Read more... |
Don Pasquale, Glyndebourne Festival OperaFriday, 19 July 2013
Her tongue firmly planted in her cheek, Mariame Clément grumbles in the Glyndebourne programme that Don Pasquale “poses no specific ‘conceptual’ challenge” to the opera director. Sighs of relief all round. Donizetti’s final comic masterpiece turns... Read more... |
Britten: The Canticles, Linbury Studio TheatreThursday, 11 July 2013
As good old Catullus put it, I hate and love, you may ask why. No doubt it's my job as a critic to probe such difficult responses to Britten's Canticles. Why am I so repelled by the sickly-sweet lullaby Isaac sings just before daddy's about to put... Read more... |
Fortunio, Grange Park OperaThursday, 11 July 2013
André Messager is one of those fringe composers whose music you feel you know something about until you try to think of a specific piece. His ballet Les deux pigeons is still sometimes revived. But to students of French music, he’s actually best... Read more... |
Britten and Poulenc at the Cheltenham Music FestivalThursday, 11 July 2013
"Britten or Poulenc?" The question may seem a fatuous one, geared to the 100th anniversary of the Englishman's birth and 50 years since the Frenchman's death. Yet it certainly livens up what would otherwise be the usual dreary artists' biographies,... Read more... |
Double French: the 35th Buxton FestivalMonday, 08 July 2013
Retrieving buried rarities, many even by famous composers, is the cornerstone of the Buxton Festival, now in its 35th year. This time around, artistic director Stephen Barlow has plucked out a pair of 19th-century French comic operas by Saint-Saëns... Read more... |
Performers: A Season in PhotographsSaturday, 06 July 2013
A stage performance in any art form communicates through sound and motion. A photographer's task is to capture the dramatic experience in the silence and stillness of the 2D image. In the worlds of ballet and opera, none does it with more commitment... Read more... |
Hippolyte et Aricie, Glyndebourne Festival OperaSunday, 30 June 2013
Jean-Philippe Rameau wrote Hippolyte et Aricie in 1733 at the age of 50. It was his first opera and his greatest. In its five acts, its visits to the woods of Diana, the groves of Venus, the fires of Pluto and the domestic meltdown in the house... Read more... |
