thu 26/06/2025

Features

The Secret History of My Library: Essay by Daniel Saldaña París

Books lost, left in houses I never returned to; dictionaries mislaid during a move; seven boxes sold to a second-hand bookstore… The history of my library is the history of loss and an impossible collection, scattered around several countries,...

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First Person: composer Brian Elias on the Music@Malling Festival's retrospective of his works

It is my very good fortune to be offered by Music@Malling what is, in effect, a retrospective of my work. The music that will be performed was written between 1969 and 2019, exactly half a century. Inevitably, such a survey makes me think about the...

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First Person: tenor Nicky Spence on working with Blackheath locals on screen Stravinsky

As patron for a community organisation, I see clearly how opera is the biggest collaboration going. Between stage, orchestra  pit, school liaisons, chorus leaders, make-up bays and the magicians of the technical team, every cog is of equal...

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Book extract: Snake by Erica Wright

Ophidiophobia is one of our most common fears, from the Greek for serpent ('Ophidia'). Writer and editor Erica Wright grew up in Tennessee with periodic interruptions from rattlesnakes, cottonmouths and copperheads, who were spotted slinking around...

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First Person: Gregory Batsleer on choirs for the 21st century

Choral music is one of the UK’s oldest and most-loved art forms. It has been at the centre of my life ever since I started singing in primary school and has grown to become a crucial part of my identity as both a musician and artist. I am a signed-...

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First Person: pianist Danny Driver on teaching online and the importance of music education

There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial understatement – it has had a massive effect on people’s way of life across the globe, it has cost...

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Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of Bartók’s one-act Bluebeard’s Castle, among the 20th century’s most original and profound operatic masterpieces. Joining 19 other lucky invitees and some of the LSO brass...

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First Person: Artistic Director John Gilhooly on an inclusive and diverse Wigmore Hall

It is hard to believe that it’s really happening! Despite a few bumps along the way, Christian Gerhaher and Gerold Huber, one of the greatest Lieder duos of our time, will open the 20/21 Wigmore Hall Season tomorrow night in a programme of Schubert...

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Singer-songwriter Mary Chapin Carpenter: 'I wanted to do something. I wanted to be useful in some way'

Music has never been more important than in these dark, dislocating and death-stalked days, fear and grief visiting us in ways once unimaginable. The lack of live music – the lack even of the possibility of live music in the near future – is an...

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'Masses of performers are still grounded': pianist Sophia Rahman on a UK music scene in crisis

Have you ever tried watching a film, programme or even an advert without the soundtrack? If so, you’ll know that music is a cornerstone of all the culture you enjoy, not only Strictly or the Proms. From the grandest of ceremonies to the everyday...

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Directors Ian Bonhôte and Peter Ettedgui: 'The disability community is the world community'

In 2018, directors Ian Bonhôte and Peter Ettedgui burst onto the documentary scene with McQueen, a visually stunning study of British fashion designer Alexander McQueen. Acclaim and offers followed, but no-one could have predicted the subject of...

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Theatre Unlocked 4: Shows in concert and a contemporary classic comes to TV

After months spent sifting amongst the virtual, I'm pleased to report that live performance looks to be on the (socially distanced) rebound. The week ahead sees the start of a six-week run at the Open Air Theatre in Regent's Park of the alfresco...

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