wed 21/05/2025

Features

theartsdesk in Budapest: Magyar Strauss

If the Hungarian State Opera wanted to demonstrate that it is now back on top form, it could not have chosen a better way than this six-opera celebration of Richard Strauss’s 150th anniversary. Mahler conducted here before moving to Hamburg, Vienna...

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Brighton Festival Final Weekend - with the Family

Sitting outside Mrs Fitzherbert’s, the pub named after George IV’s notorious mistress, nursing a pilsner top and a packet of peanuts on a sunny Saturday afternoon, the world is a benevolent place with the Brighton Festival (and Fringe) at the heart...

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Caspar Gomez hits Glyndebourne Opera Festival

It’s certainly different from the Glastonbury shuttle, I’ll tell you that. I’m sitting with Finetime on the minibus that takes festival-goers from Lewes Station to the opening day of Glyndebourne Opera Festival 2014.Finetime’s looking very much the...

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theartsdesk in Aarhus: SPOT Festival 2014

At last night’s Eurovision Song Contest, host country Denmark submitted “Cliché Love Song”, a weedy Bruno Mars-a-like designed to ensure they did not win for a second year running. It came ninth. While understandable that Danish national broadcaster...

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theartsdesk Q&A: Conductor Robin Ticciati

Poised when I met him six weeks ago between 40th anniversary celebrations of  the Scottish Chamber Orchestra, of which he has been a shaping chief conductor for the past five years  and putting his new music directorship of Glyndebourne...

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Remembering Sir George Christie (1934-2014)

I started work at Glyndebourne in 1962 at the age of 20 and remained there for 27 years, for the last seven of which I was General Administrator. Throughout that period George was Chairman of Glyndebourne Productions, and my ultimate boss. ...

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Hofesh Shechter: My Brighton Festival So Far

On a lovely sunny Saturday morning the Children’s Parade was a really amazing start to things. The Brighton Festival team, the mayor and I started the parade, leading from the front for a few streets, then we went and watched from the side,...

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Maria Lassnig, 1919-2014

Maria Lassnig, the Austrian figurative painter best known for her emotionally complex self-portraits, died yesterday aged 94. She was virtually unknown in the UK until her solo exhibition at the Serpentine Gallery in 2008. In a compact survey which...

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Unfinished business: completing Mozart

Horn concertos don't make frequent appearances in the standard concert repertory and when they do it will usually be a work by Mozart or Richard Strauss. It wouldn't be entirely true to say that horn players feel keenly the lack of a serious core of...

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'There’s not too many bald-headed cubic people'

Bob Hoskins had one of those faces that was equally adapted to boyish bonhomie and something altogether more threatening. It helped explain the length and variety and sheer unexpectedness of his career. He could scowl for England, which is why he...

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RE:naissance: Festival under the influence

Shakespeare's ubiquitous “planetary influence” is well-documented. As Stephen Marche points out in How Shakespeare Changed Everything, not much from our sex lives to the assassination of Lincoln remains untouched. And, of course, there's the...

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theartsdesk in Cabo Verde: Sodade, Slaves and Syncopation

My preconceived and somewhat misguided idea of the Cabo Verde islands (the official name for Cape Verde these days) was that they were basically a hotter version of the Canaries, with a spare and volcanic landscape that, being a Creole culture in...

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