CDs/DVDs
Thomas H. Green
Endlessly gigging Northern Irish performer Foy Vance's profile first rocketed after touring with fellow singer-songwriter Ed Sheeran. The pair became pals, Vance went onto support the likes of Elton John, and signed to Sheeran’s Gingerbread Man Records. His fourth album is the first of a themed couple paying tribute to the southern US roots of popular music (the other will hail from Sam Phillips Studios in Memphis). How enjoyable it is depends largely on how the listener feels about what music writer Simon Reynolds terms “retro-mania”.Muscle Shoals Studios in Alabama (and before that FAME Read more ...
Tom Birchenough
Anyone who saw Félix Maritaud playing the angry activist Max in Robin Campillo’s Paris ACT UP drama 120 BPM will certainly remember him (main picture). He came to the film as a non-professional, from an arts student background, and builds on that performance to deliver a visceral central role in Sauvage, the feature debut of another French director, Camille Vidal-Naquet. It’s a remarkable achievement for both, a harsh study of life on the street in which Maritaud plays a homeless 22-year-old hustler, Léo – though we don’t hear him called that once in the film, fluidity of names being part of Read more ...
Guy Oddy
Let’s Rock is a return to action after a five-year break by blues-rock duo the Black Keys and, given their track record of raw musical swagger on such great discs as Attack and Release and Brothers, it’s one that comes as a bit of a surprise. Largely gone are the grubby blues licks that the Akron duo used to whip up at will and, in their place, is a slick sound that feels uncomfortably close to the bombastic background music used in Eighties TV series Miami Vice.This new direction is particularly evident on “Get Yourself Together” which sounds like something Don Henley might have put out in Read more ...
Lisa-Marie Ferla
With her timeless vocals and jazz-inflected folk melodies, it feels like a bit of Los Angeles songwriter Bedouine lives in the golden age of Hollywood. It’s a dichotomy she goes as far as to address on “Echo Park”, a woozy Sunday morning wander through one of the city’s more bohemian neighbourhoods whose melody - and observationally poetic lyrics - draw from the Joni Mitchell playbook. “I’ll stay as long as I don’t tire from the rising cost of coffee,” she confesses. “The skyline’s inching higher, but the sights are free.”Born in Aleppo, Syria, Azniv Korkejian has been a US resident since her Read more ...
Joe Muggs
Nineteen years, seven albums and untold side projects into their career, Hot Chip have for the first time enlisted outside producers: Rodaidh McDonald and French disco/house don Philippe Zdar. And it's worked. Over the course of the previous albums, the band had steadily evolved from ramshackle and rather self-consciously quirky writers and players to a far slicker operation. Notably this was informed by Alexis Taylor's broadening as a songwriter through various experiments and collaborations, and Joe Goddard's deep immersion in bittersweet deep house music, both solo and in 2 Bears – but the Read more ...
Saskia Baron
I’m sure there’s an anthropologist out there writing a thesis on American teenagers’ coming-of-age rituals as performed in movies, from American Graffiti to this year’s Booksmart. Such a study would be rich with observations about how the genre has evolved from 1973, when the leads were white, male and straight, through to 2019 when one of the leading ladies is a lesbian and the other one has a crush on a mixed-race heart-throb. Somewhere in between those two extremes falls Richard Linklater’s Dazed and Confused, made in 1992 (but set in 1976). There’s only one black Read more ...
Owen Richards
Producer extraordinaire Mark Ronson has set his sights on soundtracking the summer once again, with his latest collaborative collection of pop gems. It's a seductive album, packed with enough hooks to conquer the charts for the next few months.The lead singles set the tone for the album's raison d'être: bittersweet pop. "Nothing Breaks Like a Heart" with Miley Cyrus is an immediate standout dancefloor filler, country sensibilities thrown through nightclub drama. The Lykke Li-led "Late Night Feelings" doubles down on this mood, evoking a night time drive through Miami. Its magic lies in a Read more ...
Tim Cumming
Willie’s new album opens with the singer calling out to all the tired old horses saved from the knackers and put out to pasture. It’s not just something he does in song, but in life. It’s co-written with Sonny Throckmorton, an old mucker of the Zen cowboy who lives next to Nelson’s Luck studio in Texas – and next door, too, to the stud of 60 or so retired horses saved by Nelson from the slaughterhouse and given a retirement home on his ranch. It’s hard not to love a man for that kind of act of kindness to the world’s beasts of burden, and the song’s a good-un, too, sweet, tender, and direct. Read more ...
Kieron Tyler
If contemplated without a context, Loops in the Secret Society initially appears to be a bold 68-minute, double-album fusion of Hawkwind’s hum and whir, Krautrock insistence, spacey electronica and folky otherness. Jane Weaver’s voice is disembodied, as if in a trance. As one track bleeds into another, ambient linking pieces instil the feeling this is more a lengthy mood piece rather than a series of individual compositions. If the soundtrack were needed to a flickering silent film about artificial creatures escaping from underworld bondage and emerging into the daylight, this is it.However, Read more ...
Veronica Lee
Madonna is the queen of reinvention and Madame X, her 14th studio album, marks another new brilliant, bonkers chapter in her 37-year career. The 13-track CD (15 on the deluxe version) was inspired by a recent spell living in Lisbon, where she clearly imbibed the Portuguese diaspora's music. Madame X is stuffed with influences, with African drumbeats and Latin grooves to New York club sounds and big ballads, taking in a bit of Cape Verde batuque and Puerto Rican reggaeton too.It's a mixed bag: there are some bangers including “Come Alive”, which is made for live performance and will fill the Read more ...
Asya Draganova
Four years after their debut album, the American supergroup the Hollywood Vampires has reached a new musical level with Rise while maintaining a distinct enthusiasm for playing in a classic rock’n’roll style. The combination of the characters and talents of iconic eccentric Alice Cooper, Hollywood celebrity Johnny Depp and Aerosmith guitarist Joe Perry has produced an energetic record, where the fun of making music together is audible and contagious. In contrast to the previous album, which was dedicated to reinventing tracks loved by generations of fans, however, Rise is dominated by Read more ...
Saskia Baron
Revisiting Gillian Armstrong's My Brilliant Career for the first time since I saw it in its year of release, 1979, is a mixed experience. I was close in age to its heroine and it was one of the first mainstream feature films I’d ever seen directed by a woman. At the time, it seemed incredibly exciting and inspiring and while the film is still impressive and enjoyable, it’s somewhat less radical than I remembered. The film’s glorious costumes, ornate interiors and repetitive piano score threaten to obliterate its relatively subtle feminist message: I remembered it as more Read more ...