CDs/DVDs
Matthew Wright
French band Pulcinella is little known over here, but the release of their third album Bestiole (meaning nothing more ribald than “tiny creatures”, apparently), coincides with a brief UK tour, and is looking like the beginnings of a breakthrough. A quartet of sax, accordion, percussion and bass, with an exotic array of guest instruments, they’re self-consciously experimental, but melodic and humorous with it. Their swirling sound-world of whimsical, gothic circus noir draws on jazz, tango and alt rock, but balances the mixture with feisty originality in independent territory in between.The Read more ...
Joe Muggs
Sia Furler is a fascinating phenomenon – after all, you don't really expect Australian sidepersons for midranking trip-hop acts to go on to be multi-trillionaire pop overlords, on the whole. But yes, the former Zero 7 singer has, via a quietly successful solo career, become one of the biggest songwriters on the planet. We're talking (deep breath) Christina Aguilera, Eminem, Flo Rida, Afrojack, Jennifer Lopez, Shakira, Lea Michele, Rihanna, Beyoncé, Kylie Minogue, Leona Lewis, Hilltop Hoods, Katy Perry, Kesha, Rita Ora, Britney Spears, Jessie J, Oh Land, Celine Dion, Maroon 5 and David Guetta Read more ...
Katie Colombus
Much has been said before about these two Leos Carax greats, but the beauty of these surrealist French films is that you can enjoy them again and again, each time finding something new to appreciate. It's been a while since Boy Meets Girl and Mauvais Sang (The Night Is Young) were first released, but that only makes them that little bit more iconic.Like blowing the dust off an old painting, we are re-introduced to the blanched faces and melancholic characters that remind us of a love that burns fast but lasts forever. With Carax, everyone is either in love, Read more ...
Lisa-Marie Ferla
It feels as if the life-on-the-road song has become a rite of passage for those rock bands that manage to clock up enough years together, but after 20 years in the business Texan alt-country rockers Old 97’s probably have more of a claim to it than most. Clocking in at just under six minutes, “Longer Than You’ve Been Alive” is one of the best examples of the genre, regardless of its titular accuracy. It’s a meandering, tongue-in-cheek portrait of the rock star excesses, but also the tedium, that comes with life in a moderately successful touring band. As frontman Rhett Miller reminisces, most Read more ...
Paul McGee
Over the last few years, Riff Raff's rise – from ambitious, driven Houston rap scenester to reality-show opportunist to the alleged inspiration for James Franco's sleazily OTT white rapper in Harmony Korine's Spring Breakers – has been fascinating to observe. He's carefully parlayed low-level internet celebrity into his current, almost Gatsby-esque status as a self-actualised pop-culture avatar-cum-living meme, only the kind that steps out with the likes of Katy Perry. It's an impressive feat, especially when done without the aid of a conventional hit record. With this album, his first for Read more ...
Kieron Tyler
The United States of America: The United States of America – The Columbia RecordingsNothing sounded like The United States of America. The release of their only album in March 1968 must have been greeted with a lot of head scratching. Although at one with the questing spirit of psychedelia, they clearly weren’t brimming with love, peace, gentle vibes and the burgeoning back-to-the-roots movement. Their music incorporated jarring electronics and the deadpan voice of Dorothy Moskowitz, a singer even more dauntingly distant than the Jefferson Airplane’s Grace Slick.Joseph Byrd was the USA’ Read more ...
Russ Coffey
Few albums can evoke a period quite like David Gray’s White Ladder. The way this unofficial soundtrack to the year 2000 interwove acoustic guitars and drum machines even kicked off a decade-long singer-songwriter renaissance. But Gray's success eventually proved a millstone round his neck and he could never really escape its legacy. Instead, he's started making quietly interesting LPs like Mutineers.This is an album of two distinct halves and it's the second that's clearly the best. It builds to a climax with the gorgeous lead single “Gulls”, a kind of avant-folk number reminiscent Read more ...
Kieron Tyler
Last Saturday saw the broadcast of the final Wallander on British TV. The new six-episode series has hit DVD within days of the programme being off air. As the distracted, always-troubled detective, Krister Henriksson had asked that for his return to the role after a four-year gap in this third series, it should end with no possibility of a comeback – after series 2, he’d said he wouldn’t play Wallander again yet he did. This time, the series ended with a full stop. There is no chance Wallander will be coming back.The conclusion came with Kurt Wallander developing Alzheimer’s. The final two Read more ...
Guy Oddy
Taking the electronics-heavy instrumental pieces from David Bowie’s, late seventies albums, Low and “Heroes” and arranging them in a hard-bop jazz style might seem a bit audacious. After all, electronic experimentation was largely the point of this music – primarily as an attempt to escape from the usual expectations of pre-punk seventies’ rock music. Nevertheless, these tunes soon proved to be significant game-changers in modern music themselves, conveying a feeling of alienation through proto-ambient soundscapes which were a huge influence on Aphex Twin, Black Dog and many others of the Read more ...
Katie Colombus
For a long time, Kathleen Hanna was ensconced in a world where she cared more about the noise she made onstage than off. Despite being in a band that couldn't really play their instruments, her political message was what mattered.
The Bikini Kill front-woman and outspoken feminist punk idol’s life is explored in this biographical documentary, hinged on the mystery of why she suddenly stopped performing in 2005.
Directed by Sini Anderson in a fanzine style, the film pays homage to a singer that rocked the riot grrrl movement, sparking a sub-culture of female empowerment and launching third Read more ...
Joe Muggs
The Flaming Lips are one of the most annoying bands on the planet. They're fawned over in a pseudo-spiritual fashion by people who should know better for their arena show stunts which supposedly create a vibe of togetherness and community but really seem every bit as messianically egotistical on the part of band leader Wayne Coyne as any of the antics of, say, Bono or Chris Martin. They are essentially a new generation prog-rock band with all the self-involved and portentous stoner goofing that entails.However... a little frustratingly, they're also capable of making good records, and Read more ...
Lisa-Marie Ferla
It seems a little ambitious to be thinking of those omnipresent end-of-year album best-of lists when it is barely summer, but there’s something about How To Dress Well’s “What Is This Heart?” that puts me in that frame of mind. Not because I can see it topping any such list of my own but rather because I can see this album - this sumptuous, melodic, intricate, claustrophobic third full-length from the electro-R&B project of one Tom Krell - topping everybody else’s. It’s another way in which Krell’s music is similar to that of Frank Ocean, whose similarly falsetto-laden work of laudable Read more ...