Proms
BBC Proms: Anoushka Shankar 'Chapters' review - somehow, it workedWednesday, 13 August 2025
You can't explain stage presence like Anoushka Shankar’s. It just "is". When she steps out in front of a completely packed Royal Albert Hall, and utters a welcoming, exploratory, London-ish “Hi... welcome to my Prom… Oh, my God!”, a friendly... Read more... |
BBC Proms: Akhmetshina, LPO, Gardner review - liquid luxuriesTuesday, 12 August 2025
Water surged through this Prom from first spray to last drop. But there was nothing damp or diluted about Edward Gardner’s helmsmanship as he steered the London Philharmonic Orchestra through a succession of liquid rhapsodies: three from the early... Read more... |
BBC Proms: Láng, Cser, Budapest Festival Orchestra, Iván Fischer review - idiomatic inflectionsThursday, 07 August 2025
“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both extremes, but Iván Fischer and the Budapest Festival Orchestra led us from the most dancing of Seventh Symphonies to the endless... Read more... |
BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste review - Arvo Pärt 90th birthday tributeFriday, 01 August 2025
Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal, largely through the religious choral music that has been dubbed Holy Minimalism. And in this year of his... Read more... |
BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating Lutosławski, underwhelming RachmaninovThursday, 31 July 2025
According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve been unlucky in never having heard it live before, despite being a fan for nearly 30 years. So I was relieved... Read more... |
BBC Proms: Batsashvili, BBC Scottish Symphony Orchestra, Ryan Wigglesworth review - grief and gloryMonday, 28 July 2025
This Prom began in sombre and melancholic shades of grey. Then, as her encore, the superb Georgian pianist Mariam Batsashvili launched into Liszt’s Paganini étude, “La Campanella”, and bells of long-awaited joy rang around the Royal Albert Hall.... Read more... |
BBC Proms: McCarthy, Bournemouth SO, Wigglesworth review - spring-heeled varietyTuesday, 22 July 2025
It started like Sunday afternoon band concert on a seaside promenade, a massive ensemble playing it light. But while there were several too many Shostakovich pops, the Ravel concerto and Walton symphony ahead sailed for deeper waters, And the... Read more... |
BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - glorious Vaughan WilliamsSaturday, 19 July 2025
The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First Night of the Proms. This is traditionally an opportunity to programme a large-scale choral work, and... Read more... |
Prom 71, Seong-Jin Cho review - refined Romantic journeysFriday, 13 September 2024
Out of emergencies may come revelations. Sir András Schiff has broken his leg, and we wish him a super-speedy recovery. At the Proms, his promised Art of Fugue will have to wait. Korean pianist Seong-Jin Cho, a past winner of the Chopin Prize,... Read more... |
Prom 68, A Midsummer Night's Dream, Garsington Opera review - eerie beauty sometimes faintly glitteringWednesday, 11 September 2024
Some operas shine in the vasts of the Albert Hall, others seem to creep back into their beautiful shells. Glyndebourne’s Carmen blazed, though Bizet never intended his opera for a big theatre, while Britten’s A Midsummer Night’s Dream, despite an... Read more... |
Proms 63-65, Choral Day review - from Harris to Handel/Mozart via Alabama, with loveMonday, 09 September 2024
The Proms’ Indian summer of big visiting orchestras is over – and what a parade it’s been – but renewal hit on the last Saturday before the Last Night with a rainbow of choral concerts, from the 26 voices of The Sixteen (yes, counter-intuitive, I... Read more... |
Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle review - sound over momentumSaturday, 07 September 2024
Mahler’s Sixth is one of those apocalyptic megaliths that shouldn’t be approached too often by audiences or conductors. It’s been a constant in Simon Rattle’s treasury since 1989, when he first recorded it with his City of Birmingham Symphony... Read more... |
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