feminism
Boyd Tonkin
Beatrice Blackwood had lived in a clifftop village between surf and jungle on Bougainville Island, part of the Solomon archipelago in the South Pacific. She hunted, fished and grew crops with local people as she studied their social and sexual lives; she joined the men on risky forays into other communities “that had never seen a white person before, but she never recorded any animosity from them”. Later, in 1936, she relocated to the remote interior of New Guinea. There she lived among the “remarkably inscrutable” Anga people, fabled for their ritualised violence, in a region feared and Read more ...
Graham Fuller
Pushing 40, Simple Passion’s Hélène (Laetitia Dosch) lectures Paris college students on poetry and is single mother to pre-adolescent Paul (Lou Teymour-Thion). Blessed with a bountiful Deneuve-ian mane, she’s a pale but unfallen bloom in her late thirties passionately entwined, as often as she can be, with the younger Aleksandr (Sergei Polunin), a vulpine, taciturn Russian Embassy security operative (i.e. muscle), who sometimes flies home for marital vacations.“Even feminists become submissive when they fall in love,” the manstruck heroine tells her friend Anita (Caroline Ducey), blaming the Read more ...
Lisa-Marie Ferla
Back in October, Fiona Apple – whose Fetch the Bolt Cutters, released in April, captured a particular early pandemic mood – was interviewed by Emily Nussbaum for The New Yorker Festival. “I think we women should be marrying our friends,” she told the journalist. “We have sexual freedom! We have dogs! We have fun! We can do whatever we want!”Experiences like these have been a teeny, tiny crumb of positive over these unending months. Would I trade 10 months and counting without live music (last gig: The Hold Steady, arguably the best live band in the world, at their annual London “Weekender” at Read more ...
Adam Sweeting
After months of watching movies on computer screens, how delightful to have a press screening at the Waterloo IMAX cinema, albeit under Covid restrictions. Not so delightful was the realisation that Wonder Woman 1984 is crying out for some editing shears (151 minutes! Are they serious?), while the uninspired climax that Gal Gadot’s title character spends so long labouring towards really isn't worth the wait.Whereas 2017’s Wonder Woman found World War One mysteriously arriving at the island of Themyscira, mythical home to the Amazon women, this one (again helmed by Patty Jenkins) leaps forward Read more ...
Matt Wolf
"What's happening?", or so Jean (Rachel Brosnahan) asks time and again in I'm Your Woman, voicing the very question posed by an audience. Bewilderment would seem to be a constant state of being in director and co-writer Julia Hart's film, which doesn't so much derive suspense from withholding information as revel in an opaque narrative that I, for one, tuned out of well before the close. There's no denying Brosnahan's commitment to material that couldn't be further from her star-making work in TV's The Marvelous Mrs Maisel, but you can only tease a spectator along so far before one's patience Read more ...
Laura de Lisle
Women have an awful time of it in the Greek myths. Raped, abandoned, blamed for murdering people, blamed for not murdering people – you name it, it’s happened to an Ancient Greek woman, and they didn’t even get to talk about it themselves. Ovid picked up on this discrepancy, and, in a rare flash of wokeness, wrote The Heroines, 18 letter-poems from the neglected women of the myths. 15 Heroines, an epic new series of monologues commissioned by Jermyn Street Theatre and streaming this week, is a tricksy, playful adaptation of those letters, written, acted, and (mostly) directed by women. Read more ...
Laura de Lisle
Back to Georgian brothels, now – at least, for those of us who don’t have a Hulu subscription. The BBC’s airing of the second series of Harlots over the summer felt strangely timely. Barely an episode in and an angry crowd was hammering at the local judge’s door, demanding justice after the needless death of one of the city’s poorest residents. The third series, showing weekly on Wednesdays on BBC Two and available in its entirety on iPlayer, is less easily related to 2020, but it’s still a rollicking ride. Harlots, created by Moira Buffini and Alison Newman, is billed as a bodice- Read more ...
Saskia Baron
Shirley is one of those films that the mood you’re in when you watch it will dictate whether you think it’s a great psychological horror movie or overheated and pretentious. Go to the cinema wanting to be plunged into a fever dream of gothic Americana, replete with glaucous close ups of Elisabeth Moss as a writer wreaking revenge on her unfaithful husband, and you’ll be more than satisfied. But if you’re hoping for a linear narrative that adheres to the actual biography of Shirley Jackson, the artful elliptical editing which blurs elements from her fiction with cherry-picked aspects of Read more ...
Joseph Walsh
It’s no secret that Arthur Conan Doyle’s most famous creation lays claim to more appearances on screen than any other fictional character. Over the past several decades, we’ve seen Sherlock as a pugilist action-hero, a modern-day sleuth, and in a painfully unfunny slapstick guise. Now there’s a feminist spin in which "The World's First Consulting Detective" is pushed aside in favour of his younger sister Enola, played by Millie Bobby Brown, in a peppy adventure yarn.Based on the young adult novels by Nancy Springer and adapted by Jack Thorne (Harry Potter and the Cursed Child), we are thrust Read more ...
Joseph Walsh
Canadian-Iranian director Sadaf Foroughi offers up a gut-wrenching tale of adolescent rebellion set against the strictures of an oppressive Middle Eastern society. It rivals the work of Asghar Farhadi in quality, telling the story of a 17-year-old student whose strong-willed ways lead her into conflict with her watchful parents and teachers. To Western eyes, Ava’s (Mahour Jabbari) acts of adolescent rebellion seem slight – wanting to study music wouldn’t often be met with disapproval by parents. At school she chats innocently with her best friend Melody (Shayesteh Sajadi), talking Read more ...
Laura de Lisle
Medea is the original crazy ex-girlfriend: the wronged woman who takes perfectly understandable revenge on the man who made her life hell. In Blueprint Medea, a new adaptation premiered at the Finborough Theatre in May 2019 and available on YouTube until 2nd August, writer-director Julia Pascal gives us a 21st-century reworking of Euripides’ tragedy. This Medea (Ruth D’Silva) is a Kurdish freedom fighter who’s come to England on a dodgy passport; working illegally as a cleaner, she meets Jason (Max Rinehart) – or Mohammed, to his Iraqi-immigrant parents. They move in together and Read more ...
Adam Sweeting
In the midst of our increasingly confrontational politics of race and gender, it was a timely move to make this series (on BBC Two) about Seventies radical feminism and the battle over the Equal Rights Amendment (ERA) in the USA, even if some of the minutiae are liable to sound abstract or alien to British viewers. Cate Blanchett storms brilliantly to the fore as Phyllis Schlafly, a proud Republican housewife and champion of traditional family values, and staunch opponent of the Amendment.Schlafly is that bewildering paradox, a conservative revolutionary, which apparently is what lured Read more ...