wed 06/08/2025

Theatre

Make It Happen, Edinburgh International Festival 2025 review - tutting at naughtiness

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and Morningside areas, the building of Royal Bank of Scotland’s immense Gogarburn HQ, the institution’s towering...

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Top Hat, Chichester Festival Theatre review - top spectacle but book tails off

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive nature of really strong books in stage musicals, not quite as straightforward as meets the eye.More of that later and, let...

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The Winter's Tale, RSC, Stratford review - problem play proves problematic

There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have signalled to the groundlings as much as those invited to rattle their jewellery upstairs back in the 17th century – it’s a fairytale, a...

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Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★★A rehearsal room; a tense preparation session for a production of King Lear, provocatively gender-swapped; a troublesome diva in the title role; and a near-silent understudy barely able to contribute.Dan Colley’s...

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Edinburgh Fringe 2025 reviews: I'm Ready To Talk Now / RIFT

I’m Ready to Talk Now, Traverse Theatre ★★★★There are, inevitably, certain challenges when reviewing a one-to-one immersive show that’s already pretty much sold out its entire Edinburgh Fringe run (though there are rumours of some last-minute...

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Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at the Planetarium / PAINKILLERS

Alright Sunshine, Pleasance Dome ★★★★★Edinburgh writer Isla Cowan’s deceptively powerful solo show begins as an almost affectionate tribute to the city’s Meadows, fittingly just a few minutes down the road from the show’s venue – its yummy...

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The Daughter of Time, Charing Cross Theatre review - unfocused version of novel that cleared Richard III

Following confirmation that he was the owner of the bones found in a Leicester car park in 2012, Richard III has never been a hotter, or cooler, subject. So his fans will welcome a new play, based on an old book, about the misrepresentation of his...

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Evita, London Palladium review - even more thrilling the second time round

Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, paraphrasing a Tim Rice lyric from his 1978 collaboration with Andrew Lloyd Webber?This is the first Lloyd Webber musical I ever saw in its...

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Maiden Voyage, Southwark Playhouse review - new musical runs aground

As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark Playhouse to launch a new musical that tells the tale of The Maiden. That was the boat, built and sailed by Tracy Edwards...

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Brixton Calling, Southwark Playhouse review - life-affirming entertainment, both then and now

What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a really strong story stand on its own two feet. Like a late one at the Brixton Academy itself, this is a helluva night out....

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Inter Alia, National Theatre review - dazzling performance, questionable writing

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie...

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A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night sky

Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's hypnotic revival of A Moon for the Misbegotten, the late Eugene O'Neill play that hasn't been seen in London since Kevin Spacey and Eve...

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