tue 14/01/2025

rave

Singles & Downloads 13

Wiley's hectic schedule pauses briefly to drop a contagious pop nugget

At one level the day of the single is gone - the 7-inch, the CD, the physical format - and yet, at another it's more relevant than ever. Sure, any track can now be downloaded from an album and hit the charts but singles, downloads - chosen...

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CD: Moby – Destroyed

Moby's 'Destroyed': A series of meditations on a theme of sadness

What is it with synthesisers and sadness? There’s something inherently melancholic about this instrument, a quality that’s been accentuated by its use in the soundtracks to dystopian movies such as Blade Runner. Moby is a man who has exploited...

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theartsdesk Q&A: Musician Moby

Moby, punk, electronic orchestrator and self-confessed nerd

Moby (b 1965) has been a presence on the dance scene and in global clubland for two decades. He is best known for the multimillion-selling 1999 album Play which, among other things, combined lush electronic orchestration with old field recordings of...

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Atari Teenage Riot, O2 Islington Academy

Atari Teenage Riot's glowering demagogue, Alec Empire

The last time I saw Atari Teenage Riot play was in a gig venue above a pub some time around 1999 and it was one of the most intense gigs I've ever experienced. Then-member Carl Crack – who would take his own life not long after – was clearly a man...

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CD: Africa Hitech - 93 Million Miles

This is, not to put too fine a point on it, a masterpiece – but it could easily have been a bloody mess. The team-up of Mark Pritchard and Steve Spacek is the kind of thing that brings genre purists and scene snobs out in hives: Somerset-born,...

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Singles & Downloads 12

A still from Chase and Status's harrowing 'Time' video

Hip-hop soul, chart rave and Balearic beach-pop with a 1990s flavour, synthesiser-led space-rock, a localised Goth-electronic revolution, Kenyan Kamba beats, an eccentric attempt at bringing opera into pop, and vibrations from dubstep's deep roots....

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CD: Britney Spears - Femme Fatale

Britney: Definitely femme, lethality unconfirmed at time of going to press

Googling for academic articles about Britney Spears is one rabbit hole I've managed to avoid falling down thus far, but one imagines there are reams of the things. From demonically driven Disney child star via pigtailed Lolita and sex-droid air...

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Opinion: Can we please kill off the guitar as cultural icon now?

There's been a lot of waffle lately about rock'n'roll being dead. This is down to mainstream radio turning its back on guitar music in favour of a stew of electro-pop and R&B, and the fact that just three spots in the Top 100 UK bestselling...

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theartsdesk Q&A: Producer/DJ Carl Craig

Carl Craig is extraordinarily easygoing. Most dance producers of his seniority and level of achievement would come with at least a publicist in tow, but when we meet him in his London hotel, his only entourage is his nine-year-old son, playing...

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Year Out/Year In: Electronic Music Digs In and Spreads Out

2010 saw some major shifts stirring up the UK club music ecosystem and unleashing some fascinating hybrids and variants of existing sounds out into the wild. As the hefty bass of dubstep muscled its way firmly into the heart of the mainstream,...

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theartsdesk Q&A: Producer/DJ Richie Hawtin

Minimal techno kingpin Richie Hawtin deals with those allegations of over-seriousness head on

It's only after hanging up the Skype connection to Richie Hawtin that I realise how effective a branding exercise he has made the interview. In conversation the English-born, Canadian-raised Berlin resident is charming and smart, but listening...

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Primal Scream, Olympia

Primal Scream's gig last night may well have been the loudest gig theartsdesk has ever attended. Three hours after returning home, my ears are still ringing like they've never rung before. At the time I didn't notice the volume though. I was...

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