poetry
Jane Edwardes
Who is Sappho? What is she? Not much is known about the influential Greek poet who was born some 2500 years ago. Her poetry was celebrated during her lifetime, but very little has survived. Those fragments that do exist speak of love, passion and longing. Her name lives on, not just because of her poetry, but because both she and Lesbos, the island she lived on, have given their name to the love of one woman for another. And so Wendy Beckett’s glitzy, short comedy celebrates the life of the poet through the prism of gay love today.Although most of the cast are dressed in Greek tunics of the Read more ...
Jack Barron
David Harsent has won a lot of prizes. From the Eric Gregory to the T. S. Eliot, he has carved out a literary career positively glittering with awards and nominations, and keeps the kind of trophy cabinet that would turn many of his contemporaries green. But if points mean prizes, prizes also mean points, and point-scoring is a dubious means to judge a poet. While such institutions do much for the general reach and popularity of poetry, and though it’s always nice to be appreciated, you’d do better on the page than the awards stage if you want to get a proper sense of a poet’s interest in the Read more ...
Hugh Barnes
Half way through Something, I Forget, in a poem entitled “Returns”, and subtitled “Invasion of Ukraine, February 2022”, Angela Leighton writes, “Today’s my birthday. Many happy returns. / Elsewhere there’s shot, mortar shells, grenades.”The technical term for this is poetic licence because Leighton’s birthday falls on 23rd February, and Russia’s invasion of that particular "elsewhere" didn’t happen until the following day. Strictly speaking, the poem can’t be true. Leighton’s birthday was as quiet and uneventful in Ukraine as it was anywhere else.One of the strengths, however, of Angela Read more ...
Leila Greening
School of Instructions, a book-length poem composed of six sections, is a virtuosic dance between memory and forgetting, distant tragedy and personal grief. At times, Hutchinson’s language perhaps forgets itself in its own excess. His lines are richly luminescent, never cold or monochromatic.However, criticism of this opulence, a style described by Carol Rumens as "sea-lit", disintegrates when the radiance of lines like "the cherry-magnified boy who felt keenly fractures in / his bones clicking like wings" appear. Hutchinson marries words emphatically, with a constant attention to music. His Read more ...
Alice Brewer
Self-described ‘intermittent poet’ and 2023 Turner Prize-nominee Jesse Darling said this in a recent interview for Art Review: ‘I think about modernity as a fairytale’. The comparison is made in reference to capitalism’s beginnings, as continuous as they are ill-defined: ‘It’s a thoroughly arbitrary and weird situation that starts with the first colonial excursions in the 1700s – depending on where you begin – or the Inclosure Acts, and goes all the way up to now.’Paraphrasing an encounter with Darling’s sculptures, I would hedge my bets and add to fairytale the words romance, and maybe Read more ...
Boyd Tonkin
“Underneath the abject willow/ Lover, sulk no more;/ Act from thought should quickly follow:/ What is thinking for?” In 1936, early in their tempestuous friendship, WH Auden wrote a poem for Benjamin Britten that urged the younger artist to pursue his passions – musical and erotic – and curb his fearful longing for comfort and safety.The poet’s hectoring insistence that the composer should embrace audacity and risk marked a partnership that began in hero-worship – the timid, tentative Britten’s for the bold and brilliant young bard – and ended in the composer’s violent rejection of his one- Read more ...
Jack Barron
Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: searing is a regular participant, as is honest, and urgent, and unflinching. All of these words share a common indistinctness; each appeals to timeliness and/or some kind of apparent bravery; and each actually means extremely little.But without a doubt the lord of vague and laudatory adjectives is powerful. Publishers and publicists like to say that this or that is ‘a vital and powerful comment on/response Read more ...
Kieron Tyler
After his death in 1867, it didn’t take long for Charles Baudelaire’s poems to be set to music. Composer Henri Duparc did so in 1870, but Claude Debussy’s late 1880s framing of five of the Symbolist pioneer’s verses confirmed this as more than a one-off fascination for the musical world.Subsequently, Baudelaire’s words have stimulated myriads of performers: Celtic Frost, The Cure, Serge Gainsbourg, Diamanda Galas and Tyler the Creator amongst them. In France, chanson legend Léo Férre devoted three albums to Baudelaire.Now, with the explicitly titled Baudelaire & Orchestra, Norway’s Read more ...
Alice Brewer
A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back / from the deep inside." The lines are broadly representative of the image-repertoire and diction of Laird’s latest work: glassiness, fish and questions of depth perception loom large.So too, does a concern with poetry’s definitions. In "Mixed Marriage", for instance, poetry is "the art of introducing words that haven’t met & getting them to sit together / in a small room". In "The Vocation", Laird restates Read more ...
Hugh Barnes
Nowadays Robert Graves is best known for his later and least interesting works on Greek myths and Roman emperors, but at his best, in the first decade of his writing life, as a war poet (Fairies and Fusiliers) and war memoirist (Good-Bye to All That), he was a powerful mythmaker in his own right.He was also borderline absurd, a cut-price Lord Byron whose scandalous private life – in particular the Jazz Age ménage à trois with his wife Nancy Nicholson and a charismatic American literary critic, Laura Riding – somehow overshadowed his literary career.The title of writer-director William Nunez’s Read more ...
Jack Barron
The language of poetic technique is perhaps weighted towards rupture, rather than reparation: lines end and break, we count beats and stress, experience caesurae (literally ‘cuttings’), and mark punctuation (literally ‘to prick’). Juxtaposition sets things in contradistinction; sonnets have firm boundaries; conservatively, form protects tradition. Even free-verse was never free: Eliot’s famous formulation included the caveat that a simple meter must always – or cannot help but – haunt the poetic line. Poems, for their formal preservation, depend upon strict border-control.Customs is Iranian- Read more ...
joe.muggs
It’s hard to think of an album that’s simultaneously as dramatic and as restrained as this. But then Dave Okumu has always put his music and ideas out into the world in the subtlest of ways.As a guitarist he’s been omnipresent for many years, playing with Jane Birkin, Adele, King Sunny Adé, Grace Jones, Theo Parrish, 4 Hero, Matthew Herbert, Amy Winehouse, Tony Allen, Radiohead’s Ed O’Brien and many others, and as a writer/producer he’s quietly sculpted a highly influential sophisticated pop sound for the likes of VV Brown, Nilüfer Yanya, Jessie Ware and Rosie Lowe as well as his own band The Read more ...