Theatre
Salomé, National Theatre review - Yaël Farber’s version is verbose and overblownWednesday, 10 May 2017
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this biblical tale at the National Theatre that, near the end of an almighty 110-minute extravaganza, all reason seemed to have vacated my brain, and its empty... Read more... |
Occupational Hazards, Hampstead Theatre review - vivid outline in search of a fuller playWednesday, 10 May 2017
"This is the most fun province in Iraq" isn't the sort of sentence you hear every day on a London stage. On the basis of geographical breadth alone, one applauds Occupational Hazards, in which playwright Stephen Brown adapts global adventurer-turned... Read more... |
10 Questions for sound designer Adam CorkTuesday, 09 May 2017
No one ever went to the theatre for the sound design. Indeed, only the nerdiest theatregoers could name a single practitioner of the art. But imagine attending a production by Katie Mitchell or Robert Icke or Ivo van Hove – or any less overtly... Read more... |
All Our Children review - shameful historical period horrifies anewSaturday, 06 May 2017
How do you tell a story as complex as the eugenics movement, which is pursued afresh in writer-director Stephen Unwin's new play All Our Children? Its idealistic origins lie in Britain with Francis Galton in 1883, before leading to forced... Read more... |
Angels in America, National Theatre review - Andrew Garfield and company soar in seismic revivalFriday, 05 May 2017
"We live past hope," or so remarks the AIDS-afflicted drag queen-turned-prophet, Prior Walter (Andrew Garfield), late in Angels in America. But surely not even Tony Kushner, author of the eight-hour theatrical landmark that some while ago entered... Read more... |
Three Comrades, Sovremennik review - well-oiled Russian take on 1920s BerlinFriday, 05 May 2017
Time runs on different lines in Russian theatre to our own. The 83-year-old Galina Volchek co-founded Moscow's Sovremennik Theatre in 1956, and has been its artistic director for the past 45 years; Three Comrades has held its place in the... Read more... |
The Ferryman, Royal Court, review - ‘Jez Butterworth’s storytelling triumph’Thursday, 04 May 2017
I hate the kind of hype that sells out a new play within minutes of tickets becoming available. I mean, isn’t there something hideously lemming-like about this kind of stampede for a limited commodity? It almost makes me want to hate the show –... Read more... |
The Cardinal, Southwark Playhouse review - 'rarely produced play has renewed punch'Thursday, 04 May 2017
James Shirley is a rarely performed 17th-century playwright whose oeuvre has generally been consigned to theatrical study and research. Written for King Charles I at a time of great political upheaval and with the English Civil War looming, not to... Read more... |
Charlie Sonata, Royal Lyceum Theatre, Edinburgh review – 'too much of everything'Thursday, 04 May 2017
Time travel, Britpop, Sleeping Beauty. Classical ballet, the ravages of alcoholism, serial poisoning. There’s plenty going on in Douglas Maxwell’s idiosyncratic Charlie Sonata at Edinburgh’s Lyceum Theatre – so much, in fact, that it’s hard to know... Read more... |
theartsdesk at The Hospital ClubWednesday, 03 May 2017
The Arts Desk is delighted to announce a new partnership with The Hospital Club in Covent Garden. There are plenty of private members club in central London, but The Hospital Club is uniquely a creative hub with its own television studio,... Read more... |
The Resistible Rise of Arturo Ui review - 'Lenny Henry covers Trump's greatest hits'Wednesday, 03 May 2017
It’s a bigly Trump-fest over at the Donmar, with adaptor Bruce Norris determined to make Brecht great again – or at least pointedly contemporary. Despite a legal disclaimer in the knowing prologue, the current tangerine regime looms large, replacing... Read more... |
theartsdesk Q&A: Playwright Jez ButterworthTuesday, 02 May 2017
Jez Butterworth is back. Even before the critics have uttered a single word of praise The Ferryman, directed by Sam Mendes and set in rural Derry in 1981 at the height of the IRA hunger strikes, sold out its run at the Royal Court in hours. It... Read more... |
