fri 22/08/2025

Theatre

Inter Alia, National Theatre review - dazzling performance, questionable writing

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie...

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A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night sky

Michael Shannon's long legs reach to the stars – or perhaps one should say the moon – in the Almeida's hypnotic revival of A Moon for the Misbegotten, the late Eugene O'Neill play that hasn't been seen in London since Kevin Spacey and Eve...

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Burlesque, Savoy Theatre review - exhaustingly vapid

"It all starts with a snap," or so we're told early in the decidedly un-snappy Burlesque, which spends three hours borrowing shamelessly and tediously from far-superior sources to arrive at an artistic dead end.Preceded by acres of press heralding...

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Don't Rock the Boat, The Mill at Sonning review - all aboard for some old-school comedy mishaps

Now 45 years in the past, its dazzling star gone a decade or so, The Long Good Friday is a monument of British cinema. Its extraordinary locations, caught just before London’s Docklands were transformed forever, speaks to a past world. But the...

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The Estate, National Theatre review - hugely entertaining, but also unconvincing

The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to let white people know how badly non-whites treat each other. This provocative statement comes towards the...

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Poor Clare, Orange Tree Theatre review - saints cajole us sinners

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons linen jackets, Church brogues and Mulberry shades? It’s 1987 and I do wear it well though…Chiara Atik’s comedy...

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That Bastard, Puccini!, Park Theatre review - inventive comic staging of the battle of the Bohèmes

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the librettist in a race to stage the first production of La Bohème. The race was against Ruggero Leoncavallo, a composer Illica had once...

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Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at war

The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that...

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Nye, National Theatre review - Michael Sheen's full-blooded Bevan returns to the Olivier

The National Health Service was established 77 years ago this month. Resident doctors are about to strike for more pay, long waiting lists for hospital treatment and the scarcity of GP appointments continue to dog political conversation, while the...

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theartsdesk at the Ravenna Festival 2025 - Cervantes, Beethoven and Byron transfigured

Anyone seeking local genius in an international festival should look no further than the annual Ravenna concerts from Riccardo Muti – Neapolitan by birth, Ravennate by adoption – with his Luigi Cherubini Youth Orchestra. Well, maybe a little further...

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Girl From The North Country, Old Vic review - Dylan's songs fail to lift the mood

Well, I wasn’t expecting a Dylanesque take on "Oh, What a Beautiful Mornin'" as an opening number and I was right. But The Zim, Nobel Prize ‘n all, has always favoured The Grim American Songbook over The Great American Songbook and writer/director...

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The Merry Wives of Windsor, Shakespeare's Globe review - hedonistic fizz for a summer's evening

Shakespeare’s Prince Hal may have rejected Sir John Falstaff as a symbol of his misspent youth, but the real-life monarch Queen Elizabeth I couldn’t get enough of him. Accounts vary of who precisely commissioned The Merry Wives of Windsor – or as...

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