New music
Kieron Tyler
The only break in the flow comes just before the last song, “Toppling.” There’s a need to tune the guitar, so what – until this point – is an uninterrupted, pell-mell rush through what seems to be seven other songs is briefly halted.“Seems to be” as it’s hard to detect when one entry in the breathless half-hour set bleeds into the next. Individually, the songs have stop-start structures, handbrake turns from one time signature to another, and sudden outbursts of noise which abruptly give way to short passages which hint at a reflectiveness. Then, boom, off into the next swirling slab of Read more ...
Guy Oddy
These days, Alfie Agnew is a Maths professor at California State University Fullerton. Back in the 1980s, however, he was singer and guitarist with US punks the Adolescents, as well as DI along with Sean Elliot. However, while academia might provide a more regular income than playing music, it clearly isn’t anything like as much fun. So, for the last decade, the pair of them have been scratching that itch in their side hustle, Professor and the Madman, along with Rat Scabies and Paul Gray of the Damned.Dreamworld is far from a group of punk veterans revisiting old glories though. In fact, its Read more ...
Thomas H. Green
Since the release of her last album, Eternal Sunshine, in 2024, Ariana Grande, already a multi-platform superstar, has exploded to even greater fame, via the Wicked film franchise. Given her peaking global profile, one might have expected the 33-year-old, ex-teen TV idol to come charging out with a maximalist pop whopper in the vein of, say, Lady Gaga’s Mayhem. But, no, she’s headed to contemplative waters.Where Eternal Sunshine, a funky Dua Lipa-esque disco riff, celebrated pop, petal (sold to us in lowercase letters) has the smeary, slightly opiated-sounding production that the kids seem to Read more ...
Joe Muggs
You can’t really understand house music without grasping the influence of the Black American church. As it coalesced from the remnants of disco in Eighties Chicago, New York and New Jersey, the style brought together important influences: new technology, queer culture, Latin rhythms, and crucially, a sense that the club is a church. All of those joyous piano riffs, full throated singers, songs of peace and harmony / coming together / hope for a better world – which would in turn be sampled and used to amplify the ecstasy experience for UK ravers – and the sense of dancing, even without that Read more ...
Katie Colombus
You can tell what a festival believes in by where the crowds crush the hardest. At Latitude, it's in the forest for the up-and-coming acts, the Listening Post for the poetry and the Waterfront Stage for the ballet – as much as the main stages, sometimes more.On Thursday evening the Disco Shed was already spilling its glitter into the trees, and over at The Listening Post the queue for Hollie McNish had closed the tent before I could get in. My peevishness at missing it was quickly replaced with delight that a poetry reading was oversubscribed on the opening night of a festival that also Read more ...
Thomas H. Green
FRIDAY 24 JULY, by Guy OddyEven for a festival whose whole purpose is to platform a rich range of artists from cultures all around the world, WOMAD 2026 is seriously on top of its game for a new start at a new venue deep in the heart of rural Wiltshire. The 2000-acre Neston Park, created in the 1790s, proved a beautiful setting that mirrored the excellent acts and fine weather. It's certainly no Womud and sunscreen is at something of a premium during long summer days.
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Similarly, the food on offer is consistently off-the-hook and the Read more ...
Sebastian Scotney
This album is such a remarkable document, and on so many levels. Perhaps its main "story" is that it could well be the very last studio recording by Jack DeJohnette (1942-2025), having been made during sessions on two successive days at a studio near the great drummer’s home just outside Woodstock in upstate New York, at a time when he was already avoiding travel, and, as it was to turn out, not quite a year before he died.DeJohnette was indisputably one of jazz’s greats and the sheer wonder of his musicianship shines through on this wonderful record. As Ethan Iverson has written, among jazz Read more ...
Joe Muggs
We’ve said it before but it bears repeating. The globalisation of music culture, from ultra mainstream to underground, in the past decade has been a bigger revolution, affecting more people, than punk or acid house ever were. Case in point is the rise of South African dance music, in particular the slow and sensuous amapiano sound which exploded worldwide in 2020 as millions stuck inside in COVID lockdown simultaneously discovered its mood-lifting properties via online DJ sets. It got adopted by stars from Beyoncé and Drake down, created huge DJ careers, and has generated one bona fide Read more ...
Kieron Tyler
The reappearance of Gloria Mundi’s I, Individual is a surprise. Most of what related to UK punk – however tangentially – over 1977 and 1978 has been reissued, and has often been around the houses multiple times. But, until now, Gloria Mundi have escaped the attention of those recycling this aspect of the past.I, Individual was Gloria Mundi's first album, originally issued on 7 July 1978. The band were live circuit regulars from late 1976 and split in 1980 after a second, very different, album which came out in October 1979.
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What’s on Read more ...
Tom Carr
If there is only one artist who you could say is in their moment, then it would be hard to look past Charli XCX. Having set in motion a whole cultural zeitgeist with previous album Brat, the pop and dance extraordinaire has forayed into fashion and film, lending to the score of Emerald Fennel’s take on Wuthering Heights last year. With seemingly the world at her beck and call, Charli could have gone in any direction for album seven. Having conquered the mainstream with Brat, marrying electropop with dance and rave to wide acclaim, the easy choice could have been to return to that well Read more ...
Liz Thomson
London was where James Taylor got his big break when, after a rocky, drug-strewn apprenticeship in New York City, he reinvented himself as a solo performer and managed to get a demo tape to Peter Asher, who played it to his pal Paul McCartney. “Something in the Way She Moves” in particular caught the Beatle’s ear: "I just heard his voice and his guitar, and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's great.” Taylor was the first non-UK act signed to Apple, and he recorded his eponymous debut at Trident Studios while The Beatles were working on Read more ...
Ibi Keita
Fans have been waiting for a new Strokes album for six years, and after a few listens, Reality Awaits left me feeling more disappointed than excited. There are moments where the band remind you why they've been one of the most influential rock bands of the last 25 years. The guitars still lock together effortlessly, the rhythm section is as tight as ever, and there are flashes of melodies that stick around long after the album ends. I can hear what they were aiming for, and I respect that they didn't just make The New Abnormal again. Some reviews have praised that willingness to push Read more ...