thu 21/11/2024

conductors

Andrej Power, LSO, Mäkelä, Barbican review - singing, shrieking rites of darkness and light

Out of innumerable Rite of Springs in half a century of concert-going, I’ll stick my neck out and say this was the most ferocious in execution, the richest in sound. Others may have wanted a faster, lighter Rite. But the two things that make every...

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LSO, Pappano, Barbican review - singular adventures for a new era

Somehow those of us required to translate the musical experience into words look for the moments which defeat us. One such was the extraordinary sound of muted first violins and cellos at the start of the second movement in Sibelius’s First Symphony...

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theartsdesk at the Pärnu Music Festival 2024 - youth, experience and old mastery on the highest level

"The world meets in Pärnu", slogan for the 14th festival in Estonia's summer seaside capital, has held good ever since Paavo Järvi gathered native musicians and key players from the international teams he inspires to form what's now the Estonian...

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Best of 2023: Classical CDs

 There’s still a market for classical music, whether you stream, download or get your fix from your local classical CD shop. Universal’s acquisition of the independent Hyperion label worried many listeners early in 2023, but the fact that...

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Maestro review - the infinite variety of Leonard Bernstein

The only seriously false note about Maestro is its title. Yes, Bernstein was masterly as a conductor, and Bradley Cooper gives it his best shot. But he was no master of his life as a whole. Maybe the title should have been something like Lenny and...

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Aimard, Concerto Budapest SO, Keller, Cadogan Hall review - lords of the dance

The Zurich International series at Cadogan Hall has turned into a horizon-expanding stage on which to catch those visiting orchestras that don’t always claim top billing in bigger venues. The hall’s welcoming acoustic shows off the sound and style...

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LPO, Jurowski, RFH / LSO, BBC Singers, Rattle, Barbican review - spiderwebs, sublimity and a powerful speech

Complex, ambiguous late romantic works in concert programmes need something more direct to keep them company. Mozart and Richard Strauss make excellent bedfellows (and Strauss was an extraordinary Mozart interpreter): no wonder Vladimir Jurowski’s...

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First Person: Donatella Flick on why the conducting competition in her name is needed more than ever

What are the qualities that make a great conductor? It’s something that has been debated for years, brought into focus recently not least because of Cate Blanchett’s award-winning performance as fictional maestra Lydia Tár. Despite what you may...

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First Person: conductor Harry Bicket on filming the complete Handel for The English Concert's big new project

Of the many questions we asked ourselves during lockdown, I suspect that many of us looked at our lives and professions and asked, “Why?”.Perhaps a period of forced introspection is a positive thing if it helps clarify what is truly important and...

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theartsdesk at the Pärnu Music Festival 2022 - conductors from 15 to 85, and the greatest players

When I first came to Estonia with a then still-exiled Neeme Järvi and his Gothenburg Symphony Orchestra in 1989, the world-class young musicians who dazzled at this year’s Pärnu Music Festival hadn’t been born.A new Estonian musical golden age is...

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Album: Paul Weller - An Orchestrated Songbook

It’s a far cry from his beginnings in a tight, no-frills power-pop-post-punk three piece, that’s for sure. Last May, Paul Weller took to the stage with guitarist Steve Craddock, a smattering of guest vocalists and the BBC Symphony Orchestra to...

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Philharmonia, Rouvali, RFH review - the really big orchestra is back for cosmic Strauss

Two suns, two moons, two Philharmonia leaders sharing a front desk, two aspirational giants among Richard Strauss's symphonic poems bringing the number of players, in the second half, to 134. Who’d have thought we’d be witnessing such phenomena when...

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