New music
Album: Let's Eat Grandma - Two RibbonsThursday, 07 April 2022![]() “You know you’ll always be my best friend” and “There’s no-one else who gets me quite like you” run a couple of the lyrics to “Happy New Year”, the opening song from Norwich duo Let’s Eat Grandma’s third album. And the whole is laced with love songs... Read more... |
Album: Wet Leg - Wet LegWednesday, 06 April 2022![]() Wet Leg’s self-titled debut album is one that has generated significant expectations over the past few months. Last year’s singles “Chaise Longue” and “Wet Dream” especially created all kinds of hype and led to plenty of media coverage.But now it’s... Read more... |
10cc, London Palladium review - still firing rubber bullets 50 years onMonday, 04 April 2022![]() What a remarkable band 10cc were. For most of the 1970s they made highly unusual pop that careered without a care between bubblegum and prog. Their ease migrating across style lines from Pythonesque japes to dense seriosity lay in the personnel:... Read more... |
Killing Joke, O2 Institute, Birmingham review – post-punk titans blow the roof offMonday, 04 April 2022![]() It’s said that even a stopped clock tells the right time twice a day. While Killing Joke are by no means a stopped clock, it feels that the time is again ripe for their politics-heavy brand of muscular post-punk.Just as in their late '70s and early... Read more... |
Album: Nicole Faux Naiv - Moon RallyMonday, 04 April 2022![]() Although Moon Rally has unambiguous musical roots, pinning down where it’s from is trickier. The album’s title nods to Air’s Moon Safari, as does a fair degree of the rhythmic chug and shimmering atmospherics. Sweden’s Radio Department come to mind... Read more... |
Music Reissues Weekly: The Prefects - Live At The Festival Suite 1978, Un-Scene! Post Punk Birmingham 1978-1982Sunday, 03 April 2022![]() It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and... Read more... |
Album: Confidence Man - TiltSaturday, 02 April 2022![]() Despite a five-year career and no breakout hits, Australian outfit Confidence Man has grabbed the attention of some heavyweights.Signed to Heavenly Records, a label which knows their Roscoff onions from the common-or-garden variety, their 2017... Read more... |
Album: Red Hot Chili Peppers - Unlimited LoveFriday, 01 April 2022![]() Anthony Kiedis’s autobiography Scar Tissue, an extreme example of wisdom through sometimes squalid excess, explains a great deal about the Chili Peppers’ mix of priapic lust and wistful romance. The return of guitarist John Frusciante and producer... Read more... |
Album: Hannah Sanders & Ben Savage - Ink of the Rosy MorningThursday, 31 March 2022![]() What an exquisite album! Beautiful voices that harmonise to perfection, superlative instrumental work, and songs both new and old yet all somehow familiar and timeless. Ink of the Rosy Morning: A Sampling of Folk Songs from Britain and North America... Read more... |
Album: Plastikman & Chilly Gonzales - Consumed in KeyWednesday, 30 March 2022![]() The three Canadians Richie Hawtin (Plastikman), Jason Beck (Chilly Gonzales) and Tiga Sontag (aka just Tiga, who exec produced this album) are each so laden with image and persona it is easy to forget they are musicians sometimes. Hawtin has since... Read more... |
Sophie Ellis-Bextor, Royal Concert Hall, Glasgow review - pop songstress partying like it's 2020Tuesday, 29 March 2022![]() There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their... Read more... |
Album: Ibibio Sound Machine - ElectricityMonday, 28 March 2022![]() The fourth Ibibio Sound Machine album is produced by Hot Chip (who also contribute musically). However, fans will not hear a drastic step away from their last album, 2019’s Doko Mien. Instead, it has the feel of a logical progression, albeit with... Read more... |
