wed 07/05/2025

New music

theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Perry, Disney, Twin Atlantic, Elton John, Buddy Rich and more

Welcome to the biggest plastic reviews party on earth. Now that vinyl is steadily successful as niche musical medium, some have rightly been considering its environmental impact. Perhaps the best overview is given by Kyle Devine’s feature in the...

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Album: Pat Metheny – From This Place

From This Place (Nonesuch) is a complex, meticulously produced and many-layered album which demands concentrated and repeated listening. In many ways, it is all the better for it. Pat Metheny himself has written an essay or “Album Notes” of no...

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Album: Tami Neilson - CHICKABOOM!

What’s going to make you fall in love with Tami Neilson? Will it be the way she cackles her way through the chorus of “Ten Tonne Truck”, her foot-stomping rags to riches daydream about a down-on-their-luck performing family who head for Nashville...

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Angel Olsen, Eventim Apollo review - rock reinvention at its loudest

Angel Olsen’s show at the Eventim Apollo has been much hyped and publicised over the past weeks, an indie chanteuse reinventing herself, recasting herself with a darker, more rocky sound. Her set was clearly and obviously "rock", a sound and...

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The Hu, O2 Academy, Bristol review - heavy metal meets throat-singing

There is natural logic in the unholy marriage between heavy metal and Mongolian throat singing. The Hu are not to be confused with The Who – although John Entwistle’s vocals on “Boris the Spider” were an early manifestation of the "death growl" in...

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Album: Huey Lewis and the News - Weather

Huey Lewis and the News were an unlikely mid-Eighties phenomenon. Their Sports album was a mega-success for a band already approaching early middle age. Their Fifties feel, given a contemporary polish and boosted by association with cinematic...

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Lonnie Holley, Cube, Bristol review - outsider with vision

Alabama-born Lonnie Holley, the seventh son of 27 children, more or less abandoned as a child, comes from a tradition of African-American visionaries who reach back through the generations to a culture of great aesthetic and ethical sophistication,...

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Carly Rae Jepsen, Brixton Academy review - punchy, polished pop

Few will forget back in 2012, when Canadian singer Carly Rae Jepsen came crashing into the airwaves of pretty much every pop station on the planet, with the sugary synth-pop sounds of Call Me Maybe. With a track as big as that – even Jepsen herself...

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Album: Tame Impala - The Slow Rush

And so, Tame Impala’s evolution from riff-laden psych-mongers to dancefloor-fillers is complete. It’s undeniable from the opening drum machine on “One More Year” supplanting Kevin Parker’s trademark kit-work. The band’s music has always been built...

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Album: Elephant Stone - Hollow

In the times long before Oasis and certainly before indie music made much of an impression on the public consciousness and wallet, Alan McGee’s Creation Records carved something of a niche for itself, by championing fey psychedelic guitar-pop...

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Reissue CDs Weekly: Hank Williams

Any knowledge of the Hank Williams narrative heavily influences how he is perceived. He died at age 29 on New Year’s Day 1953, in the back of a car while travelling to a show in Ohio. His schedule was punishing. A day earlier he had played in West...

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Transatlantic Sessions, Symphony Hall, Birmingham review - folk fusion from Burns to the boss

In its seventeenth incarnation, Transatlantic Sessions - a concert comprising music from some of the finest names in Scottish, Irish and American folk - had its penultimate night of its UK tour in a packed-out Symphony Hall, Birmingham on Friday...

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