New music
Thomas H. Green
There’s plenty of noise out there about 24-year-old Kentish musician Victoria Walker, AKA PinkPantheress. Since being acclaimed BBC Sound of 2022, the spotlight has been on her. She supported Halsey and Olivia Rodrigo on tour, worked with Beabadoobee, Skrillex, and K-Pop sensations Le SSerafim, and had a song on the Barbie soundtrack. It’s a lot. Perhaps, judging from this mixtape – a 20-minute filler release we might once have called an EP – she’s spreading herself too thin.The idea is that Fancy That tips its hat to millennial dance sounds and, indeed, it features Basement Jaxx’ music on “ Read more ...
Kieron Tyler
After kicking off with the psychedelia-tinged “Sgt. Major,” they keep coming. A string of songs as Sixties-influenced as they are edgy and propulsive. The tempo may not be speedy but there is always forward motion, even in a song where different sections unite in a portmanteau structure.The filigreed, swirling “Pull Together,” the muted, bossa nova-esque “Soldier Man,” the shadowy “Miles Apart,” with its Bacharach and David touches, the gently churning, foggy “Stranger.” Each is instantly memorable, and each – the opening five songs of this evening’s show – remains seductive. Lovely songs. Read more ...
Thomas H. Green
20 years on from their first appearance on record, the seventh long-player from Canadian indie-art-rock behemoths Arcade Fire comes off the back of four consecutive UK album chart-toppers.Also lurking in the background are the 2022 sexual misconduct allegations against mainstay Win Butler. He seems to have weathered them better than most, supported by his wife and bandmate Régine Chassagne. This review is not the place for an investigative deep-dive. Make your own mind up. But Pink Elephant, especially its first half, contains some impressive songs.Working with Daniel Lanois, Butler and Read more ...
Kieron Tyler
Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has largely been a mystery. On record, the only suggestion this influential guitarist had continued with music was the EP his post-Banshees band Zor Gabor issued in 1987. Otherwise – nothing.Sixes and Sevens collects 11 tracks excavated by McKay from his personal archive. It is not an unreleased album. Three tracks are from 1980, three are from 1983, and there is one apiece from 1985, 1986 and 1987, and two from 1989. One of the 1983 tracks is titled “Zor Gabor” and, as well as Read more ...
Sebastian Scotney
Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist Georgia Mancio and New Zealand-born, US-based pianist, arranger and composer Alan Broadbent have been prospering as a songwriting and performing partnership for more than a decade and have so far produced three strong albums. Wednesday night’s concert at Pizza Express Jazz Club in Soho was part of the launch tour for the third album, A Story Left Untold.In fact, the undimmed spark and the palpable joy of this singing, this playing and these songs Read more ...
Ellie Roberts
PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while showing clear growth in both sound and subject matter. Across 12 tracks, the Toronto group delivers a mixture of driving punk energy, wry humour and moments of vulnerability. It is a loud and heartfelt record that might not hit the heights of their best work, but still leaves a strong and lasting impression.Lyrically, frontman Stefan Babcock leans into personal struggles with disarming honesty. Themes of isolation, self doubt and fractured relationships run through the Read more ...
Amelia Coburn
“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year. While living in Paris a few years ago I shared a flat with an older French lady. We loved to chat every night when I came home from work, but one time she told me a story that stayed with me about her late husband, who was an abusive alcoholic. When he died, his only final wishes were to be buried. So of course, she had him cremated.I couldn’t stop thinking about her story, and knew that one day I wanted to write a song about it. A few months later, in Mexico, I had quite Read more ...
mark.kidel
On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie Henderson brought their “project” to the hallowed ground of Ronnie Scott’s in Soho, along with four other top-class British musicians.In a set that included moody arrangements played from a score and freewheeling improvisation, they drew on their individual strengths and wandered between post-bop and free jazz, with touches of noise and rock, in a mix that was at times exciting and at others not entirely convincing, as if drawing on so many influences got in the way of their Read more ...
Liz Thomson
Wow, can it really be 40 years since Solitude Standing, the second studio album by Suzanne Vega who put the 1980s folk revival on the map. “Fast folk” the New York scene was called, and its voices emerged from much the same Greenwich Village cafes which were the proving ground for the 1960s revival that introduced Bob Dylan to the world. Plus some newer ones, notably the Cornelia Street Café, founded in 1977 and run by a Brit named Robin Hirsch until absurd rents forced its closure just a few years ago. The album Cornelia Street: The Songwriters Exchange honoured the weekly gatherings when Read more ...
Kieron Tyler
Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By deconstructing modern R&B, the upbeat “Come on” is as close as it gets to pop’s mainstream. The unifying factors are Lael Neale’s way with a tune – she writes a memorable song – and her penetrating yet translucent voice.The Virginia-born, now Los Angeles-resident Neale’s third album is firmly in the art pop bag. Her main instrument is the electronic Suzuki Omnichord, which can employ pre-set rhythms, be played with buttons and strummed via a touch-sensitive Read more ...
mark.kidel
Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock operas, reaching beyond the thematic explorations pioneered in concept albums a form that transcends the limits of the three minute popular song. Singer and guitarist Will Toledo, the leader of Car Seat Headrest, is the latest to throw himself into the drama and story-telling that an opera requires.It’s not clear how this would play out on stage – and to that extent, it may not strciktly speaking be an operatic work – but “The Scholars” consists of a Read more ...
Kieron Tyler
The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs performed by The Beatles on stage in Hamburg.” Disc One opens with Little Richard’s “Long Tall Sally.” Disc Two ends with Chet Atkins’ version of the “Theme From ‘The Third Man’.”In between, 86 recordings of varying familiarity: from Chuck Berry’s “Roll Over Beethoven” and The Shirelles’ “Will You Love me Tomorrow” to lesser-known fare such as Duane Eddy’s “3.30 Blues” and Gene Vincent and His Blue Caps’ “Wedding Bells (Are Breaking up That Old Gang of Mine).”Hamburg and The Read more ...