New music
Nick Hasted
“I’d like you to know that you can breathe as heavy as you like,” Morrissey declares, somewhat against government advice. “It really doesn’t matter. I can take it!” Like a cross between Elvis Presley and Donald Trump, this great, divisive pop star feeds off rallies of the faithful. If his upcoming, inevitable Vegas residency is among the mass gatherings we lose, it will leave both sides forlorn. “I love you and nothing, nothing will ever change that,” he adds of his relationship with his fans, near the end of a two-hour show heavily weighted to recent work. Much like Bob Dylan’s current sets Read more ...
Liz Thomson
When all around you is chaos and depression, an afternoon spent listening to acoustic music in a small club is as cleansing and restorative as a warm bath. At Camden’s Green Note on Saturday afternoon, two superlative folk music talents shared the small stage: Reg Meuross, a very English singer-songwriter who grew up in the south of the country, traded songs with David Massengill, who has made his home in New York’s Greenwich Village these past 40 years, arriving there from Bristol, Tennessee carrying the Edsel Martin Appalachian dulcimer his mother had bought him as a child.The two men met Read more ...
Barney Harsent
At a time when stepping outside your front door constitutes risky behaviour, the short, sharp, shocking tales of misspent youth from Queensland pop-punk trio The Chats are a proper tonic."Short" might be an understatement, as it goes. The debut album from singer-bassist Eamon Sandwith, drummer Matt Boggis and guitarist Josh Price’s features 14 songs, none of which tops three minutes. Half of them are well under two. It’s amazing what they can pack into a minute and a half simply by discarding everything extraneous.These songs start at a sprint, throw everything at you and then bugger off – Read more ...
Kieron Tyler
Two years before he took on The Beatles, George Martin was working with another artiste who would go on to have success in America. Martin first encountered Matt Monro in 1960 when he signed him to the label he ran, Parlophone. The “Portrait of my Love” single charted later in the year. In summer 1961, “My Kind of Girl” hit America’s single’s charts. His 1965 version of ”Yesterday” had a Martin arrangement. The same year, Monro – born Terry Parsons – moved to America after he had been picked up by Capitol Records, which also had The Beatles on its books. Also relevant to Monro, Capitol had Read more ...
Liz Thomson
Elvis Costello is arguably – perhaps unarguably – the most enduring and genuine talent to emerge from the mid-Seventies pub and punk scenes, and his two-hour set on Friday night demonstrated that he’s still a compelling performer, full of energy and passion. The voice isn’t quite what it was, off-pitch at times, though it retains its distinctive timbre and vibrato.The artist formerly known as Declan MacManus had reinvented himself as Elvis just before Presley died, putting together one of the classiest bands of the day and proceeding to pour out a string of memorable songs which, for those of Read more ...
joe.muggs
Londoner Shabaka Hutchings's other main groups, The Comet Is Coming and Sons Of Kemet, are pretty modernist. They incorporate dub, post-rock, post punk and rhythm patterns that recall London pirate radio sounds into the playing of his ensembles, with thrillingly adrenalised and / or cosmic results. This ensemble, though – convened in South Africa with with trumpeter Mandla Mlangeni – is altogether more true to a strictly jazz lineage. It's true, in fact, to a very specific jazz lineage: “The New Thing”, the explicitly spiritual, often fiercely political music exemplified by John and Alice Read more ...
Guy Oddy
Fans of Deap Vally’s raunchy, riff-driven rock are likely to be somewhat confused, and even disappointed with the band’s collaboration with psychedelic pranksters The Flaming Lips. Less of a full-blown partnership, it feels more like Wayne Coyne’s mob have merely taken on a female vocalist to recreate their recent-ish album with Miley Cyrus, Miley Cyrus and her Dead Petz - albeit a version that is bit more experimental.For while Deap Lips is certainly not feeble, it is as far away from such showstoppers as “Bad for My Body” and “Smile More” as could be and seems something of a lost Read more ...
Katie Colombus
For those wondering if performance poet Kate Tempest would be upstaged or introduced by either pandemic panic or International Women’s Day – know that a) she’s fearless and b) she practices equality always. As such, there’s no pre-amble, other than a hope that her gig will “resonate into the night and the days to come”.Kate gets straight into her post-Brexit narrative track “Europe Is Lost”, she heaves “'Cause it's big business, baby, and its smile is hideous; top down violence, and structural viciousness” slowing down to deliver the line “Jail him, he’s the criminal”, to whoops from the Read more ...
Jonathan Geddes
There is something enjoyably spikey about Halsey, even when she is adhering to pop convention. At one stage she told the crowd how good they looked, before dryly adding it was praise they wouldn’t have heard before. These are brave words when playing to a Glasgow audience. She is a pop performer possessing an actual personality, one that has survived the step up to playing arenas, and when she spoke during the encore of how her fans had helped keep her alive during tough times, it came with a raw emotion rarely present in big gigs.The New Jersey native was also very much the show here. Her Read more ...
Nick Hasted
From Tom Cruise soundtrack hit singer to self-described “pansexual, polyamorous, gender-fluid dyke”, and from LA country-punks Lone Justice to a Blakean songwriter in thrall to London’s phantom spirits, Maria McKee’s 13-year musical absence has ended in personally spectacular fashion.La Vita Nuova’s title is from Dante, and its new life is traced in this song-suite’s pursuit of a muse-lover, partly intended to be McKee’s younger, idealistic self. The mix of strings, brass and electric guitars also honours her late brother, Love’s co-founder Bryan MacLean, and there is an LA swagger to an Read more ...
Kieron Tyler
Through previous archive releases or bootlegs, deep-digging Cream fans will already be familiar with much of what’s on Goodbye Tour – Live 1968. The legitimate 1969 album Goodbye Cream included three tracks from the 19 October 1968 Los Angeles Forum show, heard here in full. Another trio of tracks on this set, from a 4 October 1968 Oakland show, appeared on the 1972 Live Cream Volume II album. The 26 November 1968 Royal Albert Hall set has done the rounds in various forms. As for bootlegs, all the shows collected on Goodbye Tour have circulated in their complete form.What's new is Goodbye Read more ...
Thomas H. Green
The new Boomtown Rats album – their first for 36 years! – is both preposterous and rather wonderful. This is as it should be. The Irish band surfed the so-called “New Wave” after punk rock to brief chart-topping stardom. They had some cracking songs (“Rat Trap” is a gem), but were reviled by the era’s Year Zero arbiters of taste. This was because they were clearly a Stones-ish R&B unit who’d jumped the bandwagon, the outrageous mugging of frontman Bob Geldof sealing the deal. That, however, is all ancient history and they return with a set that’s as goofy as it is contagious, clearly Read more ...