New music
Kieron Tyler
Tav Falco & Panther Burns: Hip Flask – An Introduction to Tav Falco & Panther BurnsStart with track three. “Bourgeois Blues” is a one-take, six-minute grind through the Leadbelly song, which also draws on Johnny Burnette and the Rock ’n’ Roll Trio’s “The Train Kept-a-Rollin’”. The words of Allen Ginsberg’s Howl are underpinned by base-level rockabilly. When a guitar solo comes, it’s as unhinged as that of The Velvet Underground’s “I Heard Her Call my Name”. Aptly, Tav Falco dubbed his music “wreckabilly”.“Bourgeois Blues” was first heard on Behind the Magnolia Curtain, 1981’s classic Read more ...
Thomas H. Green
Mark Stewart is the singer and a founding member of iconoclastic band The Pop Group, who reformed in 2010. He grew up in Bristol and, with The Pop Group, between 1978 and 1981, pioneered an abrasively different post-punk sound based on jazz, funk and hip hop, with a direct and vociferous political edge. Their output, especially their debut album Y and the single “We Are All Prostitutes”, remain hugely influential within alternative rock circles.When The Pop Group split Stewart went onto work with Adrian Sherwood, Tackhead and the On-U sound stable, creating crushingly heavy music that Read more ...
Heidi Goldsmith
"The music will be loud," the slender usher warns on entry to altered natives' "Say Yes To Another Excess" – TWERK, as a Grime bassline shakes the flimsy theatre floor. She hands over a text-heavy programme and does not frisk me. This is no London Bridge warehouse, although bouncers giving out freesheets on the door could be a great way to get the middle classes down to a rave. For now regular Rinse FM DJs Skilliam and Elijah are coming to the ballet.As the audience files in the dancers are already twirling around the stage-cum-dancefloor costumed in variations on an Eighties camp disco / Read more ...
Thomas H. Green
Chris Braide is at the heart of the LA songwriting machine, knocking up tungsten-plated radio candy with Britney, Beyoncé, Sia and the like. A Cheshire lad transported to Hollywood (he also wrote the music for Baz Luhrmann’s The Great Gatsby), he’s long been a fan of Marc Almond. The Velvet Trail is built on that. Almond, is, of course, the iconic torch singer whose career with Soft Cell gave us some of the most marvellously on-point pop ever, and whose solo career has careened from a chart-topping hit with Gene Pitney in the late Eighties to an exploration of Russian folk songs. In 2010, he Read more ...
Thomas H. Green
Did you know there's a heated debate going on about “hot stampers”? As the resurgence in vinyl continues, there are those who wish to attribute value to their own knowledge and to their vinyl collections. In the e-consumer trenches, where audiophiles heatedly discuss purchasing and repurchasing classic albums, there’s been much debate about major label reproductions from digital masters, about how they lose the richness of the originals. On the other hand, finding a “hot stamper”, a version cut early in the album’s pressing run, when the metal stamp from which it was imprinted was fresh, is Read more ...
Katie Colombus
For the headliners of the Women Of The World Festival at London's Southbank Centre, there is less feisty feminism put on for show than you might expect. It's a nod to how far things have progressed - that other than the obligiatory thanksgiving for "being a loud woman on a stage of loud women plus a man who loves women", it's strength of self belief in the artists of tUnE-yArDs that lets us know what they believe in - and it's truly inspiring. It's testament to their credence that they are this strong in themselves, their musical talents, their creativity and their confidence to be able to Read more ...
Heidi Goldsmith
Mari Kvien Brunvoll - Norwegian improviser, singer and composer - enters the Kings Place stage more like a pianist's page-turner than the night's sole performer, and sits cross-legged at her pedals. Dressed in a neutral dark grey, she doesn't seek applause so instead we are left silently watching her adjust a microphone and untie a little red book. Her methodical calm creates a patient audience, intrigued enough to find her subtle actions compelling. Without a word she begins singing a rhythmic melody, as if a phrase of Indian classical recitation had been uttered, and traveled from the Read more ...
Katie Colombus
Fairport Convention might have been around for almost 50 years, but they still clearly know how to deliver timeless quality. Their new album, made up of all new tracks (a departure from the previous album By Popular Request which comprised re-recorded oldies-but-goodies) – some written by band member Chris Leslie with guest tracks by folk legend Ralph McTell and multi-faceted Anna Ryder, ties in with a UK tour running until the summer.Myths & Heroes is well put together, a mixture of jaunty upbeat melodies, romantic fiddle, old school folk and a good old Celtic resonance. The album Read more ...
Barney Harsent
I first saw Spectres last October at the 10th birthday celebrations for their label, Sonic Cathedral. That night, they struck me as noisy, spiky and fun. If that sounds like faint praise, it really wasn't meant to be – noisy, spiky fun is in my all-time top three funs. Now, they've gone from bottom of the bill to headline act in less than six months on the back of an album so incendiary it should come wrapped in a fire blanket (well, it beats a tote bag any day) and, oh my… how they have grown. Really, this band’s development needs to be measured in cat years.They step out, plug in and the Read more ...
Kieron Tyler
Disco was about the dancefloor: a music that delivered the goods in one-song bursts which made assembled revellers move. The album was not its natural home. Of course, the compilation thrives and albums with side-long tracks hit the right note, but an album entirely dedicated to disco by a single artist would struggle to have the impact of a single, killer cut. Jimmy Somerville’s Homage is, then, a brave release. The album is his tribute to the music he grew up with and which had always been an influence. It is his disco album.Somerville has always explicitly acknowledged the influence. The Read more ...
Matthew Wright
Emily Saunders has crafted a reputation for cool, sophisticated songs blending Brazilian themes and rhythms with a clean, precise, almost Scandinavian delivery. On this, her second album, she includes electronic sounds and distorted vocals, moulding the typical Latin aesthetic to her own musical identity with great confidence. Saunders composes music and lyrics, and also produces, so has been able to build a soundworld both unified and unique. Her lyrics are much more substantial than is frequently the case in these genres: a slickly rhymed combination of dense, highly coloured imagery Read more ...
Barney Harsent
The enduring appeal of Noel Gallagher isn't hard to fathom. His music is brimming with resolution and resolve; it does what we expect it to with a rewarding honesty and an often admirable lack of pretence. This meant that, on 2011’s Noel Gallagher’s High Flying Birds, with its marked shift away from previous (morning) glories – particularly on its most successful tracks, such as “AKA… What a Life!” – there was still that particular sense of purpose and satisfying melodic structure. However, with all the recent talk of space jazz, saxophones and nights out with Morrissey, you'd be forgiven for Read more ...