New music
Tim Cumming
Each of them is a solo, duo or group artist of high renown, but together, something special happens. On record it’s called Laylam; on stage, Eliza Carthy, Bella Hardy, Lucy Farrell and Kate Young are the best girl group in Britain.Occasional group member Rachel Newton (The Shee, The Furrow Collective) joined them for a big Welsh sea shanty, and opened the night with spare, elegant chamber folk – fiddle, drum, Newton’s harp, voice and viola – and drawing much of her material from the album Changeling, drawing on Gaelic songs, Child Ballads, and the folktales and faerie lore of the changeling. Read more ...
Russ Coffey
Over the years Weezer’s greatest skill has surely been to stimulate the inner schoolboy in us. Who, for instance, could deny hits like “Beverley Hills” paint a charming and cheeky picture of being young and nerdy? The thing is, though, Rivers Cuomo and friends are now in their forties with little sign of growing up. How then should they continue? The press release says that Everything will Be Alright in the End is more “complex and layered”. But unfortunately it sounds like a paler version of business as usual. Only the lead single “Back to the Shack” reasonably Read more ...
Kieron Tyler
Black Widow: SacrificeIt wasn’t John Lennon’s fault, but things weren’t the same after the “bigger than Jesus” scandal of 1966. Pop music had been connected to religion in a way slightly edgier than Cliff Richard or the Salvation Army's The Joystrings' happy celebrations in song. The doors were now open to a darker take on faith.The Rolling Stones waxed about evil in 1968’s “Sympathy for the Devil”. The B-side of the same year’s “Jumpin' Jack Flash" was "Child of the Moon", which referenced Aleister Crowley’s magical novel Moonchild. The Crazy World of Arthur Brown’s “Fire”, with its “ Read more ...
joe.muggs
The last thing I remember of my 40th birthday party this year is propping up a bar with a few similarly middle-aged men, discussing whether Kate Bush's comeback shows were as worth getting excited about as Prince's recent comeback shows. It was most enjoyable, and – I feel – age-appropriate, to boot, but somewhere among the slurred repetitions there was the kernel of something serious about music fandom, especially as you and your favourite artists grow older.Particularly with musicians as totally individualist as Kate Bush and Prince, there is a strange combination of gambling and religious Read more ...
joe.muggs
The story of Vashti Bunyan is a compelling one. The urbane Sixties would-be popstrel who gave it all up to ride up to a hippie community in a horse-drawn caravan, writing an exquisite album on the way, Just Another Diamond Day, which then became a lost classic, vanishing into the ether as she too vanished until she was rediscovered by obsessive record collectors and psychedelic freaks and persuaded to return to music after 30 years: who couldn't be enchanted or at least intrigued by it? And when her comeback showed her still with a crystal clear voice and intimate songwriting style it just Read more ...
Adam Sweeting
Trailing a string of Grammys and multi-platinum albums, and now a successful actress and purveyor of her own "My Life" perfume for good measure, you wouldn't think R&B legend Blige had much left to prove. However, she evidently sees it differently, and she ripped through this compressed and streamlined Roundhouse set as if lives were at stake.The show was handily timed to help stoke up anticipation for her forthcoming album The London Sessions, due in November and featuring contributions from Disclosure, Emeli Sandé, Sam Smith and more. This is evidently a talismanic project designed to Read more ...
Katherine McLaughlin
“You don’t always get what you want in life,” said Angel Olsen to a group of fans haranguing her at the front last night at the Electric Ballroom. She rarely uttered a word between songs but this was a defiant end to the evening. Though her powerful Orbison-like warbling travelled clearly across the smoky stage to the denizens a much needed intimacy was absent over the course of her fourteen-song set. A captivating presence who confidently delivers haunting vocals, she lost the connection with the audience in the final throes, who at first seemed rapt.Brazilian opener, Rodrigo Amarante Read more ...
Matthew Wright
Art-student rock sounds like a terribly dated concept, but listening to This Is All Yours for the first time, it suddenly feels very relevant. This is music of the broadest cultural horizons, that takes in global influences, but can’t resist the desire to shock, sometimes just for the sake of it.There are warm, folksy songs like “Warm Foothills”, piano and acoustic guitar and strings dancing around lyrics of touching sensuousness, alongside an eerie, electro-tinged folk hymn, “The Gospel of John Hurt”, about the actor with an alien bursting from his stomach. The touchingly obtuse falsetto Read more ...
Guy Oddy
The Vaselines were originally one of a slew of bands that came out of the mid- to late-80s’ Shambling/C86 scene. Characterised by low production values and low commercial expectations, their Dum-Dum album and a couple of EPs made little impression on Planet Pop and the band split. Then along came Kurt Cobain – who declared the band’s mainstays, Eugene Kelly and Frances McKee, his “favourite songwriters in the whole world” and recorded three of their songs with Nirvana. Kelly and McKee’s songwriting royalties swelled accordingly and, after a couple of false starts, the Vaselines finally Read more ...
Matthew Wright
The Pierces were on stage for little more than an hour, singing an enjoyable but quite predictable medley of their last three albums. Their sugar-glazed, glistening sound is filtered through all manner of electronic stabilisation and filtration devices which guarantee harmony and stability through their adrenaline-driven swoops and musical handbrake turns. So in some ways, you’re not getting much new content or musical insight by hearing them live. Yet a packed Shepherd’s Bush Empire, quiet to begin with, thrilled to the intensity of their charisma. There’s a wide variety, stylistically and Read more ...
Thomas H. Green
There was a time, around 25 years ago, when Inspiral Carpets’ psyche-eyed cow logo, accompanied by the motto “Cool as Fuck”, was ubiquitous on tee-shirts. Along with the Charlatans, they represented the second tier of the “Madchester” movement, trailing behind Happy Mondays and The Stone Roses. Unlike the preposterously revered Roses, however, Inspiral Carpets’ music has drifted out of the radio-played heritage rock canon.This is a shame. Inspiral Carpets touted a rather different sound from Manchester’s slew of “baggy” also-rans. Not for them a pastiche of Clyde Stubblefield’s “Funky Drummer Read more ...
Adam Sweeting
Though advertised as a heartfelt and autobiographical work, U2's 13th studio album tells you far more about the state of the music industry than it does about the intimate inner stories of the musicians. Tying the album release to the launch of Apple's iPhone 6 merely reinforced the view that U2 is no longer a band, more an offshore corporation, and was bound to strike many people as a desperate ploy from an outfit struggling to stay meaningful. Humiliatingly, many iTunes users have been so enraged by finding Songs of Innocence landing uninvited in their libraries that Apple have had to Read more ...