New music
Russ Coffey
Traditionally, reviewers of Mastodon albums employ the language of the avant-garde to describe the sophistication behind all that ear-splitting noise. Recently, however, their sound has changed. The riffs are less industrial and the vocals more melodious. Unsurprisingly the purists complain – but does this evolution really make their music any less accomplished? Less worthy of describing them in high-falutin’ terms? The band certainly seems to think not. Their press release for “Once More ’Round the Sun” talks of the “intense polyrhythmic guitar groove” of the lead single “High Road”. Read more ...
peter.quinn
Impressively old sea shanties with stacked up vocal harmonies and sing-along choruses. Check. Captivating explorations of desire, drink and death. Check. Luxuriant, high spec arrangements presenting an ear-catching crazy quilt of influences. Check. Newly signed to Island Records, in this fifth studio album the award-winning 11-piece folk band sprinkle their usual magic over a bracingly fresh and brilliantly constructed collection of songs.While some albums drift benignly into your consciousness, others begin with a figurative grabbing of your lapel. Revival falls very much into the latter Read more ...
Thomas H. Green
Klaxons are a great band. They’re also a brutal example of how a great band can make the wrong decisions and scupper themselves. Their Mercury-winning debut album Myths of the Near Future not only captures a moment when dance, rock and pop collided to offer colourful reinvigoration for all parties, it’s also a stand-alone classic. After it they went off the rails and made a drug-addled psychedelic experiment. That is what great bands do, right? Instead of realising this, and releasing the results to intrigued bemusement – the key word being “intrigued” – they dumped it and, instead, recorded Read more ...
Kieron Tyler
It’s statement of intent to open your first British headlining show with a 15-minute version of an album track which lasts a minute and three-quarters – from an album which itself lasts barely more than 30 minutes. And then to riff on it, incorporating elements from a debut album which barely anyone beyond your native country has heard. In taking her current album No Deal’s “I Feel You” and merging it with A Stomach Is Burning’s “A Stomach”, Belgium’s Melanie De Biasio could have alienated an audience who had never seen her before. Instead, the sold-out Purcell Room gave her standing ovation. Read more ...
Tim Cumming
You’d have to go back to 1996’s Spirit to name a Willie Nelson album with more than one or two original new songs, so the nine for Band of Brothers is something like headline news. Produced by Buddy Cannon – their previous collaboration, To All the Girls, took Willie back into the Top 10 for the first time since the 1980s – it features a deft band of guitar, steel, piano, bass and drums, with Mickey Raphael’s harmonica roaming around Nelson’s wandering way with a vocal and his totemic guitar, Trigger. This isn’t music that goes over the top; it gets under the skin. There’s no melodrama or Read more ...
Matthew Wright
New Orleans. New York. Kansas City. Chicago. These are the places where the soul of jazz breathes free. In London, you’d head to Soho. Dalston, or Camden; none of these places have a blade of grass to share between them. Jazz must be one of the most determinedly urban genres of music. Even rap these days has flirted with country music. (Look up Spearhead’s entertaining “Wayfaring Stranger” if you don’t believe me.)So when I heard about an Austrian festival subtitled “Jazz am Bauernhof”, which literally means jazz on the farm, or jazz in the farmyard, the very idea of reconciling this musical Read more ...
Guy Oddy
Lana Del Rey can be a polarising figure among music lovers. This seems to be largely due to media claims of “inauthenticity”, whatever that means these days. This viewpoint, of course, totally ignores that she has produced plenty of great tunes from breakthrough single “Video Games” onwards.Ultraviolence does take more than a slight stylistic lead from Del Rey’s previous album, 2012’s Born to Die. The cigarette-husky voice still characterises her singing, which is very much to the fore at all times. Her lyrics will ensure that she’s unlikely to be covered by Taylor Swift any time soon, though Read more ...
Kieron Tyler
Dead Moon: In the Graveyard, Unknown Passage, DefianceAfter a few notes of barbed-wire, bent-string guitar, a descending riff kicks in. It’s a relative of the uptempo version of “Hey Joe”. The voice starts. It’s high-pitched, as if Led Zeppelin's Robert Plant had only Love’s Arthur Lee and The 13th Floor Elevator’s Roky Erickson as an influence. The lyrics are hard to make out but touch on mean days and a girl who turns the singer cold. He might as well be dead and in a graveyard. The momentum is tempered by a break borrowed from The Elevators' “You’re Gonna Miss me”. The production is Read more ...
Katie Colombus
While you give your tent an airing in anticipation of festival season, think about the imaginative adventures your teenyboppers might enjoy – from colourful creative activities to bushcraft workshops and babysitting services, there’s much on offer for burgeoning revelers as well as their party-hardy-folks to enjoy. 1. Cornbury, July 4-6, Great Tew Park, OxfordshireAffectionately nicknamed "Poshstock" for its middle-class blend of old school headliners, sub-swanky bars and a glamping section, Cornbury has a range of creative and exciting areas for kids aged six months to five years. Read more ...
joe.muggs
OK... a dozen and a half fine trout... a large barrel... and one 12-gauge shotgun – let's blast away! I mean, one tries to be charitable but let's face it, this is the lowest common denominator right here. Tijs “Tiësto” Verwest is by many measures the most popular DJ in the world, regularly playing to crowds of several trillion, often from a helicopter made of diamonds and unicorn skin, and sending them into religious ecstasies with trance music that is so relentlessly dumb and predictable it makes most house and techno sound like Stockhausen in comparison.There are 18 tracks here, and every Read more ...
Matthew Wright
The Eventim (Hammersmith) Apollo, where Pat Metheny’s Unity Group last night gave a spellbinding, if sometimes baffling, performance, has hosted a goodly range of gigs in its time. Few of these can have offered such diversity within a single evening. Piece after piece left last night’s audience whooping with exhilaration, though Metheny’s fondness for mechanical innovation briefly threatened the audience’s otherwise adoring reception.Metheny opened with a solo on his 42-string Pikasso guitar, a Hydra-headed invention with a very delicate harp-like upper register. Watching him grapple in the Read more ...
Thomas H. Green
Plastikman's return filled many a techno geek with trepidation. DJ Richie Hawtin’s alter-person toured a spectacular live show in 2010, successfully proving he could hold his own in a world ruled by Skrillex, Tiesto et al, but there hasn’t been a new album since the wonky, pitched down, vocoder’n’cyborg grind of Closer in 2003. Since then Hawtin has gone from being a boys’ own techno totem to a bona fide superstar DJ. In holier-than-thou “underground” clubland his ambivalence about EDM, his working with Deadmau5, his audaciously huge Ibizan ENTER extravaganza, all apparently added up to “ Read more ...