New music
theartsdesk
The Prodigy: The Fat of the Land 15th Anniversary Expanded EditionThomas H GreenAlmost a decade after acid house changed the landscape of British music, it seemed rave culture was finally about to take over pop. The Chemical Brothers hit the top of the charts, assisted by Noel Gallagher, in Autumn 1996 with “Setting Sun”, Goldie led a wave of drum & bass eagerly signed by major labels, 12” singles were selling by the ton and, leading the charge, The Prodigy topped the single’s and album’s charts in mid-1997 on both sides of the Atlantic with “Firestarter” and its parent album The Fat of Read more ...
Lisa-Marie Ferla
“I think the Muppets hit a new low.” “Yeah, and his first name’s Cee!” In the hierarchy of Statler and Waldorf’s cutting put-downs it’s more of a turkey than a Christmas cracker, but Cee Lo’s Magic Moment was never supposed to be subtle. The album’s cover art features the soul star, clad in a pink fur coat, playing Santa in a convertible Rolls Royce driven by reindeer and drawn by three white horses. If you peer closely enough, you’ll notice that among the gifts falling from the back of the car are copies of Cee Lo’s previous three albums. That the star has chosen a bombastic pop number based Read more ...
Lisa-Marie Ferla
With a hollered “hello Glasgow” and immediate launch into “Magpie”, the emotionally ragged song that opens this year’s Sugaring Season, it was as if Beth Orton had never been away. On this last date of her UK tour, the night before her 42nd birthday, Orton’s notoriously husky singing voice was unsurprisingly even throatier, more tremulous than usual. It had the effect of lending even more intimacy to cuts from a new album that, after a six-year gap and particularly tumultuous personal circumstances, emerged bathed in the quiet glow of domestic bliss. After setting the scene with only an Read more ...
Kieron Tyler
Viva Forever! isn’t the clunker it’s been labelled. It’s also not the thin gruel of the standard West End jukebox musical. The real problem is that it can never be Mamma Mia!, the globe-conquering, ABBA-derived franchise previously devised by its producer Judy Craymer.To be fair, Craymer isn’t strictly the originator of Viva Forever! That honour falls to Spice Girls’ kingpin Simon Fuller and the combo themselves. They approached Craymer who, in turn, brought in Absolutely Fabulous writer and actor Jennifer Saunders to weave a narrative and script around the “Wannabe” gals’ back catalogue.Much Read more ...
mark.kidel
While living in Bombay in the late 1940s, betrayed by a business partner and his first marriage in the midst of painful implosion, Ravi Shankar decided to commit suicide. At the eleventh hour, a holy man, who happened to be passing by, knocked on his door asking for water. The man told Shankar that he was aware of his fateful decision. This wasn’t, he went on, the right time to be renouncing life. He had a great future ahead of him, the sadhu continued, and a major role to play in the dissemination of Indian music throughout the world. The man became Ravi Shankar’s spiritual teacher, and for Read more ...
Thomas H. Green
It would be a fool who came to any Christmas album sternly expecting radicalism and the pushing of sonic frontiers, and an even bigger fool if they expected the same from one by John Travolta and Olivia Newton John. Christmas albums revel, for the most part, in idealised nostalgia and ritualised celebration but, since it’s now de rigeur for anyone to have a go in this area, the deluge increasing each year, it seems reasonable to hope for a few twists to keep us interested. We don’t get them from Travolta and Newton John.The pair, who reached superstardom with Grease in 1978, reunited when it Read more ...
Kieron Tyler
It was predestined that Lou Doillon would shadow her half-sister Charlotte Gainsbourg and their mother Jane Birkin by going into music. More surprising is that her full-length calling card, debut album Places, is entirely written by her. The female members of her clan have generally relied on material from outside, so Doillon is a trailblazer. Part of the annual Trans Musicales festival, this show at Salle de la Cité in Rennes, Brittany’s rain-soaked capital, was an opportunity to discover what she’s about before the UK release of Places next spring.Equally foreseeable is that Doillon’s Read more ...
Jasper Rees
An album full of tunes you’ve been hearing all your life needs to be adept at reinvention. Cerys Matthews has already proved that she has a gift for repackaging the familiar in her enchanting Tir, which anthologises much loved Welsh folk songs and hymns. But then in that intoxicating voice, which breathily suggests both sweetness and transgression, she has just the instrument for sprinkling a fresh coat of fairy dust over, in this case, children’s carols.The pleasure of Baby, It’s Cold Outside: Christmas Classics from Cerys Matthews is also partly in the arrangements. There’s a distinct tinge Read more ...
Thomas H. Green
It is quite a sight to see your children doing the heads down Quo boogie but, by the time the band reach “Whatever You Want”, that is exactly where my daughters, aged 14 and nine, are at. The rest of the Brighton Centre, not sold out but respectably full, is on its feet too. Just beside us a well-preserved man of around 70 is going completely bananas, shirt open, sweat pouring off. The majority of the crowd are in their sixties, perhaps even their late sixties, but by this stage of the gig a good portion of their decorum has been thrown to the wind in favour of shimmying like sassy teenagers Read more ...
Kieron Tyler
It’s got to be difficult making a Christmas album. Not only are there all the preceding offerings which must weigh heavily, there’s the practical issue that it has to be completed way before any seasonal release date. For those choosing to make one, Christmas must be summoned early. The frosty, reflective mood created has to feel genuine even if the sun is blazing. With the seemingly effortless Tinsel and Lights, Tracey Thorn has made an album that suits any season. Its gentle pensiveness isn’t just for Christmas.Although Tinsel and Lights draws its songs from a raft of writers, it’s a Read more ...
theartsdesk
Herbert: Bodily Functions (Special Edition)Thomas H GreenMatthew Herbert is an electronic polymath whose career is fascinating whether you’re a fan of his music or not. Currently he’s working hard resurrecting the BBC’s iconic music and sound effects unit, the Radiophonic Workshop, and he’s recently released an album (as Wishmountain) sampling the top ten best-selling items in Tesco’s, while also having time for the odd Björk collaboration and the occasional tour wherein pig parts are cooked on stage in an anti-consumerist sonic performance art extravaganza. In short, Herbert has grown into Read more ...
Kieron Tyler
Although he has been recording since 2005, it was his 2011 album, Felt, which set Nils Frahm apart from the ever-swelling tide of modern classical minimalists. It was so intimate, so subtle, it felt almost like it shouldn’t be shared. The follow up has that same sense of peeking in on some private act, but it feels less uncomfortably illicit. On Screws, Frahm’s piano is naked, with nothing intruding.Even so, the story of how this album came to be made is distracting. In a fall from his bed, Frahm broke his thumb and decided to record one composition a night over nine nights, each played with Read more ...