CD: Ulrich Schnauss - A Long Way to Fall

Berlin’s sonic explorer takes the familiar to new heights

The last proper Ulrich Schnauss album – there have been collaborations and pseudonymous outings since – was going to be hard to top. Goodbye, released in 2007, breathtakingly took shoegazing further out than ever before: although gossamer, its sonic depth inexorably pulled you in. Now, with A Long Way to Fall, the Berlin producer and remixer has finally returned, solo, under his own name. He’s moved on, but is as assured as before.

Some of the collaborations between then and now took Schnauss into techno and drum & bass, elements of which cross over into A Long Way to Fall. Initially, the album evokes his Berlin predecessors Tangerine Dream (especially Atem) and outings by their former member Klaus Schulze – both solo (1975’s Timewind comes to mind) and with Ash Ra Temple. There are smidges of The Orb, and odd flashes of the rave comedown of “Higher Than the Sun” by Primal Scream. But just as Goodbye took the familiar to new heights, A Long Way to Fall does the same.

The music of Ulrich Schnauss is defined by a chilly beauty. Mostly instrumental, the album sounds lovely: a choirboy soprano could soar over “Like a Ghost in Your Own Life”; the title track will no doubt end up accompanying long tracking shots of snowy wastes. The chugging guitar of “I Take Comfort in Your Ignorance” might have broken the spell, but soon merges into a pulsing configuration that would have laid waste to Ibiza in the Nineties if those soundtracking it had visions even more widescreen than seemed possible back then. More than modern mood music, A Long Way to Fall is the crest of a sonic mountain that hasn’t previously been explored quite so thoroughly.

Visit Kieron Tyler’s blog

Watch the video for the title track from A Long Way to Fall

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The music of Ulrich Schnauss is defined by a chilly beauty. It could accompany tracking shots of snowy wastes

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production