Kieron Tyler
Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).
Articles By Kieron Tyler
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Years, Harold Pinter Theatre review - a bravura, joyous...
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review -...
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.
The brilliance of...
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguil...
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...
Phaedra + Minotaur, Royal Ballet and Opera, Linbury Theatre...
Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...
Music Reissues Weekly: Beggars Arkive - The Lurkers’ 1978 Jo...
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of...
Manchester Collective, RNCM review - something special in ne...
When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness...
The Marriage of Figaro, Welsh National Opera review - no con...
Drained as they are at present of crucial funds, WNO are managing to...
Jacqueline Feldman: Precarious Lease review - living on the...
Taking on some of the contingent, nebulous quality of its subject, Jacqueline Feldman’s ...