New music
Sinéad O'Connor, Queen Elizabeth HallSunday, 11 March 2012
Some people – a very few – just have it. Never mind whether her songs appeal, or the style in which she performs them, but Sinéad O’Connor’s presence is extraordinary - as, of course, is her voice. She sings “I Am Stretched on Your Grave” a capella... Read more... |
Nanci Griffith, Royal Concert Hall, GlasgowSunday, 11 March 2012
“I know what I was angry about when I wrote this,” Nanci Griffith told the crowd as she introduced “Hell No (I’m Not Alright)”, “but you can get your anger out about whatever you want.”It seemed a little odd that Griffith left the big hook (if the... Read more... |
Hugh Masekela, Barbican HallSunday, 11 March 2012
I must confess I wasn’t particularly looking forward to last night’s concert from the great elder statesman of South African music. This was largely because his most recent album Jabulani – recorded as a tribute to all the township weddings he went... Read more... |
CD: King Charles - LoveBloodSunday, 11 March 2012
This particular King Charles should watch out. Although he’s assumed the trappings of a Georgian fop, he’d be well minded to pay heed to his predecessors King Charles I - beheaded in 1649 - and King Charles II – dogged by plague and the Great Fire... Read more... |
Florence + the Machine, Alexandra Palace (2012)Saturday, 10 March 2012
I figured there were two solid reasons to attend last night’s Florence + the Machine gig in North London. The first was that I’d given Ceremonials a fair few listens, and was beginning to conclude that the chaps at Island Records had identified what... Read more... |
The Stranglers, RoundhouseSaturday, 10 March 2012
Well, better late than never. I wanted to see The Stranglers at The Roundhouse in April 1977, but a combination of homework, strict parents and being way too young meant that I had to make do with playing their debut album Rattus Norvegicus IV to... Read more... |
CD: Estelle – All Of MeSaturday, 10 March 2012
All Of Me is an album of cast shadows rather than substance, which is a little baffling given that it’s taken four years to materialise. Recent single “Thank You” has echoes of fellow Brit Sade in her sultry Eighties prime. “Back to Love” aims for... Read more... |
Killing Joke, RoundhouseFriday, 09 March 2012
With the Queen’s Diamond Jubilee and the Nostradamus-predicted apocalypse both imminent (possibly), now is clearly an auspicious time for a doomsaying veteran punk combo such as Killing Joke to return to our midst. Unlike most of their late-... Read more... |
The Duke Spirit, KOKOThursday, 08 March 2012
You could say the Duke Spirit have come a long way since I saw them support The Rapture (the who, now?) at the Oxford Zodiac, in 2004 – where, for my five quid, they accidentally sold me their band-wagon copy of Roy Orbison’s Big Hits from the Big ‘... Read more... |
CD: Wallis Bird - Wallis BirdThursday, 08 March 2012
Do you remember a couple of summers ago, when it seemed like you couldn’t turn on the radio without catching a clip of yet another quirky young female songwriter with a clever hook and a regional accent? The artwork to Wallis Bird’s new album... Read more... |
CD: Lionel Richie - TuskegeeWednesday, 07 March 2012
When an artist releases an album of new readings of old material, there’s usually cause for concern. But not with Lionel Richie’s new release, a foray into light country. In fact, given Richie’s recent efforts to stay down with the kids, maybe he... Read more... |
CD: VCMG – SsssTuesday, 06 March 2012
Electropop royalty does not get more illustrious than this. VCMG stands for Vince Clarke (&) Martin Gore, who started out together in Depeche Mode, only for main songwriter Clarke to depart in 1981. Gore stayed in the band and took kinky leather... Read more... |
