wed 18/06/2025

New music

Music Reissues Weekly: For Dancers Forty

 “You Turned my Bitter Into Sweet” sounds like a hit. The 1965 Mary Love single was issued by the Los Angeles-based Kent label and had a Motown flavour and a hint of The Supremes’s “Come See About me”, from the previous year. “You Turned my...

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Album: Tropical Gothclub - Tropical Gothclub

Queens of the Stone Age. The Dead Weather. The Raconteurs. For those who know these bands intimately, Dean Fertita is no stranger. But to those less familiar he might need a little introducing.Fertita has long been a prominent, yet, background...

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Album: Aoife Nessa Frances - Protector

There’s a song by Kevin Ayers called “The Lady Rachel”. It was on his 1969 debut solo LP Joy Of A Toy. Play it alongside “This Still Life”, the second track on the second album from Ireland’s Aoife Nessa Frances and the aesthetic kinship is clear....

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Album: Taylor Swift - Midnights

Taylor Swift’s transitions have become imperious, from the woody hush of her collaborations with The National’s Aaron Dessner, Folklore and Evermore, to the remade reclamations of her early work. Working at pace, she has assembled an impregnable...

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Album: Goat - Oh Death

It’s now six years since Goat last released an album of new songs and, despite a live disc and one of B-sides and other odds and sods that have appeared in the meantime, its Requiem title suggested that it might have been their last call to arms....

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Music Reissues Weekly: Living Daylights - Let's Live For Today

In the third week of April 1967, Frank and Nancy Sinatra’s “Somethin’ Stupid” topped the UK’s single’s chart. Sandie Shaw’s “Puppet on a String” was number two, and The Monkees’ “A Little Bit me a Little Bit You” snapped at her heels. Englebert...

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Bob Dylan, London Palladium - busy painting his masterpiece

It’s the second night of a four-night run at the London Palladium of the Rough and Rowdy Ways World Tour – no other Dylan jaunt has taken an album for its title – and it begins with a blast of symphonic violence from the first movement of Beethoven’...

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Let's Eat Grandma, Patterns, Brighton review - odd-pop duo remain a contagious one-off

At the start of the song “Two Ribbons” Rosa Walton and Jenny Hollingworth of Let’s Eat Grandma do a brief schoolyard pat-a-cake hand-game. The song is a guileless ode to female friendship, love even, a paean to their own bond, which was strained at...

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The Orb, Hare & Hounds, Birmingham review - ambient house duo celebrate 30 years of UF Orb

Ten minutes before The Orb got on stage at the Hare & Hounds, Alex Paterson was standing in the building’s courtyard with a big old spliff in his hand “clearing his head” and getting ready for action. So, it was good to know that some things don...

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Album: Witch Fever - Congregation

Witch Fever are a seething punk outfit from Manchester whose debut album rampages at the patriarchy with unbridled fury. The tone throughout is summed up in “Sour”, wherein grimy, gloomy riffin’ is accompanied by oblique references to Christianity,...

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Angeline Morrison, Cecil Sharp House - a ballad-maker for our time

Among those making her Cambridge Folk Festival on the diminutive Club Stage back in the summer was Angeline Morrison, a Birmingham-born singer, songwriter, and multi-instrumentalist who these days makes her home in Cornwall, drawn at least in part...

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Album: Arctic Monkeys - The Car

Who could really make head or tail of Tranquility Base Hotel and Casino? It was weird. Interesting, occasionally  brilliant, but definitely weird. Now it’s time to almost come back down to earth (but not Sheffield earth,...

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