Classical music
Ian Page
My latest recording with The Mozartists is the first in a seven-volume series [reviewed by Graham Rickson in his Classical CDs Weekly column] exploring the so-called “Sturm und Drang” (literally translated, “storm and stress”) movement that swept through music and other art forms between the early 1760s and the early 1780s. In its strictest sense this was an exclusively literary movement which developed in Germany during the 1770s, and which owes its name to the title of a play written in 1776 by Maximilian Klinger. Its general objectives were to frighten and perturb through the use of a Read more ...
graham.rickson
Berlioz: Symphonie Fantastique, Rêverie et caprice, La mort d'Ophélie, Sara la baigneuse Utah Symphony/Thierry Fischer, with Philippe Quint (violin) (Hyperion)Just two big symphonies by French composers can be counted as standard repertoire. Having recorded the current box office favourite as part of their excellent cycle of Saint-Saëns symphonies, Thierry Fischer’s Utah forces now tackle the other one, Berlioz’s Symphonie Fantastique. A few of Fischer’s interpretative decisions prompted me to look at the score to see if he’d changed anything. I’m used to the horn and woodwind snarls at Read more ...
Richard Bratby
After a devastating drought, even a light shower can feel like something of a miracle. Under normal circumstances, a 60 minute lunchtime piano recital from the Wigmore Hall would represent wholly unremarkable business as usual for BBC Radio 3. As it was – coming (as the presenter Andrew McGregor reminded us) eleven weeks after the Wigmore had last heard live music – this felt like an event of profound significance. Perhaps that’s no bad thing. Perhaps we haven’t always listened to artists as life-affirming as Stephen Hough, and music as great as his opening programme of Bach and Schumann, as Read more ...
Gabriel Prokofiev
For most people a turntable, or record player is used to play back old vinyls bought from a market or second hand store, or perhaps a carefully packaged reissue of a classic album. We gently place the needle at the beginning of the record and are careful not to scratch the vinyl when we turn it over. But for a turntablist or DJ it is a musical instrument, and they handle it with much greater confidence and familiarity. When two turntables are set up with a mixer a wealth of new musical worlds can be created.This relatively new musical tradition of turntablism has a fascinating and rich Read more ...
Adam Sweeting
Great idea to use a symphony orchestra as the basis for a TV drama, because all of human life is there. Not to mention death, since this entertaining, though melodramatic, new French import (Channel 4) began with the dramatic collapse on the podium of veteran conductor George Delvaux just as he was launching into the finale of the New World symphony. He was pronounced dead at the scene.After Delvaux’s demise, the plot orbits around the return to Paris of ace French conductor Hélène Barizet, played with flair and tremendous dress sense by Marie-Sophie Ferdane. Though strangely, she carries a Read more ...
graham.rickson
Korngold: Violin Concerto, String Sextet Andrew Haveron (violin), RTÉ Concert Orchestra/John Wilson, Sinfonia of London Chamber Ensemble (Chandos)Erich Korngold began writing his String Sextet in 1914, when he was just 17. Listeners immune to the pleasures of Korngold’s late Violin Concerto and Symphony in F Sharp might reconsider if they listened to the Sextet first. This is a big, four-movement work, technically brilliant and emotionally rich, largely devoid of the showy flamboyance that can thrill or irk in the orchestral works. Your attention is grabbed at the outset; it’s as if Read more ...
David Nice
In an atmosphere of uncertainty created by a government desperate to boost the economy despite the COVID-19 infection rate not reducing significantly, some UK venues and organisations are moving responsibly towards some kind of new normality. The Wigmore Hall has lunchtime concerts every weekday from 1 June, broadcast on BBC Radio 3 and livestreamed on the hall's website. The BBC Proms has announced live concerts for the last two weeks of "the biggest music festival in the world", with plenty online before that. Meanwhile, it's time to focus again on some great instrumentalists.Igor Levit in Read more ...
Andsnes, Eriksmoen and friends, Bergen International Festival online review - from Mozart to Widmann
David Nice
This is as close as we’re going to come now to the real festival experience. The enviably well-funded Bergen International Festival is serving up on average three or four events a day, livestreamed from atmospheric venues around the city and all available for a month. For those of us lucky to have witnessed the more intimate strand within the international programme curated by great pianist Leif Ove Andsnes, teaming up this year with outstanding soprano Mari Eriksmoen and young players from the (also well-funded) Crescendo mentoring programme, it was close to teleportation. But whereas fiv Read more ...
Esther Yoo
COVID-19 hurls the artist into the unknown. June is the time of year where I, like many, look back on everything I have accomplished over the last two quarters and look forward to my plans and goals for the next six months. As my birthday happens to fall in mid June, it’s a particularly opportune moment for me to think about my personal timeline and envision how I want to commence a new year. For the first time ever, though, my reflection involuntarily focuses on everything I have not been able to accomplish this half-year and my spirits are not greatly lifted by the prospects for the Read more ...
Joseph Moog
It can be found in any contract. Both artists, as well as promoters, are aware of it, but it used to be an exception so rare that only a few have ever experienced it: the clause of "force majeure". Now it is sadly commonplace in the world of the performing arts.Who could have ever imagined a scenario as serious and drastic as the one we are currently experiencing? When I first read about this mysterious new virus in early January 2020, I thought back to similar headlines surrounding the swine influenza or SARS outbreaks in recent years. The feeling was similar and the potential threat was Read more ...
graham.rickson
Bizet: Carmen Suite No. 1, Symphony No. 1 in C, Gounod: Petite Symphonie Scottish Chamber Orchestra/François Leleux (Linn)Initial impressions are disconcerting, the bass thwacks at the start of the first suite extracted from Bizet’s Carmen by Ernest Giraud almost too polite, but the ears adjust quickly; what we get is what you’d hear in an orchestra pit. I’d forgotten how good this music is in its original form, having spent too much time recently marvelling at Rodion Shchedrin’s offbeat string transcription. François Leleux’s Scottish Chamber Orchestra are superb, flautist Silvia Read more ...
Katherine Hunka
As a musician I spend so much time on the road that a day spent at home is a rarity. And now, with the restrictions we all face, and concerts an impossibility, I am becoming a keen gardener and making a lot of soup. It is also a time of reflection. There is nothing like being told to stay at home to make you think about how home came about, particularly when it’s abroad. My 20-year-old self would never have dreamt of anywhere other than my home city London as base.The invitation to work in Ireland came out of the blue; they were head hunting. I was told I would be put up in the picturesque Read more ...