Classical music
David Nice
Concert programmes are designed to make the mind flexible with constant contrasts. More often, though, the great is the enemy of the good-ish. Last night an Elgar masterpiece was always going to overshadow its second-half predecessor, a hazily pleasant piece for strings and – novelty value – six harps by the colleague Elgar called “dear old Gran”, candidate for this Proms season's resuscitation attempt Granville Bantock. And earlier, Sibelius bopped a BBC commission on the head with supernatural noises that could have been conjured yesterday.Always beware – I’ve written it several times Read more ...
alexandra.coghlan
There have already been many musical tributes to Sir Colin Davis, whose death in April left us all so much the poorer, but last night’s from the London Symphony Orchestra was particularly and wonderfully poignant. Davis himself was originally scheduled to conduct the London Symphony Orchestra – an ensemble whose relationship with him extended back over 50 years – but was replaced, fittingly, by his protégé Daniel Harding. A planned Sibelius Second Symphony was exchanged for Elgar’s Symphony No. 2 – a work of valediction, whose funeral march can rarely have paced with such delicate gravity. Read more ...
geoff brown
Standing in the Albert Hall arena, critics’ notepad in hand, I felt rather like PC Plod taking notes at a crime scene. Only there was no serious crime to report in this engaging late-night Prom by the BBC Scottish Symphony Orchestra and its former Principal Conductor, Ilan Volkov – the ideal man to conduct music that isn’t by Brahms or Schubert.He took charge, you may remember, of the Proms’ epic John Cage circus last year, and the composers corralled into this endeavour could be counted among Cage’s many friends and children. From America we heard from Morton Feldman and Frederic Rzewski; Read more ...
Sebastian Scotney
In a couple of weeks Marin Alsop will become the first woman ever to conduct the Last Night of the Proms. Yesterday's programme of 19th century works by Brahms and Schumann, on the fifth of the eight Saturday nights of the season, thus had its Proms-specific raison d'etre, a signpost towards that history-making final Saturday. Just as the last night's high jinks have their own, ordered traditions, the Proms planners definitely enjoy giving a self-referential logic to the season.The programme, which Alsop conducted entirely from memory, was a cleverly constructed juxtaposition of works which Read more ...
geoff brown
Jeremy Paxman’s beard may have been a wonder and a talking point for five days, but Michael Tippett’s opera The Midsummer Marriage beats it by almost 60 years. Ecstatic, visionary, energetic music, yes indeed. But, oh, the composer’s libretto! The Magic Flute, T. S. Eliot’s The Waste Land, English folk lore, Greek myths, A Midsummer Night’s Dream, Carl Jung’s archetypes of the unconscious mind, wafts of wisdom from the East: all get crammed and overheated in the pot, cooked by someone with a soaring lyrical musical gift but only a talent for awkward verbiage when it comes to writing words. Read more ...
alexandra.coghlan
The fascination of the East has been a constant in classical music’s history, from the jangling sounds of the Janissary bands to Mozart’s Seraglio, Sheherazade’s dreamy tales to Britten’s seductive gamelan. Last night’s Prom gave the East a chance to answer back, setting Nishat Khan’s new Sitar Concerto in dialogue with Vaughan Williams’s London Symphony – a musical portrait of a landscape rather closer to home.Getting us into the mood, Holst’s short tone poem Indra was something of an oddity. Anyone expecting swirling Orientalist fantasy would have been disappointed by the rather anonymous Read more ...
Kimon Daltas
It makes a lot of sense for the National Youth Orchestra to give the first ever free Prom. Both, one assumes, economically but also in terms of ethos and atmosphere. New and tentative concert goers would have had very little cause to be intimidated by the fresh faces on the Albert Hall stage last night. That’s thing about youthful energy – you can’t fake it. The same goes for musical quality, or course, and thankfully the NYO has bags of that too.Vaughan Williams’s Toward the Unknown Region showed off the beautifully rehearsed choirs, making controlled and expressive use of dynamic range Read more ...
David Nice
Take note of the title, with its “could”, not “must”. “The word ‘must’ is not to be used to Princes,” quoth Good Queen Bess as echoed in Britten’s Gloriana. Yet that was the verb used by New York writer Scott Rose, guest-posting on Norman Lebrecht’s Slipped Disc blog. He declared that hit-and-miss superstar soprano Anna Netrebko, having proved fair game for the drive against Putin’s Nazi-rulebook laws in Russia by aligning herself politically with the regime as a named supporter of his re-election campaign, “must state her position on gay rights in Russia”.The momentum has gathered over in Read more ...
David Nice
Mahler, who like most of us thought Bach was “the greatest of them all” and studied in depth the edition of his complete works, would have been delighted by last night’s extravaganza – a true celebration of what makes the Proms the much quoted “biggest music festival in the world”. Only two Bach oratorios – cantatas in all but name – could possibly follow, after a sizeable break for supper, the Mahler symphony, his Second, which ends in such a blazing resurrection. It’s disappointing, then, to record that while there was so much to enjoy in both concerts, the expected transportation on angel Read more ...
edward.seckerson
Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is the Wigmore Hall and that their performance is for an audience of one and not six thousand. Mitsuko Uchida is among the select few. Indeed there were feats of projection in pianissimo during her performance of Beethoven’s Fourth Piano Concerto with the Bavarian Radio Symphony Orchestra under Mariss Jansons that I’m not sure any other living pianist can achieve in quite the same way. It’s the quality of the soft playing, the limpidity and beauty of the sound Read more ...
Sebastian Scotney
There had been a buzz of anticipation about this late-night Prom by Nigel Kennedy, the Palestine Strings and his Orchestra of Life, and it was completely sold out. After a long association with Vivaldi's Four Seasons, and 2.4 million sales of the 1989 album, Nigel Kennedy doesn't seek or need either forgiveness or permission to open the doors of this music to other tendencies.“Let's just do it” is the approach he defines in the programme, where he also praises the young players (their ages range from 12 to 23) of the Palestine Strings for the “rich, wholehearted and unique” spirit in which Read more ...
alexandra.coghlan
It’s hard to find an overarching theme to last night’s Prom from John Storgårds and the BBC Philharmonic. We veered from a solidly patriotic opening (Walton, Rubbra) through the high romance of Bruch’s Violin Concerto to the murkier stylistic no man’s land of Korngold’s Symphony in F sharp. Musical emotions were running universally high however, and the cumulative effect was dramatic in the moment, but oddly unsatisfying on reflection.There was nothing equivocal about the Bruch however, showcasing the talents of the young Norwegian violinist Vilde Frang. Frang is the real deal, as serious a Read more ...