sun 14/09/2025

film directors

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.Yes, it was formally groundbreaking (within the context of American cinema), and is often read as a metaphor for the clash of generations,...

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Oslo Stories Trilogy: Sex review - sexual identity slips, hurts and heals

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at him like he’s a woman. Funny thing, his friend (Jar Gunnar Røise) replies. Yesterday, a male client asked him to...

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Oslo Stories Trilogy: Love review - freed love

Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to live there, beyond borders and bonds of sexual identity and shame. Released here between Dreams’ meta-memories...

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Weapons review - suffer the children

Weapons’ enigmatic title, as with Zach Cregger’s previous film Barbarian, reveals little of what follows. The smalltown Pied Piper premise is sufficiently alluring: at 2.17 am, all bar one of a primary school class leave their beds and sprint...

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Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in the Golden Bear-winning Dreams, the first UK release from Norwegian director Dag Johan Haugerud’s Oslo...

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28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012 Olympics have offered rich material for a franchise about deserted cities, rampaging viruses, hard quarantines and...

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theartsdesk Q&A: filmmaker Miguel Gomes on his latest exotic opus, 'Grand Tour'

It doesn't take much to get lost in a film by Miguel Gomes. In fact, it's required. Multiple layers, timelines, and perspectives unfold in his cinema is mysterious ways, allowing the Portuguese director to tackle the themes that interest him: great...

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DVD/Blu-ray: In a Year of 13 Moons

A longshot of transgender Elvira (Volker Spengler) circled by gay men, assignation turning to assault as dawn mist rises from Frankfurt’s Main river, suggests Pasolini’s brutal 1975 assassination. Rainer Werner Fassbinder instead had in mind the...

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Patrick McGilligan: Woody Allen - A Travesty of a Mockery of a Sham review - New York stories

Patrick McGilligan’s biography of Woody Allen weighs in at an eye-popping 800 pages, yet he waits only for the fourth paragraph of his introduction before mentioning the toxic elephant in the room: i.e. the sad fact that, despite never having been...

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Alfred Hitchcock Presents: The Musical, Theatre Royal Bath review - not a screaming success

In Italy, they did it differently. Their pulp fiction tales of suburban transgression appeared between yellow covers on new stands and spawned the influential Giallo movies of the Sixties and Seventies, gory exercises in an offbeat, highly stylised...

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Blu-ray: Lifeforce

Tobe Hooper changed cinema with The Texas Chain Saw Massacre (1974) for pennies in rancid Southern heat, but came closest to a mainstream Hollywood career a decade later, following the hit Spielberg collaboration Poltergeist (1982) with his biggest...

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theartsdesk Q&A: director François Ozon on 'When Autumn Falls'

François Ozon is France’s master of sly secrets, burying hard truths in often dazzling surfaces, from Swimming Pool’s erotic mystery of writing and murder in 2003 to the teenage boy cuckooing his way into his middle-aged mentor’s life in...

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