TV
Adam Sweeting
The cumulative effect of the BBC's Cold War season hasn't been to remind us that truth is stranger than fiction so much as to demonstrate how they swirled together into a miasma of delusion and uncertainty. We've seen Reds under the bed and spies in the ointment and revisited once again notorious episodes of the highest treason.In BBC Two's Cold War, Hot Jets, we were shown not only how Britain suicidally sold its cutting-edge jet engine technology to the Russians, but how the crews of the RAF's nuclear-equipped V-bombers were trained to fly their final, cataclysmic missions beyond the Iron Read more ...
Matt Wolf
These days, it seems you can't move without encountering musicals in some context or another on TV. Series like Smash and Glee trade on the genre to a degree hovering between the loving and the parasitic, while two contrasting documentaries, The Sound of Musicals and The Story of Musicals, have shed varying degrees of light on how shows get actually get to the stage (or not). Shifting from the art form to the artist, Lionel Bart: Reviewing the Situation casts an affectionate if not wholly sentimental eye on the man behind arguably the greatest of all British musicals, Oliver!, only to lay Read more ...
Jasper Rees
There is a wonderful play to be written about the month in 1502 when Cesare Borgia was holed up in a castle in northern Italy with Leonardo da Vinci and Niccolò Machiavelli. Which of these two was working for the fearsome Borgia? Wrong. It was the creator of the Mona Lisa, not the author of The Prince. Machiavelli was a young diplomat of the new Florentine republic without a thought of realpolitik in his idealistic young head. Meanwhile back in Tuscany another young republican was working on that symbol of civic liberty, the statue of David.It would be 10 years later that the Medicis grabbed Read more ...
Tom Birchenough
The bleak opening of Don’t Ever Wipe Tears Without Gloves is set in a nursing home where a man is dying of AIDS, tended by nurses who themselves know next to nothing of the disease. The phrase one nurse utters as a warning gives this Swedish drama its title: any human contact, even if it’s intended as the smallest act of kindness, risks passing on the infection. Simon Kaijser’s three-part drama will show us the varieties of response across society to these extreme new circumstances.It begins in the Swedish countryside, where Rasmus (Adam Pålsson) has grown up happily, surrounded by loving Read more ...
theartsdesk
In the past weeks there has been a frenzy of publicity about the timelessness of a Time Lord. Through sundry incarnations (and one sizeable moratorium), Doctor Who has been on television screens for 50 years. But it's by no means the only show possessing what a football pundit once called stickability. In this edition of Listed, we celebrate the shows which have been knocking around for what feels like forever, nearly half of them for even longer than the good Doctor. There's something here for everyone: soaps, sport and satire, royalty and Casualty - with an inevitable bias towards the BBC. Read more ...
Kieron Tyler
“Long may it stay a mystery,” said Keith Richards, the first talking head seen in this opening shot of a two-part excursion through blues music. Self-evidently, two hours devoted to this oft-explored subject wasn’t going to leave too many mysteries. Woke Up This Morning did tread new ground though – at least for British television – by recalibrating perceptions of authenticity and motivation.Big Bill Broonzy had made his name in Chicago, where he was seen as a sophisticated and urban performer. For his 1938 New York debut, he allowed himself to be portrayed as fresh from an Arkansas farm. The Read more ...
Tom Birchenough
Did we really ever have it quite so bad? One-off drama Legacy, the latest addition to the BBC’s Cold War season, took us back to 1974, civil unrest, power-cuts and the three-day-week. And in Spyland, that nether world of lost certainties and perennial jadedness, the weather’s rarely great anyway. So the lack of sun in Paula Milne’s tight and nuanced adaptation of the Alan Judd novel was no surprise: the clouds of le Carré were lowering.Which made the yellow Rover driven by rookie spy Charles Thoroughgood (Charlie Cox) about the brightest thing around (along with the red telephone Read more ...
Matt Wolf
I guess the BBC can't afford researchers or fact-checkers these days. If they could, perhaps something of substance might have arisen from their vacuous Culture Show profile of Vicky Featherstone, the gifted new artistic director of the Royal Court. Oh, and they have might have got the theatre's actual postcode right (SW1W 8AS, as per the Court website), rather than insisting twice on air that it's in (neighbouring) SW3. I mean, if you're going to be so careless with the details, what hope is there for the bigger picture? Precious little, on the evidence of this half-hour summation of a Read more ...
Tom Birchenough
Access and trust are the key issues facing any documentary director, especially when the film concerned touches on questions that arouse controversy in society. It’s a long time since I've seen a work that achieved so much on those two fronts as Pussy Riot – A Punk Prayer. The HBO-Storyville documentary by double directors-producers Mike Lerner and Maxim Pozdorovkin tells the brave story of the Russian conceptual art, feminist punk collective. Two of the group's members are still imprisoned in Russian penal colonies for their participation in the "punk prayer" they staged at Moscow’s Read more ...
Adam Sweeting
It’s difficult to give Simon Russell Beale a brief introduction, so encyclopedic is his list of stage and screen acting credits. He has cruised masterfully through Shakespeare, Ibsen, Chekhov, the Restoration playwrights, Shaw and Pinter, and recently camped it up madly in a revival of Peter Nichols’s Privates on Parade. He has been such a mainstay of the National Theatre that the building may have subsided into the Thames without him.On screen, he has appeared in such diverse fare as adaptations of Persuasion, An Ideal Husband and Rattigan’s The Deep Blue Sea, and his portrayal of Falstaff Read more ...
Jasper Rees
A couple of weeks ago I was queueing to get into the BBC’s magnificently revamped HQ at Broadcasting House. Just behind me in the same queue were Harry Enfield and Paul Whitehouse. Their faces are craggier, their hair less confident than when the two comedians became part of the national furniture 20 years ago. And here they were, lightly joshing about the indignity of signing in to enter the offices of the national broadcaster which owes them so much. Meanwhile employees with passes, endowed with rather less of the talent that makes the BBC what it is, filed in and out of the revolving doors Read more ...
Lisa-Marie Ferla
Well, wasn't that fantastic? Three Doctors; guest appearances from just about every fan favourite you could think of and enough in-jokes to satisfy even the most committed Whovian. Plus, anybody whose interests incorporate the musical career of one John Barrowman certainly wouldn’t have been disappointed.I’m talking, of course, about The Five(ish) Doctors Reboot, a half-hour Red Button special written and directed by fifth Doctor Peter Davison. This little treat, intended to reward those of us with the dedication to sit through the truly terrible Doctor Who Live: The Afterparty on BBC Three, Read more ...