TV
Adam Sweeting
I don't know how accurate Scott & Bailey is as a portrayal of the daily experiences of policewomen, but screenwriter Sally Wainwright is enjoying herself hugely with the chaotic private lives of her protagonists. Quite a bit of this echoes back to the death of barrister Nick Savage (the ineffably sleazy Rupert Graves) in series two. He was DC Rachel Bailey's lover, though he'd failed to mention that he was already married with two children. To heap insult on injury, she then discovered he'd had an affair with a juror during a court case.Anyhow, in this mostly-retrospective episode, we saw Read more ...
Jasper Rees
Mrs Thatcher famously presided over a huge rise in unemployment, but down the years she kept a large sorority of impersonators (and one male one) off the dole. She was lucky with her mimics, who included some of the great actresses of the age, and never luckier than when Meryl Streep (pictured below) inhabited the role of Britain's first female Prime Minister. To her three election victories, Thatcher was able to add - if by proxy - an Academy Award for Best Actress.The first person to grab the handbag was Janet Brown on The Mike Yarwood Show, even before the Conservatives' return to office Read more ...
Kieron Tyler
Swedish cop drama Arne Dahl snugly fits BBC Four’s Saturday-evening slot for continental European TV imports, but it also suggests that the well might be running dry. Based on the opening episode there’s not much intrinsically wrong with it, but it’s not distinctive and – beyond Irene Lindh’s forceful portrayal of lead detective Jenny Hultin – lacks any characteristically Scandinavian markers. Things may change as the series finds its feet but, for now, Arne Dahl could have sprung from anywhere in Europe. The stock types making up Hultin’s team further that impression.Sweden’s top businessman Read more ...
fisun.guner
There was a time when the art of the Low Countries was considered to be very lowly and base indeed. It was the high art of Italy that counted if you were a person of culture and breeding. Not for you the carousing common folk of Jan Steen, or those watery flatlands of Van Goyen, touched with too much bleak realism. It was the arcadian Campagna of Claude – like Poussin a Frenchman but with the Rubicon flowing through his veins – that you looked to.But that was all long, long ago, in the days when the Grand Tour didn’t allow for a quick stop-over and art-pillage in Leiden or Amsterdam, and when Read more ...
fisun.guner
Ten years ago Peter Nicholson made a BBC drama about Pompeii and its destruction. This fictionalised reconstruction, depicting made-up characters in togas saying made-up things, sounded cheesier than a pound of Brie, but was actually completely gripping: you knew what was coming, but you rooted for the characters all the same. And while it had all the ingredients of a tense thriller, nothing got in the way of telling the story clearly and intelligently.One decapitated marble head of a goddess had hair that was painted Titian-red and eyes of limpid greenWith the British Museum’s Life and Death Read more ...
Adam Sweeting
Three years after Jonathan Creek's last one-off special, tellies across the land resounded once again to the strains of Saint-Saëns's Danse Macabre, a theme tune cunningly chosen to reflect the show's mix of menace, wit and whimsy. Nor had writer David Renwick stinted on the bizarre quirks and fiendish sleights of hand, in a tale featuring a vanishing corpse and an unsolved supernatural mystery from the past, amid a herd of gambolling old thesps having a whale of a time.Chief among these were Nigel Planer and Joanna Lumley as polymath and TV producer Franklin Tartikoff and his Read more ...
Demetrios Matheou
We hear ghastly, otherworldly shrieks and human screams over a black screen, which then fades to white and the sight of a man running for this life through a snowy wilderness. As he approaches a seated figure, he cries out, “friend”, only to find the poor chap holding his own head in his lap.The creators of HBO’s rightly acclaimed fantasy drama Game of Thrones like to open and close a season with the White Walkers, the undead long ago defeated in the frozen wastes north of The Wall, but whose return puts the battle for the kingdom of Westeros into perspective; whoever gets his, or her hands Read more ...
Veronica Lee
Peter Moffat's latest project is a long-form drama reminiscent of Heimat (the Edgar Reitz project that told a German family's story through the 20th century) in which he charts 100 years of life in a Derbyshire village up to the present day. The first series started last night and its six episodes cover 1914-1920; the following series haven't yet been commissioned, but on the evidence of the opening chapter Moffat must be hopeful.The story is told through the eyes of Bert Middleton (David Ryall), now the “second oldest man in Britain”, remembering his childhood. It starts with the summer of Read more ...
Lisa-Marie Ferla
Ever since Steven Moffat made the transition from fan favourite writer to showrunner, certain storytelling tricks in Doctor Who have become increasingly frequent. I can’t have been the only one who groaned at the short prequel to The Bells of St John, the first of eight new episodes to air before the summer, when it appeared online last week. In a two-and-a-half minute scene, the Doctor (Matt Smith) meets a little girl who is revealed to be new companion Clara Oswald (Jenna-Louise Coleman). It could only have been more of an homage to Smith’s first appearance proper, The Eleventh Hour, if the Read more ...
graeme.thomson
It was one of those entirely unverifiable "facts" that music documentaries increasingly prefer over genuine insight: early on in this serviceable but routine overview of a truly stellar talent, we were told that Nile Rodgers’s guitar has “played on two billion dollars' worth of hits”. Who really knows? Who actually cares? You don’t measure the sheer joy of Chic’s “Good Times” or Sister Sledge’s “We Are Family” by counting the cash or doing the math. You simply use your ears.As Johnny Marr pointed out, Rodgers is responsible for countless records “you’d have to be made out of stone not to be Read more ...
Veronica Lee
How do we know Jesus Christ was a Jew? He was still living with his mum at 33 and she thought he was God Almighty. Are you offended? I sincerely hope not and profuse apologies if you are, but that was the first religious joke I remember from my Catholic childhood, and which managed to take a swipe at two religions for the price of one.I also remember - and on my occasional forays into church still do - hearing priests crack jokes about God and the Pope from the pulpit. Maybe it's a Catholic thing, because I have never heard a left-footer make the complaint that Ann Widdecombe - former Read more ...
Lisa-Marie Ferla
As the second series of Zooey Deschanel-starring US sitcom New Girl gets underway on E4, it’s an interesting exercise to revisit first impressions. I note that when the pilot originally aired, theartsdesk was not as harsh as I was on a show which, over the course of its first year, quickly became one of my favourites. In her remarkably prescient conclusion, our Veronica Lee suggested that by toning down the central character’s kookiness and the stereotypes the show made of the rest of the characters, New Girl could turn out to be great.The strength of the show is in its ensemble castIn the Read more ...